[Roadtrippin’] The Road to Red Rocks

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As the Super Moon rose through swaying palm trees, I perched on the love-seat in our kitchen – breathing in new opportunities and breathing out dissuaded anxieties with every beat of my heart. Silence ebbed and flowed through the room, engulfing it one minute – then a cackling laughter would chase it away.  My mind raced in circles as my fingers traced a path on the top of my phone. 20140716-143948-52788229.jpgThere are exactly 1,000 miles from my doorstep to Red Rocks Amphitheater out in Morrison, Colorado; 1,000 miles between my bedroom and my first music festival outside of California.  And it couldn’t come at a better time.  For the majority of this calendar year, I’ve been at a mental and emotional crossroads; I’ve been made incredibly aware of my aptitudes as well as my downfalls, and through hard work and dedication – I’ve built an incredibly succinct vision of what I’d like to do with my life.  Between my craft (writing) and my crafts (and arts), I need a jumping point to get me to the next level and attending the 16th anniversary of Global Dance is just that.

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Zion National Park, Utah

For all the festivals franchises I’ve been to – HARD Presents, Insomniac Events, Go Ventures – I’m still a novice as far as the Global Dance events are concerned; and to cover the event on top of it? If there was a word that summarized – honored, thrilled, anxious, flabbergasted, stressed – the whole kit and kaboodle.

What’s more, is that my best friend – boyfriend – Danny – my partner in crime – photographer – whatever you want to call him, he’s coming with me and we’re making a huge road trip of the event.  Last weekend we celebrated one year of loving each other and what better way to celebrate than gallivanting through Zion and Red Rocks!  Back when I was in college, I spent a little bit of time in Breckenridge – but that was during the winter and under starkly different conditions!  Instead of flying in between two monstrously large blizzards, we’ll be driving from LA through St.George, Utah where we’ll be able to rest our bones for a bit before we bounce to Zion National Park! I’ve heard so many fantastic things about it but to be able to see it physically with my own eyes, I can’t properly express how monumental this is for me – for us, really.

Then – it’s off to Morrison for Global Dance! Thanks to some quick thinking and good luck with Air BnB – I found an exceptionally fantastic place within close proximity – and for only $40 it’s a certifiable steal (Like, seriously – if you’re ever going to Red Rocks let me know and I’ll give you this guy’s information!)  For all the research I’d done on GDE, I don’t know how it escaped me that there’d be more than one stage (I mean, duh; how many festivals are just one stage anymore….) – but I was truly hoping that with Red Rocks as a backdrop that it would more or less work out that way.  Anyhow, now I have to navigate through time conflicts and hold DJ death matches in my head to plot the best plan of attack.

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This is the reason I’m so willing to put up with my normal 8-5; this is why I’m so dedicated to working day in and day out on my craft.  It’s big moments like these that pave the way for monumental events to happen – and I’m so excited to share my journeys!  Now, before I get back to being a glorified excel monkey – let me leave you with some of my favorite songs from the GDE: Red Rocks arsenal – enjoy!

[The Audiofiles] The 10 Most Anticipated Sets of GDE: Red Rocks

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Whether I like it or not, it seems that my life’s mantra is never a dull moment, even when I want one.  With how crazy my life’s gotten over the past few weeks, when I finally poked my head into my emails for a breath of technologically enriched air – I realized that I had a golden ticket (two, to be precise) to my first Global Dance Festival out in Red Rocks, sitting plush in Red Rocks Park, Colorado.  A world renowned natural open-air amphitheater, Red Rocks without a doubt has been part of every music lovers bucket list.

Fun fact – once upon a time, Red Rocks was considered as one of the ‘Seven Wonders of the World’; thankfully, it’s still revered as a wonder of the natural world – and rightfully so! Red Rocks Amphitheater is the culmination of gigantic naturally sloping rock monoliths that date back over 160 million years to the Jurassic period,  and is littered with the fossil fragments of flying reptiles, marine reptiles and sea serpents. The northern side is referred to as ‘Creation Rock’ while the southern side is ‘Ship Rock’ – and they’re both bigger than Niagara Falls.

Back at the turn of the 1900’s, a railroad pioneer by the name of John Brisben Walker discovered the area and had a pipe dream of perfect acoustics married with the breathtaking surroundings of Denver.  Within the next decade, he’d performed multiple times on a temporary platform he built in the spirit of live music.  At the behest of the manager of the Denver Parks, Walker sold the property to the city of Denver – who, in turn, took his vision and ran with it: building a permanent stage. in 1927. By the mid 30’s, it was evident that Red Rocks was in need of a formal design – but it couldn’t be just any design with a landscape like that; it has to play with the natural beauty of the park – enter esteemed local architect Burnham Hoyt.

In a length span of 12 years, the Amphitheater’s plans were drawn, the location was dedicated and then finally during Easter of ’47 – Red Rocks opened in all of her currently glory, attracting some of the most talented acts across the genres, the decades and around the globe.  In the 60’s, it was The Beatles playing the only non-sold out date of their US tour; in the 70’s,  a rowdy group of Jethro Tull fans changed the game for the next five years as non-ticket holders attempted to crash the festival – this led to a ban on ‘heavier sounding’ acts that was finally dropped in ’75. And then, the big dogs came out to play: The Grateful Dead, John Denver,  Fleetwood Mac, Rush, Jimi Hendrix,  and not to mention where U2’s monumental  Live at Red Rocks: Under a Blood Red Sky  was filmed.  While the 90’s came into focus, so did Alternative and Rock bands – Dave Matthews, Incubus, Oasis, A Perfect Circle and Phish have all hosted monumental events there; and with the turn of the century, Red Rocks witnessed a changing of the guard – in addition to raucous rock and roll evenings, the night air at Red Rocks is filled with glitch heavy bass sounds from artists like Bassnectar and Griz, jam sessions from infamous acts like STS9 and Umphrey’s McGee and deliriously delicious trance sounds from big name groups like Above & Beyond.  Last but certainly not least – Red Rocks is the official home to events and festivals like Global Dance Festival and HARD Red Rocks – which will bring in heavy acts like NERO and Dillon Francis, an offshoot of the Los Angeles HARD Festival series.

What commenced as ‘Rave on the Rocks‘ back in ’99, has triumphantly catapulted into a massive, multi-day, cross genre production that solidifies itself as the top music festival in the Mid-West; for those of you that couldn’t make it all the way to Morrison, Colorado for the event – don’t fret, there’s a sister event in Kansas City, Missouri with multiple stages and a equivalently epic lineup featuring some of the same artists. Anyhow! As one of the longest running festivals in North America,  Global Dance Festival has been bringing the lights and love to Morrison, Colorado for the last 16 years.  Back in the olden days of festivals, we didn’t have to hike up hill both ways or anything – but we did only have one stage and we were all in it together.  From beginning to end – bouncing, dancing, spinning, laughing and prancing through it all –  we collectively move to the melodies, heartbeats entwined and eyes transfixed on the glory of the artist, band or whatever live entertainment was radiating in front of us.  With only one stage this year, GDE takes us all back that simpler time: where you didn’t have to worry about a meeting place, where you didn’t have to stress about set time conflicts and where you could simply dance your worries away into the night.

Now – though Red Rocks stands as a natural Amphitheater, that doesn’t go to say that sound hasn’t been artificially enhanced – nor does it mean that it’s gone over well. The heavy metalhead turned dubstep DJ Bassnectar decided to bust out his own speakers, and has seemingly racked up over $100,000 in fines at the Rocks – on multiple occasions.  Over time, this pushed the residents – and then the city of Denver – to enact a new noise ordinance on the area.   In a tour de force, the music community came together to help contribute to the atrocious fine as well as speak up in support of his decision to be heard loud and clear.   As of June 1st, 2013 several changes were put in place: the noise level at the festival can’t reach above ‘105 decibels one-minute averages after midnight‘  As for the bass, it ‘can’t exceed 125 decibels at the low-frequency levels of 25-80 hertz for one-minute averages’; music also ends at midnight on weekdays and 1am on the weekend.  Measured by the city’s own equipment at the front of house position, performers can be charged $10,000 for every five times they’re found in violation of the new law. Though some artists aren’t happy, others – including Pretty Lights labelmate Michal Menert : If anything, this is going to bring more dynamic out in the music because it will allow more frequencies to breathe…It will be less in-your-face sound coming at you and more dynamic.

10 Must See Acts of GDE

With just 10 days until we get down with our bad selves at Global Dance Festival, it’s only right that I present the 10 artists that you definitely have to catch over the weekend.  From Trance to Trap, Dubstep to Drum & Bass – this festival has it all, so open your ears and get your dancing feet ready for three nights of massive music.

Adventure Club
Somewhere between the emotive, dubstep laced soundscapes and the high energy, glitch fueled basslines – I feel head over heals in love with the music from this dynamic Canadian duo.  Best known for their emotive remix of ‘Crave You’ from Flight Facilities’ and their Superheroes Anonymous Podcasts, Adventure Club has more than earned a spot on my top 10 ranking.

Andy C

Essentially known as the Godfather of Drum and Bass, Andy C not only turns out some of the most beautiful beats in the business but he’s also been the bossman at RAM Records he was 16.  22 years later, and the label is currently home base to acts notable acts like SubFocus, Chase & Status and Wilkinson.

Odesza

Hailing from Seattle, Odesza has been on the rise over the last few years with “My Friends Never Die” – their debut EP – releasing in ’13.

Destroid – which, technically, counts as 3.

With their powers combined, Excision, Downlink and former Pendulum member KJ Swaka have formed bass heavy uber group – Destroid! The trio don’t perform together often, so suffice it to say: bring your ear plugs – things are about to get 100% bonkers at the Rocks…

Because I couldn’t find any live recordings of the group, enjoy some individual ones:

Infected Mushroom

Sometimes they play DJ sets, other times they play as a live band – but any way you spin it, this Israeli Psy-trance duo is one of my favorite live bands I’ve ever seen.  Formed almost 20 years ago, they’re currently one of the top performing and best selling groups in Israeli history both in domestic and international sales; if you don’t understand why, you’re in for a real treat.

Kastle

Expertly fusing R&B with dark, dubby beats and wobbles – Kastle has more than made his mark using his signature sound.   One of my favorite remixes of his, Drake – Hold On, We’re Going Home – is to this day one of my favorite, feel good tracks.  I’ve only seen him live once so I absolutely can’t wait to get my fill of him a second time!

Gabriel Dresden

Trance me!! If there’s one thing that GDE is severely lacking this year, it’s trance – in the past, the festival’s been home to the likes of Armin, Oakenfold and BT but as the tunes changes, so do the times – and there’s a lot more of a demand for body rattling bass than there is for uplifting, ethereal trance.  Thank goodness we’re leaving it to Gabriel & Dresden to change the game on that over the weekend;  best known for their epic track ‘Without You Near’, the two have a combined 26 years in the business and are just as adept solo as they are collectively

Zedd

Last, but certainly not least – how could I forget: Zedd! The 19 year old German prodigy has had his youthful little paws  on some of your favorite remixes and albums – and quite possibly without you ever even knowing.   Gaining notoriety via Beatport remix competitions, Zedd has produced muliple songs on multiple albums for Lady Gaga, not to mention assisting in the Bieb’s -‘ Beauty and a Beat’.  Not only can Zedd read the crowd, he knows how to play them, to elevate them and to move them – so make sure those dancing shoes are on tight, we’re about to have the ride of our lives.

Even though this post was initially about the ten acts to not miss at Red Rocks, the truth of the situation is that with only one stage: as long as you’re physically present, you’ll be seeing the entire breadth of the roster. So to send you off, is a playlist of my favororite songs from each and every artist that’ll be gracing the stage of Red Rocks next weekend – enjoy!

[Tech Tuesday] LiveNation Presents ‘Boomrat’ – a new EDM Discovery Platform

Cross Published on The DJ List

In today’s day and age when music discovery and new frontiers in technology are practically synonymous, Live Nation has partnered up with Live Nation Labs, the company’s small but highly effective start up subsidiary, to produce the next best thing in EDM – ‘Boomrat’ – a platform fully devoted to the discovery of brand spankin’ new electronic music the world over. It was only a year ago when Boomrat entered into the Live Nation Labs family and ever since, they’ve been itching to get the site launched.

By pulling data from over 300 sources – like renowned music directories like Soundcloud and internationally recognized EDM blogs and websites – Boomrat has precariously placed itself in a position to identify and analyze trends within our ever evolving music industry. To boot, the site will soon be utilizing data from both YouTube in addition to SoundCloud’s revamped – and slightly controversial – API, and plans to incorporates playlists from artists and industry bigwigs, right on down to the super-fan in all of us.

Back in 2013, Live Nation made some key business moves – primarily the acquisition of Insomniac Events, the famed production company behind epic events like Electric Daisy Carnival, Electric Forest and White Wonderland – and received a 50% stake. Now, with Boomrat on the loose – the site will actually be housed in the Los Angeles Insomniac offices and will effectively bridge the gap between the two corporations.

Developed by Ariel Lee and Andrew Silberstein while at USC’s Lloyd Grief School of Entrepreneurship, Boomrat garnered the school’s prestigious New Venture Seed Competition in 2012. Marc Geiger, head of WME , took notice of their success and connected with James Barton and Michael Rapino, the respective president of EDM and the CEO of Live Nation, to bring the pair into the Live Nation Labs family. Other Live Nation Labs companies include Rexly, Setlist.fm, Meexo and YourTrove.

“We relentlessly look for young, talented entrepreneurs to join Live Nation,” Barton gushed. “We were delighted to acquire Boomrat and have co-founders Andrew and Ariel join our team, who are leading the next generation of the electronic dance business with some smart solutions and their first product.”In addition to partnerships with Live Nation Labs, Insomniac Events and the HARD Events and Cream franchises both purchased recently, Boomrat is also paired up with Roc Nation’s Three Six Zero Group, founded by Mark Gillespie, Alan Ruthorford and Deal Wilson. Three Six Zero is an EDM Management company founded back in ’07, their clients include the likes of NERO and CALVIN HARRIS.

“New blogs and tracks are constantly launching and it’s impossible for one person to follow them all,” Boomrate co-founder Lee said. “Dance music is constantly evolving while being shared and consumed in a different manner than other genres, and this can make it challenging for fans to keep up.”

As fans – we’ll have to wonder: is this the corporatization of our favorite sounds? With the new API changes to Youtube and Soundcloud and their inclusion in Boomrat, will we still have access to our favorite independent artists -or – will we only have access to artists that are part of major labels? Also – as it currently stands, Hypem does a similar service to Boomrat by aggregating data from hundreds of international music blogs and reformatting the data within their own GUI – so how will Boomrat stack up?

By fusing technology, innovation and EDM and thanks to the acquisition of Live Nation Labs – Live Nation – alongside Live Nation Labs – is once again at the forefront of this 6.2 billion dollar music industry. With partnerships with some of the biggest names, festivals and management companies in the business – they’ll surely be a company to watch over the next five years.

[Music Monday] EDC ’14 Live Sets

Photo Credit: Alex Perez for Insomniac

This past weekend, over 400,000 smiling faces graced the Las Vegas Motor Speedway for three nights of what can only be described as a whirlwind combination of friendly faces, massive bass, eclectic costumes and immense, immersive stages.  Now in it’s 18th year – Pasquelle Rotella and Insomniac Events have been bringing people together under the beautiful, electric sky for a night of magic, mystery, euphoria and the most beautiful type of mayhem you’ll ever encounter.  From it’s humble beginnings in San Bernadino and Los Angeles, to the massive scale festival that’s now situated just beyond the bright lights of Las Veags – EDC has become an internationally renowned festival; and the Insomniac Team has it’s more than earned those bragging rights.

Between the 8 permanent stages of music and mobile art carts traversing the grounds, there was literally something for everyone.  neonGARDEN played host to the Deep and Tech House DJs for the night, and was hosted by the man, the myth and the legend Carl Cox the first two nights and hosted the likes f Claude VonStroke, Dusky, Art Department, Adam Beyer, Booka Shade, Maya Jane Coles and Eats Everything.  The circuitGROUNDS brought in some of the more bass heavy, electro house like Afrojack, Sander van Doorn, Dada Life, Bingo Players and my personal favorite, Prydz.  Even though there were some stand outs in the line-up for me, Martin Garrix would be enough for me to avoid the circuit like the plague on the first night and any stage hosted by Avicii is reason enough for me to meander elsewhere.

Bassrush hosted the BassPod and brought in crowd favorites like 12th Planet, Infected Mushroom and Seven Lions for the first two nights.  On the last night, the BassPod boasted a co-curated stage with Andy C’s Ram Records for one of the most epic nights of Drum and Bass I’ve ever seen stitched together with Wilkinson, Loadstar, SubFocus, Netsky….um, yeah. Swoon.  In what I consider a monumental move, HARD is back at EDC for it’s second year with a curated stage – bringing in a Dubstep, Electro House, Bass heavy…well, party.  They’re covering all the genres with eclectic artists like Diplo, Justin Martin, Oliver, Madeon, Flosstradamus, Knife Party, Chromeo, Brancez, A-Trak, Zeds Dead, Dillon Francis, Bassnectar, What So Not and HARD’s founder Destructo. And for the first year, the DiscoveryProject itself was expanded to encompass costume design, stage design and art installations in addition to DJs and producers.

edc las vegas schedule 2014

I consider music my religion, so when I discovered that the kinesticFIELD – the main stage of EDC – had been completely redesigned into a cathedral – the DJ booth was giant pipe organ, adorned by two massive owls with outstretched wings. At over 440 feet wide and 80 feet tall, this is the largest stage in Insomniac history.  As I burrowed through pictures on social media – my heart swooned almost as fast as the FOMO set in; yes, I get claustrophobic, sure Las Vegas would’ve been expensive this weekend, and maybe I’m not exactly all the way recovered from my amazing weekend at Lightning in a Bottle.  So what?! Oh, man – that’s when I knew I was really missing out on something.  It was the first time since EDMBiz ended that I really felt the need to physically be in Vegas for EDC.  Through an on-point digital partnership with 7Up, EDC live streamed select stages for ‘EDC Curated’ as a way to indulge those of us that couldn’t attend the spectacle – and I’m so thankful they did!  As part of this global consciousness, it’s a great reminder for those of us that’ve been part of this ‘scene’ or whatever you want to call it that we really are connected by the music; and that’s a formidable bond.  My first EDC was the last festival held in San Bernadino and my last EDC was the first held in Vegas; the event and the community that engulfs it have become a family and within that, a second home for me.  So even though I wasn’t there, it was near impossible to not feel like I was still part of the event.

From stilt walkers to aerial artists, winged fairies and masked marathon dancers – the troupe that Insomniac brings in rivals the high octane energy of each and every smiling face in attendance.  Over 400,000 people from 40 different countries and all 50 states came together to experience the epic 3 night event, and for everything potentially lost in the Vegas desert – from cell phones to wallets, id cards and brain cells – with the new friends and a welcoming community, I guarantee much more was found.

If you’re fighting against the grain this Monday, wishing you were in Vegas or itching to get back – I’m pretty sure these EDC sets will help you coast through until 5pm. Enjoy! 🙂

 

[The Audiofiles] Dream Rockwell Dishes on The DoLab, LIB and Lucent Dossier’s ‘Light of the World’ Tour

Lucent

Originally Published on The DJ List: As a sidenote, I’ve written for The DJ List for a year and a half now; worked my way from Ad Hoc press releases to being the Senior Editor and PR Specialist, and at about the 150 article mark – this interview with Lucent Dossier founder Dream Rockwell stands at the pinnacle of my accomplishments, right along with my coverage of Lightning in a Bottle, Sea of Dreams and Krewella’s Get Wet Tour with Seven Lions.  Enjoy; I know I did!

As Spring manifests into Summer, Los Angeles based avant-garde performance collective the Lucent Dossier Experience are taking a quick break between legs of their first North American Headlining Tour “Light of the World.” The tour showcases the production and vocals of Lucent leader Dream Rockwell alongside singer Sarah Llewellyn and band members Atla Gadret and Metaphase. Commencing at Coachella’s Gobi Stage, and then another headlining set at California’s coveted underground music festival Lightning in a Bottle, they’ve been taking the East Coast of the country by storm with their out of this world stage spectacle of acrobats and contortionists ebbing and flowing to eastern inspired melodies. City by city, the 21 person performance troupe joins up with exclusive local acts for a unique Lucent Dossier Experience each and every time.

With multiple tours spanning twelve countries over the past decade, it’s easy to understand how the ensemble worked their way from humble beginnings in the vast underground party network of Los Angeles to international stardom. In a Bohemian-Steam Punk induced style all their own, The Lucent Dossier Experience combines the theatrics of modern dance and performance art with the immense creativity that fuels festivals like Coachella, Burning Man and Lightning in a Bottle. Weaving aerial acrobatics into body rattling sub-bass frequencies, the troupe delivers a performance package that completely redefines the live theater experience by further blurring the line between performer and audience member. The team is led by the effervescent Dream Rockwell, a creative visionary with a clear understanding of what she wants to give to the world; and we were lucky enough to touch base with her as her troupe gears up for their Summer tour across the West Coast and Canada.

TDJL: Thanks so much for finding the time to talk with The DJ List! To start with, what kickstarted you to form the Lucent Dossier Experience and what fuels your creative fire?

“I started The Do LaB with two brothers. They loved to build and light things, lots of power tools and stuff. I wanted to do more frilly lacy things….more spiritual, if you will, more silliness; so I started Lucent, to get my creative wiggle out. We became the perfect complement to each other. I fueled by my desire to live in a better world and the understanding that we can’t do it alone. We have to go together. So I hope to inspire others to create a better world for us all to live it. That’s my passion.”

TDJL: Not only are you the founder of the Lucent Dossier Experience, but you’re a co-founder of Lightning in a Bottle – what other hats do you wear?

“I have a foundation called Cuddle the World, we deliver cuddle blankets, inspirational toys and instruments and necessities to children in basic care institutions worldwide. In fact, I’m almost on my way Guyana to visit an orphanage and play with the kids there. I’m pretty excited about that.”

TDJL: Coming off of your amazing performance at Lightning in a Bottle, how and where do you draw your inspiration from and how does that translate into your solo performances – like the one coming up in Los Angeles at the Nokia Theater?

“We’re always inspired to inspire others. To be more of who the really are. Not who we think we should be, but just who we are. We’re all weirder, more powerful, more playful then how we’re living and acting…..at least that’s my belief. Lucent is a permission slip to let it all transpire, all the awesomeness of who we really are. “

TDJL: You’re on another tour – the ‘Light of the World Tou’r – how does this differ from your last national tour and when ‘Lucent Met Herakut’?

“When Lucent Met Herakut was a show we put up at the Palace DTLA. Our last national tour was with Panic! At the Disco. We’ve done lots of dates here and there but this is our big first tour in years, and our first as a headliner! The difference is, we are more in our power now then we’ve ever been. We are super solid in our craft and as a team. It’s an exciting time for us. “

TDJL: With the Do Lab – life seems to be non-stop; a festival here, performance there – how do you manage to stay on top of it all and, when you’re not Do Labbing it up – how do you fill your leisure time?

“I’m not involved in the day to day of The Do LaB operations these days. I’m focused on LIB and Lucent. But even so, leisure time is few and far between. I could probably use a little more leisure time and hope to get it soon. But I love what I do; it’s important to me.”

More tour dates will be rolling out soon, so make sure to stay up to date with Dream Rockwell and all things LUCENT DOSSIER through their socials.

Early Summer 2014 “Light of the World” Tour Dates:
7/25 Las Vegas, NV @ House of Blues
7/26 Los Angeles, CA @ Club Nokia
8/10 Salmo, BC Shambhala Music Festival

Lucent Dossier Experience: The DJ List | Website | Facebook

Dream Rockwell: Facebook

To find out more about Dream’s Non Profit foundation ‘Cuddle the World’, please head to the website here

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[The Audiofiles] Autograf Kicks Off Future Summer Remix Series with ‘Gust of Wind’

Cross-published in The DJ List Pharrell - Gust Of Wind (ft. Daft Punk) (Autograf Remix) [Future Summer. Issue 1]

Currently available for free download through AUTOGRAF’s Facebook page

In the tangible world, it’s only been two months since’s Autograf’s last remix; but to tried and true fans of the Chicago triumvirate those sixty some days can feel like a lifetime. Admittedly, he sultry Future Disco forerunners have been keeping themselves busy by taking their signature sound to clubs and parties on the East Coast and releasing exclusive mixes through Dancing Astronaut, Gotta Dance Dirty and most notably, THUMP and Too Future as of late. This morning, they returned to their downtempo, day party vibes with their take on the synth heavy, electro pop summertime anthem ‘Gust of Wind’ from Pharrell and the legendary Nu Disco duo Daft Punk.

Eliciting feelings of Pretty Lights, Griz and Late Night Radio, Autograf’s mix takes an equally eerie and seductive turn – reminiscent of their takes on classics like Marvin Gaye’s ‘Heard it Through The Grapevine’ and Stevie Wonder’s ‘Superstition’. The end result is a groove perfect for pool parties and cruising to at high volumes in your ride.

“With the hot sunny days upon us, we decided to start the Future Summer remix series. For every month this summer, we’ll be taking a song we’re really feeling at the moment and giving it our Future House, summer-inspired remix treatment…And we’ll be giving them all away for free as a thank you to our fans. As a new group, it can be hard to get noticed, so we really appreciate people taking the time to discover and share our music. For the first one in the series, we couldn’t have thought of a better song to remix than Pharrell’s collaboration with one of our all-time heroes, Daft Punk.”

If the caliber of their remixes is any indication of future success, make sure to keep your eyes and ears out for Autograf in 2014. Be sure to grab tickets to their upcoming shows and stay up to date with them through their socials.

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