Category Archives: Art

[Traveling Tales] An Inspiring Stroll Through Arkansas’ Crystal Bridges Museum

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A week in the South 💜✨

I think at one point or another, we’re all either turned off from – or turned on to – different types of art; I’ve been enamored with the musical process since I was a little kid, but in first grade -after viewing ‘color by numbers’ as more of a competition to finish first than an exercise in observing the intricate nature of shapes and sizes – art (painting, drawing, sculpting and the like) simply just lost me.

A week in the South 💜✨Throw on some old Mozart and we can talk, or let’s discuss the sociocultural importance of ‘Pope Marcellus Mass‘ – but the second you’d bring a Rembrandt or a Monet anywhere in my general vicinity and my boredom would be palpable. Living in Los Angeles, there are so many different venues to enjoy the arts – and so many different forms and iterations of the artistic process, that you nearly have to go out of your way not to enjoy them.  Which, I did, for my first few years living here but I’ve learned that you’ll keep disliking the things you don’t like if you keep avoiding them, and the more I’ve jumped feet first into the deep end of the artistic process and finally, art has been making a splash everywhere I’ve looked.

A week in the South 💜✨

The Crystal Bridges Museum caused quite a stir when it was built, receiving outcries from more populous cities and snarky artsier-than-thou personalities from San Francisco, New York, Los Angeles and Chicago: why were historic contemporary pieces from the likes of Herring, Rockwell and Warhol being sent to the rural, deep South? Why couldn’t it be where a larger population, a more “educated” and “artistically inclined” population lives? But to me, the real question is this: why shouldn’t it be?  Why shouldn’t everyone be able to enjoy art, especially when art is for everyone!  Crystal Bridges is absolutely free to the public, proving that once and for all – no one, no matter where they live, should be deprived of art, of this beautiful process that is usually borne out of strife, out of the human need to connect and understand our emotional nature.

A week in the South 💜✨

But even between the LACMA, Getty Museum and Getty Villa, Broad Museum, Natural History Museum and Science Museum – I didn’t really get it until I went to Arkansas almost half a decade years ago. Because the art there did just what I know it will do for everyone in the town, bind them to our collective unconscious that we all tap into and remind them that someone, somewhere sees the world in the same technicolor vision that they do.

A week in the South 💜✨

Crystal Bridges is the reason I first fell in love with art, with the unexpected twists and turns of sculpted work and the obscure nature of three dimensional pieces; between the contrasting complexities of color patterns and shifts between shades of color; and it’s the reason I’m still falling in love with new artists, painters, sculptures and styles.  The brainchild of architectural mastermind Moshe Safdie, best known for his Habitat 67,  the grounds also offer a look into a Frank Lloyd Wright spectacle known as Bachman-Wilson House that had migrated from the Millstone River all the way up in New Jersey. The terrain of Crystal Bridges boasts gorgeous grounds and wonderful, winding trails that take you through the lush landscape and next to the babbling river that runs through the property.  Last, but certainly not least – if you’re hungry or in need of something tasty to sip on, get your fix at their incredible restaurant Eleven.  From signature drinks named after their collection of fantastic fine arts to the Pig Ear Nachos, I think it’s necessary to give it all a whirl -because you’re in Arkansas and you might as well enjoy yourself, damnit.  Next time I come out for work, I’m planning my trip around making it to a weekend Brunch at Crystal Bridges so I can finally see everything the grounds have to offer, strolling leisurely through the museum, soaking up beauty around each and every corner.

For more on the Crystal Bridges Museum, or as I prefer to call it – the one not-directly-Wal Mart related reason to visit Bentonville – head to their website and socials.

Website | Facebook | Twitter | Instagram

For more on my trip to Arkansas, including the glorious Southern food and beautiful scenery – head to my album here!

A week in the South 💜✨

A week in the South 💜✨

A week in the South 💜✨

A week in the South 💜✨ A week in the South 💜✨

A week in the South 💜✨

 

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[The Audiofiles] Enter The Intersection of Music and Art with’Life is Beautiful’ Visual Artists Charlotte Dutoit and Felipe Pantone

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For centuries, the idea of festival has conjured up ideas of celebration and admiration, overflowing happiness and dexterity among the arts; a literal feast for all of the senses. As the fine arts circle and intertwine with each other, there’s been an innate, inexplicable tie between music and the arts. Both works of passion, music paints our auditory experience in much the same way that a painter, sculptor or designer creates in the physical world. This year at Las Vegas’ fabled Life is Beautiful Festival, witness firsthand how music and art intersect on a higher plane.

Purchase Tickets for Life is Beautiful

Landing on the strip this weekend from September 23rd through the 25th, Life is Beautiful is back for their fourth consecutive year. In addition to an internationally respected group of musical acts across the breadth of the spectrum from Bassnectar, Flume, Major Lazer, Bob Moses, Chromeo, Zhu, Crystal Castles and so many more- the festival plays host to equally talented visual artists.   Curated and commissioned by the esteemed mind of Charlotte Dutoit, founder of the JUSTKIDS organization, Life is Beautiful has blossomed into a mecca for world renowned visual artists, featuring murals and installations from all over the globe as well. This weekend’s event will be highlighted by art tycoons including US grown Shepard Fairey of “Obey Giant” fame and Tristan Eaton, while corners of the globe from France, Japan, Spain, Norway, Poland and Argentina are represented with works from Fafi, Mark Drew, Dulk, Bezt from Etam Cru, Martin Whatson and Felipe Pantone respectively.

We were lucky enough to catch up with visionary mastermind Charlotte Dutoit and the kinetic contemporary magnate Felipe Pantone on their craft and influences, the creative process, music, art and all things in betwixt.

The head honcho on the art scene for Life is Beautiful, Charlotte Dutoit has perfected the art of curation. Charlotte has been with Life is Beautiful since its inception four years ago, applying her taste-making abilities to both the murals and installations programs. As founder of the JustKids organization, Charlotte has now even curated people – bringing together an exceptional network of otherworldly creatives, artists, designers and art consultants to collaborate on gallery shows and spaces for high profile clients.  Charlotte has created and designed spaces at first class US festivals like Electric Daisy Carnival Las Vegas and Coachella, internationally acclaimed events in Mexico, Puerto Rico and Berlin’s Urban Nation, not to mention – producing proper gallery shows in Puerto Rico, London, and Berlin.

What goes into curating a large scale event like Life is Beautiful?

Life Is beautiful takes almost a year of preparation. My job ranges from artistic visioning to hands on delivery. It includes the conception of the lineup, the team recruiting and supervision, the locations choice, the equipment and material logistic, the planning, the designing, the marketing, merchandising etc. Of course I am not alone, Life Is Beautiful is a perfect example of a spectacular team work. It’s a collaboration between very specific and specialized talents, and we learn a lot from each other every year.

If we took a walk into your home right now, whose art will we find?

Mostly new Contemporary Artist such as Borondo, Roa, Dates Farmers, Patrick Martinez, Daniel Arsham, Bicicleta Sem Freio, Alexis Diaz, Ana Maria, Saner, Cyrcle… And some Modern Artist like Carlos Cruz-Diaz.

What type of art do you find the most inspiring?

Art with a meaning, that provokes questions and challenges modern society and conventions. Art that brings new discussion toward the art.

Tell me a bit about the Justkids Organization, what drove you to create it and how does it inspire you?

Justkids is a creative house of artists, curators, art events creators and brand marketers. Together we produce, curate and manage art projects for institutions, cities, brands and private clientele. It’s a constant emulation between us and it’s allowed me to collaborate and work with the people I admire. That’s my fuel!

The Life is Beautiful Festival poses the perfect cohabitation of Live Art and Live Music; how does music inspire your work?

I am passionate about music since I was a kid. Actually, my first job in Paris was in the music production. So it’s of course it’s a pleasure to collaborate on a festival where the attendees are real music enthusiasts and culture lovers! Music is a source of inspiration and an infinite niche of references that I appreciate when I recognize them in art, could be in the aesthetic, in the message or in the attitude.

What’s your favorite genre of music?

Hip- Hop, Punk Rock, Electro, Folk…

Who’s in your headphones / stereo at the moment?

Kurt Vile

What’s the best live music show you’ve been to and how did that inspire you creatively?

Beastie Boys, Check Your Head Tour! It’s a piece of my childhood, the music I grew up on and I continue to listen. They brought so much coolness, new style and new energy that it’s a constant inspiration for me.

Which other artists on the lineup are you excited for?

Janes Addiction!

In the 21st century, it feels like everything is interconnected these days. How does social media enhance the artist experience and connect you to your fans (and peers)?

It’s a perfect to show a project from scratch to completion or to show the insight of our Art event. It’s also a good way to tell people where we are so the Art enthusiasts that live around can pass by to see it live. It’s a fantastic tool and we all took advantage of it to share on a global scene and it’s really worked for the Art.

As a writer, every once in a while I get writer’s block, and it comes with a pretty specific feeling attached. What does “curators block” feel like and how do you get over it?

It happens all the time and I have learned to deal with them now. It’s annoying when you have a dead-line but I don’t see block as a frozen state, they are entirely part of the creative process and the necessary space and breath to deliver the idea that will satisfy your goal and creativity.

 

Inspired to pick up a spray can at the ripe age of 12, Felipe Pantone firmly found his footing within the graffiti circuit and hasn’t looked back since.Currently a full time artist, Felipe crafts nearly 200 to 250 pieces a year between various mediums from graffiti and canvases to murals. Thematically, his work circles around modern methods of communication and the fast paced world we inhabit. Though you won’t be able to catch him personally at the festival, you’ll be able to marinate in the perspective shifting precision of his work. After Las Vegas he’ll be heading to Detroit, Tahiti, Mexico, Miami and finally back to Europe

 

What’s your preferred artistic medium and what other mediums do you dabble in. Will you be employing any new methods this event?

I always use spray paint. I studied fine arts so I learnt most of the common techniques and I figured that the best for me was the one that I started using as a kid to paint on walls. It’s the most versatile one. With the same tool I can paint from tiny little canvases to huge 10 stories walls. I’m trying something special for LIB, a sort of integration of my sculptural work with my mural.

When art is psychedelic and thought provoking, it deserves music that parallels – how does music influence your work?

I listen to music all the time when I’m working. From songwriters to indie when I’m at the studio, and electronic music mostly when I’m painting outside.

What influences the subject matter of your work?

I reflect on the present and the kind of life that I have. This feeling that a lot of people of my generation are experimenting nowadays. The fact that everything changes really quickly, that you can spend 12 hours on a plane and be on the other side of the planet, and still have a Skype meeting with you from. I try to live and understand the present through my work.

Would you say that your work fits into a particular art movement?

I’m part of the street-art scene since I come from painting on the streets. But street- art, if a movement, is a very loose one. There isn’t an ideology behind it. I wrote the “ULTRADYNAMIC MANIFESTO”, a new art movement, ha, ha. It was more like an exercise, trying to put on paper what I wanted to do. Of course I don’t follow it, I think these are times of dissolving tradition and staying away from collective thinking.

Have you ever done stage design, album, LP, EP or promo artwork for a musical artist? How does that collaboration process work?

I owned a records label for a little while. So I created art works and music videos for the artists. It was really cool since I had full control and they trusted me. I really enjoy these kind of collaborations when the musical artist control the music, and the visual artist control the visuals 🙂

What’s the last record your purchased?

Hmm, honestly it’s been a while. I have a Spotify subscription and I stream everything from there or Soundcloud. Probably the last album I bought is Tom Waits “Bad as Me”.

Who’s in your headphones / stereo at the moment?

El Último Vecino.

What’s the best live music show you’ve been to and how did that inspire you creatively?

I really enjoyed that Etienne de Crécy show where he played inside these big cubes and the projections were just amazing. I remember that being very inspiring.

As a writer, every once in a while I get writer’s block, and it comes with a pretty specific feeling attached. What does “artists block” feel like and how do you get over it?

I think that the more you do, the more creative you are, the more ideas you have, so I feel really good these days that I produce so much work. Always – something that you paint today inspires you for the next piece. When I get blocked, visiting museums and watching some of the masters’ works is really refreshing.

One thing I’ve found in life is the best things are usually shared; how do you feel about collaborating on your craft and how is the creative process enhanced when you’re surrounded by a collection of equally talented peers?

I have a couple of assistants and that makes things way easier. Somebody to share your concerns with, ask for second opinions… And of course also helps productivity wise and fun wise.

Make sure you give each area of the festival some proper attention, be prepared to be inspired and open your soul with every experience possible while at Life is Beautiful. For more on Charlotte, the JUSTKIDS Organization, Felipe Pantone and Life is Beautiful – head to their social media channels.

Charlotte Dutoit: Website  | Twitter | Instagram

JUSTKIDS: Website | Facebook | Twitter | Instagram

Felipe PantoneWebsite | Facebook | Vimeo| Instagram

Life is Beautiful: Website | Facebook | Twitter | Instagram

 

 

 

 

[LA Life] Get Your Culture On With Summer Happenings at The Broad

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As someone who admittedly understands most other forms of art – the written word, music, architecture, plays, musicals, theater, opera, film and dance – over the sculpted, drawn or painted variety, some of their mystique, culture and history had always escaped me.  But, the good news – I’m definitely not beyond reproach and have maintained both an open mind and heart to see what truly moves me.   Growing up in the Bay Area, we visited Science Museums, Botanical Gardens and open spaces from San Francisco to Santa Cruz, and all areas in between – but visiting a museum and looking at art was never in the cards.

Once I moved to Los Angeles and fully grasped how much culture was oozing out of the concrete jungle of our city, I started to get the itch for new and different types of art.  The LACMA, the Getty and the Getty Villa are all so unique in what they offer.  I’m a little biased because I was at the LACMA for the Tim Burton exhibit, but that was ghoulishly fantastic.  I find myself constantly drooling over the Grecian Architecture and landscaping of the Getty Villa, while the Gardens of the Getty are something entirely special to behold.  But the irony, was that I didn’t fall in love with art in Los Angeles.  I fell in love while I was in the South, in the depths of Arkansas on a work trip.  I’d done some remedial research before the flight and discovered the Crystal Bridges Museum of Art – a beautiful museum tucked deep into the town of Bentonville.  Beyond the stunning architectural design, this was the first time I was truly moved by Norman Rockwell’s canvases and Andy Warhol’s paintings.  Once I planted myself back in Los Angeles, I had a new outlook on the artistic endeavors around the city and as well as a new willingness to explore every niche genre of it.

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Ever since word got out last year that a new modern and contemporary art museum would be placed smack dab in the center of Downtown Los Angeles, I was intrigued at what they would have to offer Then, when the architectural design for the venue finally went up – I was absolutely enthralled.  So when I finally had the chance to visit The Broad with Danny this past weekend for their Nonobject(ive) Summer Happenings, I was over the moon excited and absolutely jumped at the chance.

The Broad, Los Angeles’ newest museum, opened just last September to fill some contemporary art chasm that vast amounts of local and street art couldn’t. Founded and funded by the esteemed Eli and Edythe Broad, the 120,000 square foot venue was immaculately designed by the combined brainpower of Renfro, Diller Scofidio and Gensler, and boasts over 2,000 prominent paintings and pieces of art distributed between it’s two floors of gallery space.   But when their Summer Happenings swing into bloom, the outdoor courtyard becomes transfixed into an open air concert venue with stunning acoustics against the textured exterior of the building while the insides are engaged in spoken word and performance art while attendees ebb and flow through the first special exhibition at The Broad, Cindy Sherman’s Imitation of LifeThough some of the performances this past weekend were a tad lacking – Sky Ferria’s DJ Set, I’m looking at you – it was a wonderful reason for my first visit.

Though I did enjoy bits and pieces of the museum, there was a large portion that felt like a multimedia smorgasborg and sensory overload. Swimming through troves of hipsters sipping on the latest fads and latest drinks, it was hard to actually get some breathing room regardless of if you were in the middle of the crowd during one of the many performance pieces or simply observing a piece of art.   As expected, the pop art from Roy Lichtenstein and Andy Warhol colored me moved; but more than that, I also discovered new art and artists that I appreciated.

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I  found the emotive work of Jean-Michel Basquiat to be pulling at my heart strings, and I fell in love with the work of Takashi Murakami – both Of Chinese Lions, Peonies, Skulls, And Fountains as well as the detailed, grand and inspiring In the Land of the Dead, Stepping on the Tail of a Rainbow (above). Standing 82′ in length, I could’ve spent an entire day analyzing the vibrant colors and intricacies within it. And who doesn’t adore neon, or vibrant, shiny, gigantically fake balloon animals – so, those were cool too, I guess.

The great thing about art, is it’s all subjective – the real question is: are you moved enough to feel – something, anything?  Maybe, just maybe, certain forms of art just aren’t my thing, maybe I need to go back on a day where I can move like molasses between rooms, taking ten, fifteen minutes to digest the art…or maybe I just wasn’t high enough; either, or. Whichever. The good news is that I’ll keep digesting the world around my like I’m at a buffet, and eventually – I’ll have my just desserts.

If you’re interested in getting attending the Nonobject(ive) Summer Happenings, you have two chances left! Tickets for the penultimate event on 8/20 with Rostam and Sparkle Vision are available here.  The final showing lands on September 24th with Sophie and Vessel, tickets go on sale August 15th. Or, if you’d like a more laidback and relaxed visit, visit online and reserve your spot. Admission is free to the general public unless there’s a special event, but that wait list is legendary.

For more about The Broad Museum and their contemporary collection of art, head to their site and socials –

Website | Facebook | Twitter | Instagram



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[The Audiofiles] The Lucent Dossier Experience ‘Lights the World’

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Last weekend, I was both thrilled and honored to cover the Los Angeles based avant-garde performance troupe, and all around fun-makers the Lucent Dossier Experiencence. The brain child of Dream Rockwell, the effervescent and enigmatic leader and co founder of The Do Lab, Lucent Dossier has found it’s way into the hearts and homes of underground music lovers nationwide.

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Known for their fusion of Middle Eastern influenced Dubstep beats and emotive soundscapes married with aerial acrobatics, social commentary on our technologically driven society, live music paired with body contortionists and fire dancing – LDE fully immerses their audience within their unique environment and refuses to relinquish their hold until the 2am call time hits. Both before and after the show, the group was scattered about the famed Club Nokia as concertgoers mingled to the music of The Human Experience, an emotive musical journey from local Angelino David Block, pre show; including the debut of a brand new project with Haley Reinhart. Once Lucent was over, Nico Luminous was brought on stage to party with patrons and troupe members alike until the early morning hours.

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Drawing well deserved parallels to the famed Canadian ensemble Cirque du Soleil, the latest Lucent Dossier Experience endeavor ‘Light the World’ pushes the boundaries of performance art; eagerly asking it’s audience what emboldens them and makes them come alive. How do we choose to illuminate our lives? And the answer is to take a token from the troupe itself – embrace your individual beauty and let your love shine through, because what the world needs are passionate people that come alive.

“I come from the heavens
Stardust soaking up space
Regardless of gravity
Energy pulling on energy
With empathy.

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I am made of love
Particles of me wanting to come together
Fighting daily
with the honorable longing to expand
by splitting each other
& ironically that’s what it humanly feels to love another.

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I am made of epic conflicts
Chemistry acting to react
To produce feelings
So that kissing becomes melting galaxies
I am a woman & for me kissing
Is made of secrets
Secrets I must hold trapped in my tower
to hide the invincible pool of my power
But tonight, right now, right this perpetually propelling forward moment
So precious & so unique in its mystique of being ever passing..

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Tonight I shift & you will lead me
Tonight I celebrate me
Calling upon the Athenas, the Minervas, all you goddess warriors
Walking upon this earth
I wish to rest with Aphrodite
I will choose to resurrect with kali

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I will take the shape of mother earth
& give birth with every single one of you
to the glow that will glue us all
into one bright lite
soft skinned & tainted eyes
in one night I will live a thousand lives
I will listen to the echo of your dreams
I’ll sing through woven threads of connection
& I will wear your sorrow & your bliss

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& you will wear mine in return
I will burn my karma
Dharma transcending
Understanding the meaning of being
A woman, a mother, a sister, a daughter, a lover.
I will let man hold my hand in teaching
Following devoted the perfection of the reflection
Permeated in their offering
Man, panning blindly across my softening


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Guide me through
Wake me & I’ll rise from the root of you
To color your leaves with sunset”
– Llinda Borini for Lucent Dossier’

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For more information on Lucent Dossier or Dream Rockwell, try their socials: The DJ List | Website | Facebook | Twitter

Photography by Daniel Leist
Full album on our Facebook page

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[Oh, Snap] Street Art v19

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Yesterday afternoon, Danny and I took to the downtown arts district / Little Tokyo in search of some All You Can Eat Sushi; a personal favorite, plus the only way to really rock and roll if you’re hankering for a stomach full of sushi. After scavenging the streets and actually almost exiting downtown, we nestled into Zip Sushi on 3rd and for 25 each plus tax, we got our nom on in a huge way. To be honest, I’m still a tad full 😸.

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The great thing about the arts district, is no matter your intended destination – whether you’re looking for it or not, you’re going to stumble across awesome street art and chances are it’ll knock you socks right off. Here are some of our favorite captures from yesterday; enjoy!

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[The Audiofiles] Silent Frisco Set to Takeover the Nighttime Airwaves at Lightning in a Bottle

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From the US inception of the Silent Disco in 2007 at the Bonnaroo Music Festival, there was no doubt in anyone’s mind that this novel idea would become a bonafide hit at festivals and parties nationwide. This goes doubly so for Robbie ‘Motion Potion’ Kowel, founder of San Francisco’s famed Silent Frisco and Co-Founder of SunsetSF – not to mention the premiere Silent Disco DJ in the United States. Until 2011, Kowel spun the Silent Disco alongside DJs LOGIC, QUICKIE MART, and MEDI4 using one channel headphones manufactured by KOSS; now in 2014, you’ll find the Silent Frisco footprint at over 100 different events year round.

In the last two years alone, they’ve hosted monthly residencies in Los Angeles and San Francisco, had their hands on events from clients like Dos Equis, MacWorld, Yahoo and the L.A. County Museum of Art – not to mention the eye-opening experiences at music festivals nationwide like Electric Forest, Treasure Island Music Fest, Gathering of the Vibes, Camp Bisco, Ghost Ship Halloween, High Sierra Music Festival, Hornings Hideout, Sonic Bloom, Another Planet Entertainment, Insomniac Events, Madison House Presents, NoisePop and so much more.

Now, they’re pairing up with longtime friends and fun makers The Do Lab to bring their amazing energy, positive vibes and Silent Frisco-ing down to the hills of Monterey County for this year’s Lightning in a Bottle festival, held over Memorial Day Weekend. The Silent Frisco will broadcast for four nights over two channels with an exceptional roster of talent from all over the nation for four nights. On Thursday night, you’ll hear the tunes of Talking Heads vs LCD Soundsystem and the next night it’ll be Radiohead vs Daft Punk. This hefty portion of eclectic music has been meticulously schemed to ensure a sublime morning for all.

“After years of welcoming The Do Lab to produce stages at our greatest annual creation, Sea of Dreams, it’s only fitting that we should do the same for them at their incredible festival,” said Silent Frisco/SunsetSF director Robbie Kowal. “The Do Lab are among the finest of event producers and giving us “the keys to their sunrise” is an honor we do not take lightly.”

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Silent Frisco will broadcast in our upgraded and expanded HushZone late night on Thursday, Friday, Saturday (that’s Friday, Saturday and Sunday mornings) from 12:30am until 7am. The eclectic lineup will feature nufunk legends FORT KNOX 5 and drum & bass innovator Thunderball, (both from D.C.) as well as LA/NYC Moombahton trailblazer Sabo. SoCal will be well represented with electro-swing producers THE GENTLEMEN CALLERS of Los Angeles, eclectic electronic stalwarts ROMY ACONA and PATRICIO, and two sets from AARON CASTLE, including his patented LCD Soundsystem set. NorCal will represent as well with remix aficionado Zack Darling, mid-tempo hero Malarkey, and downtempo producer INI. Silent Frisco’s residents will keep the trains on the tracks with sets by including resident DJs MANCUB, MATT HAZE and SHOUTS and Motion Potion’s patented Radiohead and Talking Heads sets.

Adds Kowal, “Silent Frisco creates a direct connection between the listener and the artist, which enables more creative, explorational sets. We pride ourselves on curating experiences that allow DJ’s to truly stretch and take the listeners on a journey.”

For additional Silent Frisco events in the San Francisco and Los Angeles area, head over to their website, Facebook or Twitter pages.

Keep up to date with all things Lightning in a Bottle and Do Lab with their socials –

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

For festival coverage, keep your eyes on The DJ List