[The Audiofiles] The 10 Most Anticipated Sets of GDE: Red Rocks

GDF2014_Schedule-1

Whether I like it or not, it seems that my life’s mantra is never a dull moment, even when I want one.  With how crazy my life’s gotten over the past few weeks, when I finally poked my head into my emails for a breath of technologically enriched air – I realized that I had a golden ticket (two, to be precise) to my first Global Dance Festival out in Red Rocks, sitting plush in Red Rocks Park, Colorado.  A world renowned natural open-air amphitheater, Red Rocks without a doubt has been part of every music lovers bucket list.

Fun fact – once upon a time, Red Rocks was considered as one of the ‘Seven Wonders of the World’; thankfully, it’s still revered as a wonder of the natural world – and rightfully so! Red Rocks Amphitheater is the culmination of gigantic naturally sloping rock monoliths that date back over 160 million years to the Jurassic period,  and is littered with the fossil fragments of flying reptiles, marine reptiles and sea serpents. The northern side is referred to as ‘Creation Rock’ while the southern side is ‘Ship Rock’ – and they’re both bigger than Niagara Falls.

Back at the turn of the 1900’s, a railroad pioneer by the name of John Brisben Walker discovered the area and had a pipe dream of perfect acoustics married with the breathtaking surroundings of Denver.  Within the next decade, he’d performed multiple times on a temporary platform he built in the spirit of live music.  At the behest of the manager of the Denver Parks, Walker sold the property to the city of Denver – who, in turn, took his vision and ran with it: building a permanent stage. in 1927. By the mid 30’s, it was evident that Red Rocks was in need of a formal design – but it couldn’t be just any design with a landscape like that; it has to play with the natural beauty of the park – enter esteemed local architect Burnham Hoyt.

In a length span of 12 years, the Amphitheater’s plans were drawn, the location was dedicated and then finally during Easter of ’47 – Red Rocks opened in all of her currently glory, attracting some of the most talented acts across the genres, the decades and around the globe.  In the 60’s, it was The Beatles playing the only non-sold out date of their US tour; in the 70’s,  a rowdy group of Jethro Tull fans changed the game for the next five years as non-ticket holders attempted to crash the festival – this led to a ban on ‘heavier sounding’ acts that was finally dropped in ’75. And then, the big dogs came out to play: The Grateful Dead, John Denver,  Fleetwood Mac, Rush, Jimi Hendrix,  and not to mention where U2’s monumental  Live at Red Rocks: Under a Blood Red Sky  was filmed.  While the 90’s came into focus, so did Alternative and Rock bands – Dave Matthews, Incubus, Oasis, A Perfect Circle and Phish have all hosted monumental events there; and with the turn of the century, Red Rocks witnessed a changing of the guard – in addition to raucous rock and roll evenings, the night air at Red Rocks is filled with glitch heavy bass sounds from artists like Bassnectar and Griz, jam sessions from infamous acts like STS9 and Umphrey’s McGee and deliriously delicious trance sounds from big name groups like Above & Beyond.  Last but certainly not least – Red Rocks is the official home to events and festivals like Global Dance Festival and HARD Red Rocks – which will bring in heavy acts like NERO and Dillon Francis, an offshoot of the Los Angeles HARD Festival series.

What commenced as ‘Rave on the Rocks‘ back in ’99, has triumphantly catapulted into a massive, multi-day, cross genre production that solidifies itself as the top music festival in the Mid-West; for those of you that couldn’t make it all the way to Morrison, Colorado for the event – don’t fret, there’s a sister event in Kansas City, Missouri with multiple stages and a equivalently epic lineup featuring some of the same artists. Anyhow! As one of the longest running festivals in North America,  Global Dance Festival has been bringing the lights and love to Morrison, Colorado for the last 16 years.  Back in the olden days of festivals, we didn’t have to hike up hill both ways or anything – but we did only have one stage and we were all in it together.  From beginning to end – bouncing, dancing, spinning, laughing and prancing through it all –  we collectively move to the melodies, heartbeats entwined and eyes transfixed on the glory of the artist, band or whatever live entertainment was radiating in front of us.  With only one stage this year, GDE takes us all back that simpler time: where you didn’t have to worry about a meeting place, where you didn’t have to stress about set time conflicts and where you could simply dance your worries away into the night.

Now – though Red Rocks stands as a natural Amphitheater, that doesn’t go to say that sound hasn’t been artificially enhanced – nor does it mean that it’s gone over well. The heavy metalhead turned dubstep DJ Bassnectar decided to bust out his own speakers, and has seemingly racked up over $100,000 in fines at the Rocks – on multiple occasions.  Over time, this pushed the residents – and then the city of Denver – to enact a new noise ordinance on the area.   In a tour de force, the music community came together to help contribute to the atrocious fine as well as speak up in support of his decision to be heard loud and clear.   As of June 1st, 2013 several changes were put in place: the noise level at the festival can’t reach above ‘105 decibels one-minute averages after midnight‘  As for the bass, it ‘can’t exceed 125 decibels at the low-frequency levels of 25-80 hertz for one-minute averages’; music also ends at midnight on weekdays and 1am on the weekend.  Measured by the city’s own equipment at the front of house position, performers can be charged $10,000 for every five times they’re found in violation of the new law. Though some artists aren’t happy, others – including Pretty Lights labelmate Michal Menert : If anything, this is going to bring more dynamic out in the music because it will allow more frequencies to breathe…It will be less in-your-face sound coming at you and more dynamic.

10 Must See Acts of GDE

With just 10 days until we get down with our bad selves at Global Dance Festival, it’s only right that I present the 10 artists that you definitely have to catch over the weekend.  From Trance to Trap, Dubstep to Drum & Bass – this festival has it all, so open your ears and get your dancing feet ready for three nights of massive music.

Adventure Club
Somewhere between the emotive, dubstep laced soundscapes and the high energy, glitch fueled basslines – I feel head over heals in love with the music from this dynamic Canadian duo.  Best known for their emotive remix of ‘Crave You’ from Flight Facilities’ and their Superheroes Anonymous Podcasts, Adventure Club has more than earned a spot on my top 10 ranking.

Andy C

Essentially known as the Godfather of Drum and Bass, Andy C not only turns out some of the most beautiful beats in the business but he’s also been the bossman at RAM Records he was 16.  22 years later, and the label is currently home base to acts notable acts like SubFocus, Chase & Status and Wilkinson.

Odesza

Hailing from Seattle, Odesza has been on the rise over the last few years with “My Friends Never Die” – their debut EP – releasing in ’13.

Destroid – which, technically, counts as 3.

With their powers combined, Excision, Downlink and former Pendulum member KJ Swaka have formed bass heavy uber group – Destroid! The trio don’t perform together often, so suffice it to say: bring your ear plugs – things are about to get 100% bonkers at the Rocks…

Because I couldn’t find any live recordings of the group, enjoy some individual ones:

Infected Mushroom

Sometimes they play DJ sets, other times they play as a live band – but any way you spin it, this Israeli Psy-trance duo is one of my favorite live bands I’ve ever seen.  Formed almost 20 years ago, they’re currently one of the top performing and best selling groups in Israeli history both in domestic and international sales; if you don’t understand why, you’re in for a real treat.

Kastle

Expertly fusing R&B with dark, dubby beats and wobbles – Kastle has more than made his mark using his signature sound.   One of my favorite remixes of his, Drake – Hold On, We’re Going Home – is to this day one of my favorite, feel good tracks.  I’ve only seen him live once so I absolutely can’t wait to get my fill of him a second time!

Gabriel Dresden

Trance me!! If there’s one thing that GDE is severely lacking this year, it’s trance – in the past, the festival’s been home to the likes of Armin, Oakenfold and BT but as the tunes changes, so do the times – and there’s a lot more of a demand for body rattling bass than there is for uplifting, ethereal trance.  Thank goodness we’re leaving it to Gabriel & Dresden to change the game on that over the weekend;  best known for their epic track ‘Without You Near’, the two have a combined 26 years in the business and are just as adept solo as they are collectively

Zedd

Last, but certainly not least – how could I forget: Zedd! The 19 year old German prodigy has had his youthful little paws  on some of your favorite remixes and albums – and quite possibly without you ever even knowing.   Gaining notoriety via Beatport remix competitions, Zedd has produced muliple songs on multiple albums for Lady Gaga, not to mention assisting in the Bieb’s -‘ Beauty and a Beat’.  Not only can Zedd read the crowd, he knows how to play them, to elevate them and to move them – so make sure those dancing shoes are on tight, we’re about to have the ride of our lives.

Even though this post was initially about the ten acts to not miss at Red Rocks, the truth of the situation is that with only one stage: as long as you’re physically present, you’ll be seeing the entire breadth of the roster. So to send you off, is a playlist of my favororite songs from each and every artist that’ll be gracing the stage of Red Rocks next weekend – enjoy!

[Track of the Week] Drake – Hold On, We’re Going Home

It’s not frequently that I remember when artists came on the scene, but leave it to Drake to stand out.  The storytelling intonation in his voice lands halfway between sultry and scruffy and when it’s paired with both simple yet deliberate bass lines and minor chords – it becomes thematic and has the ability to move people.  Forget the fact he got his start on Degrassi – or don’t, we all have to start somewhere and truth be told, I’m sure his acting experience only enhances his music making abilities.  Born and raised in Toronto, Drake spent a good amount of time creating mixtapes in hopes of being discovered by a major label.  In 2007, he became the first unsigned Canadian rapper with a video on BET for the single “Replacement Girl”.  Drake was signed to Lil Wayne’s label Young Money Entertainment in 2009; later that year, he released his first EP ‘So Far Gone‘ containing the smash single, “Best I Ever Had“.  I only caught the song on my radar at the time because of a delightful remix by Indie-Electro DJ Matamatics, but it got me curious.  His sophomore album ‘Thank Me Later’ was certified platinum by the RIAA and his third album ‘Take Care’ is behind the (unfortunately) popular and overused phrase, YOLO.  I can forgive that little bit because the more I’ve listened to other tracks like “Find Your Love”,  “Take Care” with Rihanna, “Headlines” and “Swimming Pools”  – the more I appreciate the man’s musical genius as an artists and a lyricist.   

The latest jam of Drake’s that I’ve been obsessed with is called ‘Hold On, We’re Going Home’ and it’s been remixed to the nine’s by DJ’s across the genres.

Kastle, one of my favorite acts at this year’s Lightning In A Bottle, gave the track a proper deep house mix:

TJR – a crowd favorite from HARD Summer in LA – put a little bounce in Drake’s step with this festival ready remix:

K-Theory gave it a spin and their signature Dubstep infused electro sound on it:

Holy Ghost! did it one better by entire thing themselves; their mix is slightly slower, focused on the vocals and has a Nu-Disco bounce:

DJ Panic City crafted a slightly more upbeat, progressive house mix, with an emphasis on the melody and a few added lines of harmony

ASTR, a duo out of NYC, covered it their way – slowing down the BPM and isolating the vocals; the result is a very sexy rendition of Drake:

The Audiofiles: Lightning in a Bottle Preparation, Round 1

Lightning in a Bottle 2012 Timelapse by Aaron Rogosin presented by The Do LaB from The Do LaB on Vimeo.

Over the course of my time in Los Angeles, I’ve become a firm believer that if you don’t push the boundaries of your comfort zone – you’ll never truly understand how far it goes.

Retrospectively, this can all be traced back to my mystical, magical, eye opening experiences at  Electric Daisy Carnival in 2006 and I’ve simply refused to look back ever since. Over the course of the last eight years, I’ve had the pleasure of experiencing the following epically amazing festivals –  Monster Massive (back when it was still a collaboration between GoVentures and Insomniac, mind you), HARD Haunted, Together As One, The Love Festival, How Sweet It Is, Nocturnal Wonderland, HARD Summer, Beyond Wonderland, HARD 13 and Coachella.  Suffice it to say, the folks over at The Do Lab, Insomniac Events and HARD Presents know what the hell they’re doing.  But, after enough time the events, lineups and people watching blurs together until they’re  more or less indecipherable – and that’s how I knew it was time for a change.

The Do LaB started throwing the event as a private birthday bash back in 2000 –  it wasn’t until 2004 that they transitioned the evening from a private event into a festival open to the public.  Though they’ve taken a few hiatuses, The Do LaB brought Lightning in a Bottle to the Live Oak Campgrounds in Santa Barbara in ’06 and ’08 while I was still in college.   Hindsight being 20/20 and all, I still wish I’d have known about this amazing community of tremendous artists and beautiful souls back then, but I know for a fact that my current appreciation for both runs deeper now that it possibly could have then.

In the strangest sense, LIB has always been my unicorn – my unattainable vision of the real life Venn Diagram where beauty, music and nature intersect.  In 2010, I had a ticket but couldn’t go due to extenuating health issues; 2011 was my Best Friend’s bachelorette party and last year I’d simply given up on the notion that I wanted to go.  In 2012, the EDM community watched as our brand exploded into the mainstream – at first, it was liberating: the masses were dancing to our beat!  But after a few months, if you weren’t hit over the head with redundant, blase and boring festival lineups then I’d love to know what rock you were hiding under and if there’s space for me.  No joke, you could essentially predict the Progressive House, Trap and Dubstep lineups at each and every festival.  So we got to thinking, if you don’t like your scene – chance it and change it; so we slowly began looking into other opportunities to grow and thrive – low and behold, Lightning in a Bottle popped back onto our radar.  By late February, Early Bird tickets were released at a price that my friends and I couldn’t refuse and without a lineup to catch us, we took a leap of faith.

Accuse me of being an urban hippie all you’d like, but one of the reasons that I’ve been gravitating towards Lightning in a Bottle is that simply put: it’s much more than a festival.  Lightning in a Bottle boasts a community of people that want to leave the world a better place and a group of artists willing to gather the collective unconscious and proudly put it on display.  Beyond simply being about music, camping and the friendships you form – Lightning in a Bottle is a personal exploration into your psyche, ego and superego; you have to set aside your propensity to be focused on the material possessions at your finger tips for a desire to be connected to the metaphysical world around you.  There are there are ways to better every aspect of your life with workshops on yoga, meditation, artistic expression, sustainability and more.  My friends that have gone before say it’s like a miniature Burning Man, and if so – I’m sure I’m in for the ride of my lifetime.

There’s a little something to get off my chest about LIB – I haven’t been camping since I was 5.  So when I realized that I’ll be camping for fives days in the middle of Temecula, I got a tad nervous…but when the lineup was finally released, my heart skipped at least three beats – so many amazing artists that I have the honor of seeing!  I’ve gathered some of the best podcasts and mixes from around the web to get in the mood for the festival; for the next few months I’ll be posting, raving and getting myself mentally, physically and spiritually prepared for one of the most exciting journeys of my 20’s.