Tag Archives: Autograf

[The Audiofiles] Inaugural Electronic Music Awards to Honor Motor City Techno Greats

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The long awaited Electronic Music Awards, originally slated for 2016, are finally just around the corner – and we couldn’t be more intrigued for what’s to come: the celebration of musical tastemakers, creatives, executives and entertainment visionaries across eleven awards. Taking place in the heart of Downtown Los Angeles at the Willow Studios, the fabled Electronic Music Awards are slated for Thursday, September 21st from 7:30 to 10:30 PST.

For your chance to join the fun, RSVP here.Simultaneously live streamed through SiriusXM and Twitter, the Electronic Music Awards is not your mother’s award show: like all things with dance music, it’s a party! There’s no sitting on the dancefloor – in fact, this a dancing room only affair featuring no long winded acceptance speeches, and no breaks – except for when they’re accompanied by some funky beats, that will emanate from various corners of the venue.

Paying homage to the industrial origins of techno music, the Electronic Music Awards will showcase the Detroit acts on the Detroit Dock, a unique outdoor space, with a DJ booth situated on a loading dock. Featuring multiple generations of Motor City’s artists, you’ll be able to catch genre godfather Juan Atkins, legendary DJ Delano Smith, Robert Hood performing as Floorplan (Live) and The Saunderson Brothers, are carrying the torch for their father Kevin Saunderson and a new generation of Detroit artists.Other notable performances for the evening include the first US performance from the UK based OG’s Orbital, Moby, Autograf, Kidnap Kid, Madeaux, Gold Fish and so many more.

However, a few formative questions still remain: with the amount of commercialism pumped into the industry in the last few years, exactly what facets of dance music will be hitting syndicated television, how much homage will the underground dance culture, community and artists behind it be paid and how will underrepresented demographics like women and minorities within dance music be displayed? one look at the artist list and you’ll realize that there aren’t any female performers slated for the evening, so, will there be any female award winners – or at least any females in the running?

Check back next week for a full event recap ❤

For more on the Electronic Music Awards Show, head to their social media channels:

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[The Audiofiles] Drift Away on Autograf’s Latest Remix Ahead of Their First European Tour

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For the past few years, Chicago trifecta Autograf has more than left their imprint on the dance music scene. Through a combination of thoughtful reworks that deconstruct the original song as well as solid original tracks, Autograf has graced the stage at Northern Nights, Electric Forest, Hangout Fest most notably Woogie Weekend where they absolutely stole the show on Sunday.

In the wake of their first Europe tour, they’re back with something a little more brooding than fans are used to as homage to one of the most influential European electronic acts: Faithless. Founded back in the original mecca of dance music, Faithless sprung onto the dance scene in 1995 and there was simply no looking back until Maxi Jazz, Sister Bliss and Rollo went their separate ways in search of solo success in 2011. Now, almost 5 years later – a new era is here: Faithless 2.0. Their sixth remix album, Faithless 2.0 is available for purchase on Amazon or iTunes, and can be streamed via Spotify.

A pulsing, haunting spin on a tried and true track- Autograf punched up the original melody while spiraling into a darker, and much appreciated, tone. If this past year is any indication of their artist talent, I’m excited to see what else these gentlemen have under their belt for 2016.

Tour DatesNov 6 – Berlin // Gretchen
Nov 7 – Paris // Showcase
Nov 11 – Amsterdam // W Amsterdam
Nov 12 – Oxford UK // Emporium
Nov 13 – Parma, Italy // Pulp
Nov 14 – Liverpool UK // Chibuku
Nov 14 – London // Cafe 1001

Purchase Tickets Here

For more on Autograf, follow their socials –

Website | Facebook | Twitter | Soundcloud | Instagram

Cross Published on The DJ List

[The Audiofiles] Woogie Weekend: A Wet and Wild Ride Down The Rabbit Hole

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WW2015-80This past weekend, a few thousand friendly faces descended upon the Oak Canyon Campground in Silverado, California for the premiere of Woogie Weekend – an intimate festival gathering highlighting the master class and rising stars of House and Techno. Returning to where the magic of Lightning in a Bottle happened back in 2012, Do LaB brought the vibes while Mother Nature supplied the weather, paving the way for one unforgettably wild, wet and wonderful adventure.

As a self proclaimed city kitty, I’ll be the first to admit that I was not exactly made for roughing it…but over the last few years I’ve slowly but surely become more comfortable in the great outdoors. Checking the weather on Thursday night, I mused that there could be some rain over the weekend and packed somewhat accordingly, adding some warm weather garb and my middle school swim parka – which I never thought would come in handy in my adult life. Overnight, our duffle bags had sprouted glitter, feathers and personality as they overflowed with Spirit Hoods, festive fur and brightly colored clothing.

Packing our car to the brim on Friday morning, we laughed about our upcoming journey and tried to manifest the most beautiful of outcomes. In light of some unfortunate car trouble last week, Danny and I had magically upgraded from an Impreza with a broken axle to a nice little SUV that could fit literally all of our stuff.  Mobbing down the freeway towards Orange County, we bopped and boogied in the car while browsing the weekend’s musical lineup.  For each name I recognized, there were at least three I didn’t – but knowing the Do LaB, I was in for a sensational treat.

Arriving at the campgrounds in caravan, we slowly made our entrance into the grounds – claiming a campsite with a gorgeous, though somewhat dehydrated, lake view.  After putting our heads together and setting up an exquisite campsite, fully equipped with tarps, tapestries and zip ties to hold it all together, we celebrated with beer and laughter, with a cheers to one epic campsite.  Finally, after our festival family had arrived and a few of the Do Art live painters had haphazardly trickled in throughout the afternoon we were off to the races.

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Roaming through the newly assembled tent cities and tarped off quarters, we made our way towards the music and the Beat Nest for Focus OC’s NonFiction and Josh Billings.  For the rest of the first night, we bounced back and forth between the honeycombed Hive and the Beat Nest – which had a close resemblance to LIB’s Woogie Stage. At Dadon, we evem caught Marques Wyatt ebbing and flowing backstage in solid agreement with the beat.  Pig & Dan threw down a phenomenal set – and I discovered some great new music in the process.

SWW2015-50porting whimsical bunny ears, Woogie Stage manager Jesse Wright dug deep into a dark state of mind for a phenomenal set, fully equipped with friendly smoke effects and tantalizing rhythm.  Last but certainly not least, Adam Freeland delivered one of the best sets of the weekend; I lost track of time as the crowd lapped up each and every last note from his set.  I never made it to Alexi Delano like I intended, but that’s all Adam’s fault for being so damn good. When the dance floors shut down, we gallivanted back to RGL Bass Camp for some late night festivities – and as the name implies, a wee bit of bass.

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I woke up in a dreamlike haze on Saturday morning with a surge of excitement, surrounded by a community of conscious thinkers and friendly faces ready to do it all over again.  Donning my typical Caturday garb, I got ready for my first shift of the weekend while my crew was literally counting down the minutes until Pumpkin.  Though scattered showers were on the docket for the day, the slip and slide run by Bijoulette was in full effect with a menagerie of floaties and childlike wonder.
Enjoying the music from picnic tables high above the field, I laughed and bonded with production staff and media personalities alike as we weathered the rain together, fully equipped with beer and a special appearance from my swim parka.  I cannot wait to get back into the Do LaB and Confluence office because I feel like I made so many real, honest and friendly connections while braving the storm in the production office.

WW2015-97After catching the end of Tara Brooks, we dodged puddles of mud as we reached camp – thankfully, our campsite had withstood the day’s events; little did we know we were actually in the thick of a record breaking rainstorm. Each time we thought about the rain, we realized how downright selfish it was for us to be anything close to offended by it – in fact, we welcomed it with open, thought slightly damp, arms in light of California’s current drought. With a quick recharge, we were off for the night to bounce between a beautiful DJ set from Way Out West and a hard hitting techno barrage from Dirtybird’s J.Phlip.

Sunday Funday, or as we’ve rebranded it, Slapbag Sunday came with a slightly rude awakening.  A plethora of the campsites further down the hill had turned into floating domiciles, surrounded by moats of mud. Woogie Weekend had sprouted hints of a Woog-ocalypse, but no one let it get them down.  The mood evolved from gregarious and outgoing into an incredible bonding experience, where everyone was effected and everyone was making the most of it.  For the last day, I channeled my mermaid vibes – adopting the nickname ‘Mermanda – as I pranced through the fields to Mikey Lion in a Desert Hearts flashback.  Though I had to leave midway for work, I was happy to discover that I could watch my friends rock and rave below while I enjoyed the personalities flowing through the picnic area.  Autograf took the stage and stole the show, providing the only live musical performance of the weekend with the stunning Maki Hsieh on violin.

After a light shift at work, I was relieved early – and I am still thanking the world I was: the second I reached my camp, raindrops started to trickle down – quickly evolving into a sideways barrage of water and wind. We simultaneously came to the conclusion that we were outdoors in one hell of a Summer storm.  Mobilizing immediately, we double and triple checking our tarps and ties while making sure the fort was held down.   In a state of confusion, we ended up huddled like wet cats under our most secure easy-up, each of us looking for a recourse to the situation.  Finally, Danny’s eyes lit up as he scurried for the tent, yelling at me “This is what they were made for!!!” and we took refuge in a heartbeat.

The emotional shift was instantaneous as we warmed ourselves in the awkwardly humid tent air.  What we were completely unaware of, was that Tropical Cyclone Dolores had been pounding down on the area – producing the biggest downpour to hit Southern California in 130 years, and an inch of rain in 48 hours.  Even though the music had shut down for a few hours, our energy was high off of each other as we busted out champagne and ideas, tarot cards and stories.  Once the rain let up, we ventured outside for the aftermath – and let me tell you, it was real. The stage areas had flooded, the slip and slide had been moved so participants landed in a giant puddle – but the smiles, they never left our faces. In the distance, we could hear a low rumbling of music and a rumor that The Hive had reopened for the night. Now with only one stage and a portion of the population gone with the wind, the vibe truly sat between Desert Hearts and LIB, full of empowering, engaging personalities within a trusting, evolved community. All Day We Dream, but all night we played as Lee Burridge sent the weekend off in style in a grand finale.

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After the stages were finally shut down for the weekend, it was back to the RGL camp for one last romp in the rain.  All weekend, we had our talented trio of friends going off on the decks – and DJs Firefly, Dreamlyfe and St4rfox kept our dancefloor game strong.  So strong in fact that Lee Burridge turned up as St4rfox closed down the fort on Sunday night!! We had so much fun that we actually had to turn off the music, but there’s nothing quite like hearing a crowd chant “One more song! One more song!” Being restless busybodies, we plugged an iPod into a Jammypack and mobilized our crew. Taking one final muddy stroll through memory lane. Puddles had become lakes while mud turned into quicksand, but every moment was an amusing adventure – and at least we were all in it together.  We stopped by the lake one last time, reflecting with laughter how we’d made it through the rabbit hole and come out better, bolder and more confident in who we were and how we could take charge of our lives. Waking up to sunshine and spotted clouds, we could finally take stock in what we’d spent three days living in – and each person that smiled at you walked with a sense of purpose and pride, and a look that said “Hey, I don’t know you – but we made it! Go us!”

Some people simply walk in the rain – but we danced, camped, laughed and survived one of Southern California’s biggest storms in over 100 years and we did it together. The teamwork that built our camp is in the same ethos of the teamwork that built this festival; it’s a spirit that reinvigorates the body while the soundscape of House and Techno resonated to our core. Woogie Weekend was an unimaginable auditory adventure and an environmental experience that can never be duplicated.  For three days, we talked in technicolor while adapting to chaos, we made lemonade out of lemons – and found a warm community to spike it with punch drunk love while truly living and loving every moment.

All Photos by Daniel Leist Photography.

Check out Facebook for the album here.

For more on Woogie Weekend, or as I’m choosing to call it – Thunder in a Can – head to their socials

Website |Facebook| Twitter.

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[The Audiofiles] Autograf Kicks Off Future Summer Remix Series with ‘Gust of Wind’

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Cross-published in The DJ List Pharrell - Gust Of Wind (ft. Daft Punk) (Autograf Remix) [Future Summer. Issue 1]

Currently available for free download through AUTOGRAF’s Facebook page

In the tangible world, it’s only been two months since’s Autograf’s last remix; but to tried and true fans of the Chicago triumvirate those sixty some days can feel like a lifetime. Admittedly, he sultry Future Disco forerunners have been keeping themselves busy by taking their signature sound to clubs and parties on the East Coast and releasing exclusive mixes through Dancing Astronaut, Gotta Dance Dirty and most notably, THUMP and Too Future as of late. This morning, they returned to their downtempo, day party vibes with their take on the synth heavy, electro pop summertime anthem ‘Gust of Wind’ from Pharrell and the legendary Nu Disco duo Daft Punk.

Eliciting feelings of Pretty Lights, Griz and Late Night Radio, Autograf’s mix takes an equally eerie and seductive turn – reminiscent of their takes on classics like Marvin Gaye’s ‘Heard it Through The Grapevine’ and Stevie Wonder’s ‘Superstition’. The end result is a groove perfect for pool parties and cruising to at high volumes in your ride.

“With the hot sunny days upon us, we decided to start the Future Summer remix series. For every month this summer, we’ll be taking a song we’re really feeling at the moment and giving it our Future House, summer-inspired remix treatment…And we’ll be giving them all away for free as a thank you to our fans. As a new group, it can be hard to get noticed, so we really appreciate people taking the time to discover and share our music. For the first one in the series, we couldn’t have thought of a better song to remix than Pharrell’s collaboration with one of our all-time heroes, Daft Punk.”

If the caliber of their remixes is any indication of future success, make sure to keep your eyes and ears out for Autograf in 2014. Be sure to grab tickets to their upcoming shows and stay up to date with them through their socials.

The DJ List | Facebook | Twitter | Soundcloud | Instagram

[The Audiofiles] Putting A New Spin on Some Old Favorites

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I don’t know about y’all, but there’s nothing quite as sweet as a track that I loved in my youth getting a proper revamp for 2014.  From strong female vocalists to timeless basslines, funky breakdowns and catchy choruses – these tracks had it all back in the day, and now thanks to  exquisite ears, their new sounds more than hold their own against the original tracks (truth be told, I actually like them better).  In my opinion, and in your dictionary, a remix is a piece of work designed to sound different than the original; let’s be real, if all you’re doing is enhancing the ‘four to the floor beat’, I probably won’t appreciate the artistic quality of your work.  Another pet peeves in remixes is when the vocals are either eliminated or reduced to a repetitive whimper.  So, when artists come along and do a song absolute justice – I definitely notice.  The remixes below have completely blown me away, so whether you’re wishing Wednesday was over – or you’re happily plodding through the day, take a listen these kickin’ remixes and take a load off, it’s halfway to Friday  !