[The Audiofiles] Partying with a Purpose: The Dawn of Transformational Festivals

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We remember the sound of dial-up modems and the touch of rotary phones, make references to archaic cartoons like Jem and the Holograms and Legends of the Hidden Temple and laugh at our assorted childhood crushes from Saved By The Bell and Boy Meets World. The powerful product of the love generation, we’re toeing a thin line between Gen X and the Millennials, though in all honesty we’re somewhere delightfully in between.   I was already well-integrated into my collegiate career when Facebook sprouted, like a rogue weed from the garden of the interwebs.  Not to say I wasn’t already an avid Internet user, with multiple AOL and AIM screen names, frequenting chat rooms and discussing the latest music trends; but the social world was more or less turned on its head with the advent and evolution of Facebook and Twitter.

While the world spins itself into a frenzy at the latest and greatest “social” apps – like ‘Ello, Path, MySpace – my personal belief is that we’re losing our emotional and social intelligence in favor of quantitative statistics, figures and metrics; attributes that honestly have no foundation or basis within our communities. We’re a generation of dreamers and doers, who haven’t had it lost upon them that good things come with hard work and diligence; and we’re at a turning point in our lives where we desire to be a bigger part of a community, perchance even starting our own “tribe” with an intermingling of friends, extended family and blood relatives – or, a family of our own. We’re an enigma, we’re an entity; hear us roar.  

As the children of hippies, whether we’ve known it or not, we’ve been raised with similar morals, ethics, a general lack of organized religion and push towards spirituality.  And now that I’m engaged, turning 30 and settling down in my lifestyle a bit, I’ve found a new respect for the values that my parents implemented in my youth.  Growing up, I was used to having .  On the flip side, one of the beautiful things my parents did was opting for African-American and Native American Fables and tales over the Bible or the Torah.  I always lamented that I was missing out on the community aspect of organized religion, but as I’ve grown older – I’ve discovered that, I’ve discovered that I can pursue and derive that community on my own terms, which is infinitely better.  For me, that community is bas(s)ed on a shared love of music.

Raised on hearty Rock ‘n’ Roll riffs and Motown hits that I can now understand my parents were sarcastically referring to as oldies, there was something so enticing about music of my youth; from soulful storytelling, to moving melodies and music with a symphonic, harmonic message. As my musical tastes ebbed and flowed over time, I found myself front and center at rock shows, ranging from Atreyu, Avenged Sevenfold, Bad Religion and Taking Back Sunday – the heart and soul of the music were there, but so was the pushing, raging, shoving and screaming.  The concerts and shows I frequented, regardless of how big or small of a group I was with, became individual endeavors, a solo experience

Dance Music has been fueling my life for the last decade, starting with my first EDC while I was still in college…

“I remember walking in, arms firmly linked through a best friend on each side. I was trying to figure out which side of the rabbit hole I wanted to wake up on; I was trying to come to terms with my world spinning  inside out and upside down. Girls in neon tutus blocked every other turn but we were always greeted with friendly smiles, open arms and PLUR handshakes.

About ten minutes into the festival, my friends nodded in symmetry and announced they wanted to sit down and chat. I nodded in turn, but in silent agreement that I wasn’t in the mood for those kind of shenanigans.  I did a quick gut check and dove right in; or at least – tried to.  I must have looked as out of place as I felt, because immediately a charming sprite of a girl grabbed my arms and insisted I follow her to the dance floor. “Is this your first EDC?” she mused, but didn’t wait for a reply because she already knew the answer.  “You need to let it go…” she continued, her eyes dilating with excitement “…let it all fall down; shake it off and breathe it in.” She was speaking in tongues but I understood every word.  One by one, my hands wound up entwined between her delicate fingers and then, with glee, she announced my next move: “Spin! Faster! And now, just let it go…”  For the next five minutes,  I twirled with the delight of a toddler and every preconception I had about that night washed over and off of my like Spring rain.  She smiled whimsically, like whatever magicians trick she pulled actually produced a rabbit out of a hat.  She smiled with satisfaction; I smiled back in wonderment.  We hugged and danced off in different directions – but the lesson remains:  I haven’t been the same since.”

I walked away from that event completely transformed, set off on a bold, new tangent; entering a new phase of life; evolving into the individual that I want to become. There was something so special about the outlying community, a group of strangers waiting to become your friends, equally enamored by the music and the sense of personal expression.  But, after your ump-teenth rave with your friends, you find that instead of PLURing together – they start to blur together; basslines, sets, stages, days, events. Is there something more? And the answer is yes. My parents always quipped that doing the same thing over and over while expecting different results is a form of insanity; after a certain amount of raving,  I think the same can be said for the mainstream quotient of our current festival scene.

In the last five years, EDM has catapulted into the spotlight; but for those of us that have been there for years, and even before my time, EDM symbolized an underground movement where the freaks, the misfits, the lone wolves and wistful wallflowers could come together and become something greater, together. Now that it’s gone ‘mainstream‘, so have many of the concerts – held in large metropolitan areas with crowds in cookie cutter outfits, bobbing on queue to the same beat and ample amounts of vendors (whose money more often than not doesn’t go back into the community) and leaving the venue in a general state of disarray. IMG_2272.JPG

Here’s the thing, musicians – and the unique world they curate – are by proxy, always evolving, ever-changing, catalyzed by passion and moved by the moment.  And with the community surrounding Dance Music, one thing has become crystal clear: there’s a want for something more meaningful than just partying all night; something deeper than tossing back bottles and breathing in cigarette ash; something that resonates with you for longer than one night and inspires you, as an individual, to become a better version of yourself while engaging in your community.

Though I’d had my sights set on Lightning in a Bottle for a few years prior,  Coachella was my gateway drug to Transformational Festivals; it was the first time I’d had my 360 view of the world turned upside down by my surroundings, and for multiple days at that.  The costumes, the stages, the stage makeup, the bass frequencies, the art installations – the art !!, the theatrics of The Do LaB’s stage at centerfield, submerging myself in my first of many Lucent Dossier Experiences and an extreme sense of community and belonging.  After two years of watching the Polo Fields turn from green to a muddy brown, strewn with garbage and leftover fabric from meticulously planned outfits meticulously while seven stages bled together, I knew that it was time to move on. With each and every one of their events, from large scale multi-day festivals to low-key concerts, The Do Lab unabashedly embodies the essence of Transformative Festivals all along the California Coast.  From local level to large scale, their shows constantly offer up novel musical pairings in conjunction with a live painting, immersive entertainment and an enigmatic community of modern day Renaissance personalities.

After years of pining, months of planning and weeks of anticipation – I  to LIB in the Summer of 2013; no expectations, just wild eyed in wanderlust, anxiously awaiting the next music laced adventure.  Waltzing through sculptures that were thrice the size of my body, the live art humbled me – and was unfolding in front of me; I was amazed by the live acrobatics, performance art and creative prowess of not just the artists – but the community at large.  Music takes the backseat to personal growth as bodies gracefully collapse underneath themselves during mid-morning Yoga sessions. Minds expanded and consciousness, both personal and communal, during group workshops and seminars featuring discussions on Sustainable Living, Music as Therapy, Meditation Techniques,  The Art of Tantra, Self Actualization and so, so much more.

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From that weekend on, my three day tango with Lightning in a Bottle manifested into a deep rooted curiosity with Transformative Festivals, Counter Culture and Permaculture, Burning Man ideology, flow performance art and the rich history of West Coast Bass Music.  Plush with the fusion of art, music and culture, living in Los Angeles is the perfect catalyst to cultivate those feelings.  Between Do LaB events, the Melrose Trading Post, the Downtown Art Walk, Venice Beach, Hollywood, the U R Art Festival, or a Sunday at Grand Park – this town is always painted some sort of neon, with shimmer, glitter and technicolor combined. Take one step outside of the city, and California – and the West Coast are essentially the Meccas of Transformative culture, and have been for some time. Burning Man, making Nevada weird for 26 years, started in San Francisco in ’86; the event is almost as old as I am and founder Larry Harvey is my mom’s age.  When I gushed earlier about the commonality with my friendships being that we were instilled with similar values, I can easily parallel that to why we’re equally attracted to Larry Harvey’s brainchild; it’s roughly the same age as we are and the 10 Principles are incredibly reminiscent of   the value system that my parents had in place, where individuality is coveted, creativity is rewarded, art is meant to be climbed on, hugs have more klout than handshakes and the weirder – the better. You call it new-agey hippie shit; we call it a lifestyle choice that we make on the daily.

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At this point – I owe you a definition- Transformative Festivals are an ecologically friendly, multi-day counter culture events with equal focus on mind, heart, body and soul.  They’re set in a lush, natural location so participants can return to their roots – not just as individuals, but as a community with workshops ranging from sustainability to personal growth and artistic expression paired with rich musical entertainment and a ‘Pack in, Pack Out’, or ‘Leave No Trance’ mantra. Over the last two decades, multitudes of these have sprouted all along the Pacific Coast – but most notably in California. Southern California’s Lightning in a Bottle has been going strong for 20 years, Shambhala Music Festival in Salmo, BC has been around for 17 and now that it’s 2014, you can take your pick from a slew of newer ones like Symbiosis, Lucidity, Youtopia, Sea of Dreams, Colorado’s Bloom Festival, Desert Hearts, Forever Never Land and Costa Rica’s Envision Festival – not to mention, the theatrics of live concerts from Emancipator, Beats Antique, Shpongle, and the Lucent Dossier Experience

The more I understand about the culture, the more I want to know – so I invite you to journey with me through my series on Transformative Festivals! I’ll be focusing on their rich history on the West Coast, the infusion of their principles into daily life and the unabashed creativity, energy, effort and curation of an ecologically friendly, socially innovative musical affair. I’ll be interviewing key players, dream weavers, festival organizers and musical tastemakers within the Transformative Community – all in an effort to help you, your friends and the music community both understand the necessity of these events and learn how to incorporate them into our daily lives.

Ps.  This is one of my favorite TED talks – it’s by Jeet-Kei Leung, who’s since gone on to create the Bloom Series – which I’ll touch on in a future post. Enjoy!

[The Audiofiles] The Comprehensive Guide to Shambhala’s Stages and Side Parties

The Pagoda Stage

 

“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”
F. Scott Fitzgerald, The Great Gatsby

Depending on who you ask, there are a host of variable definitions for Summer – dogs sticking their tongues out while riding shotgun in cars, short shorts and flip-flops, beach days and sunkissed skin, time away from school or an excellent reason to play hooky from work, and last – but certainly not least – festival season.   Where before I would inhabit boisterous spaces and sparking places like Coachella, Together as One, How Sweet It Is, Electric Daisy Carnival and HARD events – I’ve caught myself yearning for something more: that cherry on top of the ice cream sundae, that je-ne-sais-quoi, that extra ounce of oomph and pizzazz.   I’m beyond grateful to have found all of that in more in events sponsored and influenced by members of The Do Lab, my favorite rump shakers and taste makers inside the music industry.

Starting with New Years Eve in San Francisco at Sea of Dreams, this has been a formidable year of firsts for me.  Not only was it the first festival that I covered for The DJ List, but it was my first event outside of Southern California.  Then, just the other week – I gallivanting across the MidWest to Colorado and Red Rocks for the 13th anniversary of Global Dance Festival and my first out-of-state festival.  And now, it looks like I’m going to fulfill yet another first this weekend as Danny and I road trip up to Salmo, BC! I’m packing my bags, exchanging currencies, making playlists and preparing to embark to my first festival outside of the US, and according to friends, musicians and mentors alike – there’s no better place than the hallowed grounds of Shambhala Music Festival.

There’s something just so right about a weekend where costumes are encouraged, so you can either come as you are right now – or you can come as you really are. So, whether you choose to dress up as a cat, superhero, a tried and true tie-dyed hippie – or simply yourself –  there’s a community out there right now that’s been waiting for you.  One last caveat: not that it should matter – but this is a dry festival.  Meaning not only are there no obnoxious alcohol sponsors promoting a $22 beer, you get to actual enjoy your surroundings.  If you’re sitting there saying “But, I can enjoy them with a drink or two…” – sure, you can; but do you enjoy the music, your community and your social circle of friends and peers without a drink or two? It not, you’re doing it wrong.

In ’98, 500 friends joined forces on the Bunschuh family’s Sunny Salmo River Ranch over Labour Day weekend for a party that would go down in history.  Now, 16 years later – it’s one of the foremost festival destinations in North America.   Now, boasting over 10,000 attendants – the grounds attract internationally renowned talent and one of the most enigmatic music communities in the world.  From live art to music, and organic food – Shambhala reaches out to local vendors to cultivate a rich atmosphere and bonded community.  The weekend features food from: Night Owl (locally roasted coffee from Oso Negro), Farm Phresh (fresh, organic ingredients made into smoothies) and Blaze Burgers (meat produced from happy cows raised on the Salmo River Ranch).  During the year, the grounds boast a 500 acre farm riddled with horses, cows, pigs, farm dogs, chickens and even miniature donkeys – not to mention the pristine Salmo River, which runs through it all.

From Pre-Festival parties with your new best friends, to theatrics, acrobatics and amazing music on one of the 6th specially curated stages – no matter what you’re craving this weekend, there’s an exciting, costumed adventure to go on that’ll satiate your most immediate cravings for Wanderlust.

Shambhala’s Side Parties

In preparation for my first Shambhala, friends and peers alike have made one thing clear – the journey is the destination; so when it comes to the menagerie of activities over the coming weekend: soak it in and live it up.  For the complete list of side events -check out this thorough schedule put together with help from the entire breadth of their festival family; for quick reference, print a copy – and don’t forget to bring an extra watch in case your cell phone runs out of battery. While the music is turned off, there’s no reason to turn down – there’s plenty of Shambhala shenanigans to indulge in with your new Farm-ily.

Starting tomorrow, there’s TuTu Tuesday, to Day One’s Day Onesie – which would make The Polish Ambassador beyond proud, and well into the weekend with assorted events daily afternoon hoop jams scattered throughout the grounds, Hatha Vinyasa Yoga in the yoga garden, theme parties ranging from Star Wars and Harry Potter to Pokemona treasure hunt through The Grove and various full moon celebrations.  From embracing my age to falling down rabbit holes, touring Salmo River Ranch and watching a dance battle during Andy C’s Sunday set – these are the 5 parties that you shouldn’t miss out on.

5. Geriatric Raver Takeover at The House Legends Showcase | Saturday, 11p-2am | The AMPhitheatre

DJ DAN – 11:00 PM | DONALD GLAUDE – 12:30 AM | MARK FARINA – 2:00 AM

Crusty old ravers unite for The AMPhitheatre Stage’s House Legends Showcase at Shambhala 2014. Bust out your phat pants, kikwear, kandi… we know you still have it in a box somewhere. Pair it up with a grey-hair wig or old lady / old man mask. And voila… welcome to Team #GeriatricRaver. We’ll show them young whippersnappers how to party. We’ve been listening to electronic music since before you were born, sonny. Now get off my lawn.

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4. A Funky Mad Tea Party | Sunday, 2-7pm | Fractal Forest

You are cordially invited to the second annual Funky Mad Hatter’s Tea Party. The location of the event will again be held in the Wonderland section of the Fractal Forest in Shambhala Music Festival at the beautiful Salmo River Ranch. The event will be help during the famous Fractal Funk Jam. Come as your favorite Wonderland character or the character that you are. Until the time is ripe, I bid you adieu.” – The White Rabbit

3. 3rd Annual Captain Thomas’ SHAMB VIRGIN TRAIN TOUR | Friday, 2-3pm | Camp Caturday

Join us on a magical train tour through the mystical land of Shambhala on the opening day of all the stages.  We will be touring through all the stages at Shambhala Music Festival on an imaginary train and WE WANT YOU to join us!

Allow the infamous Captain Thomas to guide you along a magical journey through the festival grounds. This tour will feature exclusive entertaining commentary, super special Shambhala secrets, an imaginary train and a whole lot of silly! You should probably just jump on board and…JOIN THE TRAIN TOUR!”

Live in Vancouver? Find out more about Caturday at www.caturdaycrew.org

2. Caturday Morning Dishco w/ Joseph Martin | Saturday 8:30-10am | The Fractal Forest

“Cat calling all of our feline friends to share the good mews, it’s our favfurrite time of the year!  Caturday Morning Disco returns to the Fractal Forest at Shambhala Music Festival, with your host Joseph Martin. Start your day off with a good strut full of cattitude, we’ll be dressing up & sporting our best cat-themed attire, feline good while pawtying down to funky disco house mewsics!”

1. Dance Battle Extravaganza DJed by Andy C  |  Sunday Night 12:30am | The Village

“We will be meeting at the Village, dead-center, for a Drum & Bass Dance Party! At the build-up to the set, we will politely ask people to step back to make room for a spacious, but modest pit. That way, we can show Shambhala how the Drum & Bass people really groove! Bring your most outrageous costumes, muster all of your endurance, and prepare your war face for a super-stepping dance battle extravaganza you will never forget! Sunday Night at 12:30am!”

Stages and Solid Sets

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For five fun-filled days,  a seemingly deserted ranch manifests into the biggest city in the West Kootenays.  Staffed by 1,000 dedicated workers and volunteers – over five days, 10,000 happy humans will bustle and bounce through the majestic grounds, enjoying a seductive synthesis of live art, live music, the workshops above – and most importantly, one of the most beautiful music communities on North America.   In a world where the majority of music has become infiltrated with dollar signs, watered down with mainstream techno-pop and rich with musical monopolies – Shambhala’s 100% Attendee-Sponsorship offers a breath of fresh air. In a bold move that I hope US festivals follow, Shambhala River Ranch – referred to by Vets  as ‘The Farm’  – rejects all forms of corporate sponsorship in an effort to mirror their vision of their musical community at large.  Each of the six uniquely themed stages is maintained and manage by their own Stage Director – they’re not only music curators, they’re dream weavers; providing for an exceptionally unique, exquisite, astounding festival experience that you simply can’t get anywhere else. To make your festival schedule ahead of time, head on to the Shambhala Schedule page right here; now, onto the stages!

Pagoda Stage

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The Pagoda stage is the main stage of the weekend, and essentially embodies the vibe of the entire festival – the curators simply want to make you dance the night away with a huge smile on your face.  Not to mention, the stage is one of the world’s foremost pioneers in video mapping technology since the idea first became possible, and it’s home to one of the best audio / visual productions on the planet. My top sets on the Pagoda are Bassnectar, Beats Antique, Hannah Wants, What So Not, Justin Martin, J.Phlip and Skream.

The Fractal Forest

If the Pagoda stage is the main course, consider The Fractal Forest™ your dessert.  A show within a show, the talent plays in the heart of the forest out of a burnt out old-growth cedar tree stump in an enchanted forest. I’ve been told this is the crème de la crème of stages, and something that should really be experienced in person, so I’m beyond excited to report back!  No matter who’s performing, the The Fractal Forest™ will be the place to be all weekend – highlights include Z-Trip, Griz, Rob Garza from Thievery Corp and my first official Beardyman experience.  Oh man, yes!  Check out the video below and get familiar with this guy; he’s amazing.

The Village

Oh, The Village – where do I start with my unrequited love.  From the epic Drum & Bass infused, Andy C spun dance battle on Sunday to my first Danny Byrd experience, an unprecedented Hip-Hop showcase hosted by Emotionz with Zion I, Eligh and Amp Live,  EOTO (Half of String Cheese Incident), Excision, Griz and the last live season for the Lucent Dossier Experience – in the words of Griz, this stage is getting live.  Breakdancers, tree forts, turntabelists, catwalks to tree bridges, performance art and the most epic of stages nestled underneath a half geodesic structure – The Village has it all. Oh, and did we mention a 200,000 watt premium PK Sound System ready to shake your soul silly? Yeah, it has that, too.

The AMPhitheater

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For the past 16 years, the AMPhitheatre/Rock Pit has been known to cover a diverse spectrum of top-quality music. And now that it’s under new management, you’ll get a menagerie of musicians – from former favorites to a new variety from around the world, all ready to delivery a dose of bass straight to your face.  With artists from G.Jones to Thriftworks, Grandtheft and Commodo – you’ll get a firsthand experience of the evolution of EDM.

The Living Room Stage

If Shambhala is home, this stage – well, the name has it all – it’s your living room. That comfortable space that you can curl up with your crew.  The only non-permanent stage of the festival, The Living Room evolves with the needs of the ranch, and it’s ever changing musical atmosphere.  And in an effort to reclaim an endangered art form, they’re devoting an entire day to Vinyl and it’s where you’ll find Mark Farina’s epic three hour extended Mushroom jazz set.

The Grove

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Last, but most certainly not least – it’s The Grove.  Deep within the forest, it’s dance floor beckons you – surrounded by art installations and lush lounge spaces.  Formerly known as the Labrynth, during the day – the Grove becomes a place of mental manifestations with workshops on creative thought and live painting; at night, it’ll will feature ample downtempo tunes, from live bands to glitch hop, all while listeners can bob and weave through the Dream Temple Art Gallery, the Hive tea Lounge and the Mythosphere.  Groups like Emancipator, Opiuo, Odesza, Desert Dwellers and Kaminanda will provide the perfect emotive soundscape for the weekend with their rich music and live performances.

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There’s still a limited amount of tickets left – purchase them here!

For details, keep up with Shambhala on their socials – Website | Facebook | Twitter |  Instagram

[The Audiofiles] LIB ’14: Let The Beauty We Love Be What We Do

“Let the beauty you love be what you do;
There are a thousand ways to kneel and kiss the Earth”
Rumi

DJ Tennis at the Woogie

Dirt Devil Sized Woogies

Between the epic amounts of live music and menagerie of performers – from stilt walkers to fire dancers and back to the artists live painting  as part of The Do Art Foundation’s ‘Lightning in a Paintcan‘, the Lightning in a Bottle music festival has consistently and gracefully walked a thin line between Burning Man, where the festival draws it’s transformative inspiration, and the Coachella Valley Music and Arts Festival, where The Do Lab’s been curating their own bass heavy, freak friendly stage for the past decade.  Originally held in the sprawling Live Oak Campground in Santa Barbara where Lucidity Festival has been located for the last several years, Lightning in a Bottle’s been jumping around Southern California from Oak Canyon Ranch in Silverado in ’10 to Lake Skinner in Winchester for last year’s festival – all in search of a location they can continue to call home; and with the new location situated halfway plush in the hills of Monterey County between their devoted underground music communities of the Bay Area and Los Angeles  – it feels like they’ve finally found it on the North Shore of Lake San Antonio.

This guy was doing it right.

As with any year, this location wasn’t without it’s challenges – this wasn’t a festival that happened to have a camping option, this was a pretty rough and rugged camping trip that seemed to organically create a music festival inside of itself; and unlike previous years, the camping was intertwined with the festival grounds.  So, whether this was your first LIB or your third – everyone was met with new environmental challenges. Some people came prepared to let loose at a festival for five days, and just happened set up some tents while they did it – others came prepared to really rough it and set up camp for the weekend and happened to enjoy a festival while doing so.

As we waited in line for the mass exodus on Monday afternoon, dirt stained smiles and glistening eyes gave away the Thursday crowd that’d planned for Lightning in a Bottle for months – alternatively, complaints of heat exhaustion, distances to the stages paired with an overall lack of filth emanated from attendants that showed up with a last minute ticket Saturday morning unprepared for the mayhem and the magic. From Thursday when the majority of campers arrived through Monday afternoon when the majority left, we dealt with a high of 100°, a low of 49° (thats more than a 50° shift) and winds of up to 34 mph. If you were there, take a moment and brush that dirt off your shoulders – because there’s an actual chance with all those dust storms and dirt devils that there’s just a little bit still left over somewhere from the weekend, no matter how many times you shower or do laundry.  For those of you that have attended Burning Man, you’re well aware that the weather conditions at Lightning in a Bottle are nothing to joke at – and are at par, if not slightly more intense than last year’s Playa conditions.

Though held at Lake San Antonio, the lake was dry and the lake beds were converted into expansive camping space as well as two renegade stages – The Ditch, and The Drift; the former of which was hosted by Distrikt and now has it’s own Facebook page and the later was basically in my front yard and hosted surprise sunrise sets from the Desert Dwellers and Random Rab.  And for those that are still feeling the hills in their legs and thighs – there’s another reason to pat yourself on the backs, earlier this month on the South Side of Lake San Antonio, the Wildflower Triathlon was held for it’s 32nd year in a row.
Formerly a Chumash Reservation, Lake San Antonio is currently 30 miles from both a Recruiting station as well as an Army Base. Unbeknownst to festival attendants, residents of Bradley were given free entrance to the festival so they could experience the event firsthand and jump to their own conclusions about our intentions.  The second night of the festival, a rugged older gentlemen with an adorably welcoming olive green yoda beanie stumbled into my campsite and sat down with my friends and I.  After a small and socially awkward conversation, we realized that not only was he a resident of Bradley – but a US Army Vet with a conservative viewpoint and at that very moment time – a staunch representation of the reason transformational festivals are so important:

Well, I showed up in my camouflage hunting cap but that felt so out of place, so after looking around at the vendors I found something I was excited to wear – I lean to the right, but I have some real right wing friends and I can’t wait to show it off around them.

I didn’t know people could be so wonderful.  Originally, I didn’t want the festival here because I thought it would be a group of ignorant kids trashing the environment.  ” He admitted, “But now that I’m here, I see people throwing away their trash and looking after one another. This is a special group of individuals. There’s amazing live music, and the art! There’s so much art being created and being explored; I hope they have LIB here again next year, but if they don’t – I still want to go, and I’ll even pay for it.”

The Courtyard / Giggle Juice Cafe

The three main stages of the weekend – The Lightning Stage, The Bamboo Stage and The Woogie – each had such a unique feel and draw, which brought about three different types of musical crowds. Back at the road, back where the festival land starts is the Bamboo Stage – let’s think of this as your ‘One Night Stand’ or ‘Spring Fling’. You go there for a reason: you want to get your head warped and you feel an overwhelming urge to get hit with an epic bass drop; it hits hard, it’s sexy, it wobbles, shakes, can get sweet for a second but overall – the Bamboo stage is pure debauchery.

What So Not

 

 

Baauer

 

From the time Filabusta opened the stage at noon on Friday until the final set on Sunday, when The Gaslamp Killer gave everyone a lesson in Low End Theory as he hit them with the sound of an Earthquake – what happened at the Bamboo Stage was unprecedented, revolutionary and magical. Sunday afternoon was the hottest day of the festival both temperature wise (99) and musically.  From start to finish, the stage was stacked and hosted the surprise set of the whole weekendstarting with  Late Night Radio opening to a rapidly growing crowd.  There might be a limited dancing, but believe me, each and every last inch of shade was taken up by an eager crowd that didn’t care about a dancefloor.  Plantrae followed the only way he knew how, a melodic dubstep set layered with a live electric violin – the skills!   Other notable sets of the weekend came from What So Not, Cashmere Cat, who turned up the sexy on Saturday night, and Baauer who payed proper tribute to the Rap and Hip-Hop influences so readily heard in EDM.

 

Beats Antique Closing the Lightning Stage

The Lightning Stage is the ‘Long term, Serious Relationship’ stage: It’s moving, emotional, light hearted, romantic – but serious, committed (And if it’s Amon Tobin, it can be straight aggressive).  And just as anything emotionally important, the stage was tucked deep into the heart of the festival and was chalk full of emotionally moving music all weekend long.  Between amazing live experiences from Norwegian trio Kraak & Smaak, The Do Lab’s own Lucent Dossier Experience, Chet Faker and Phantogram as well as headlining sets from Gramatik and Gold Panda; each and every artist told a story, strung together beautifully and deliberately.

On Friday night, Moby threw a party straight out of a rave 5 years ago – as we shimmied up to the stage,  Infinity 2008 (Klauss Remix): Guru Josh Project: was blaring from the speakers – a bouncy, fun moment – but not what I had in mind when I chose LIB.  On Saturday, Amon Tobin threw an exceptionally well DJed party for himself and didn’t seem to mind that literally no one in the crowd was moving a muscle to the heavy, aggressive and industrial Drum & Bass tracks.  In contrast, The Polish Ambassador’s Sunset set on Friday night had everybody movin’ and groovin’ to his fresh beats, including the jumpsuited passe he habitually brings on stage with him and Beats Antique closed the festival with a visually stunning performance, getting the entire crowd – including local police officers – to get weird with friends and neighbors alike as they danced their cares away for one last night.

The Polish Ambassador at Sunset

Last but definitely not least, just a hop, skip and a jump across “The Ditch” – there’s that Woogie – your little sultry, sexy, little thing on the side where you go when you want to dance your cares away. From noon til midnight, Friday through Sunday, the Woogie was movin’ and groovin’ to deliciously deep house thanks to a brand new sound system from Pure Groove Audio.

Simian Mobile Disco holding down the Woogie

As the torch was passed from Los Angeles resident Tara Brooks to Maxxi Soundsystem and the bassline for ‘Regrets We Have No Use More’ came on, the dance floor exploded in energy; only to be topped by DJ Tennis, Damian Lazarus and the Dirtybird legend himself, Sir Claude VonStroke.  The jams continued into Sunday night where Lee Burridge played an All Day I Dream Set during the final sunrise and Simian Mobile Disco whipped up a seductive, old school set and reminded the crowd why they’re one of the best DJ duos in the business; simply put – if we ‘Eat, Sleep, Rave, Repeat’, they ‘Wake Up, Make Dope Music, Go To Sleep’

 

One thing I found – even though my days and nights were packed with activity, I felt like I both saw it all and saw absolutely nothing of the camp grounds.  On the first night during Ryan Hemsworth’s set at the Bamboo Stage, we jumped on the shuttle to Camp 13 (The RV Camp), because….well….just because – and it let us see just how expansive the festival grounds really were; absolutely astounding.If you had time between sets, you could wander into the vendor area to ease your hunger pains or get your fix of adorable festival worthy gear including Spirit Hoods, Jammy Packs, Electro Fur and amazing jewelry from the team at Third Eye Pinecones. As far as food was concerned, it’s a camping trip – so it’s always recommended to bring your own.  That said, the event offered some amazing food options ranging from Vegan to Vegetarian, and even Pescetarian if you were lucky enough to find the mouth watering sushi.  Between the breakfast burritos, seaweed salad, pizza fresh from the Do Lab’s Dough Lab that I’d gladly purchase any day of the week and smoothies – you could have your cake and eat it, too.  I’m all for conscious eating, so this was a great time to actively engage in the practice – but at the end of the trip, all I could think about was bacon.  Next year, if my camp plans a little better – we’ll just bring our own bacon, cook it – and add it to the breakfast burrito; hunger problem, solved.

Though it wasn’t as heavily advertised as the main lineup, other stages boasted smaller, but equally talented musical acts. San Francisco’s Silent Frisco hosted an after hours silent disco for the event once the main stage music had ended. San Diego’s Vokab Company and The Herbert Bail Orchestra wowed The Grand Artique – another alternative source of music for the weekend.  One wandering through the area was enough to delight and amuse the festival at large – with a mock election for Mayor, and a hidden speakeasy with some deliciously free pickle bottoms if you happened to know the password, or Joaquin Murrietta.

During the day, The Temple hosted talks from Bashar and Lucent Dossier Experience creator and Lightning in a Bottle co-founder Dream Rockwell.  Author Daniel Pinchbeck spoke on his book ‘Breaking Open The Head’ – a personal favorite’, Moby gave his thoughts on art as therapy and Youtube creator Chad Hurley divulged his secret recipe for following your dreams. Each night after the speeches were over, the venue hosted music – Wildlight – the emotive sideproject from The Polish Ambassador and Ayla Nereo – wowed the crowd early Saturday morning.  Sunday evening the was curated by up and coming Los Angeles locals, The Luminaries who brought in The Human Experience to close with a moving set on Sunday morning.

Wildlight at The Temple

 

Beyond the large, ornate and often fire engulfed art sculptures – thanks to The Do Art Foundation, easels scattered throughout Lake San Antonio filled with color as the festival grounds filled with happy campers.  A menagerie of local artists, including Vyal, Andrew Knights, Anthony West and Max Neutra, used inspiration from the festival to create paintings displayed at a showcase Sunday night of the festival, fully equipped with a silent auction. All proceeds go directly to the artists and a small percentage will go to supporting the public arts through the foundation, run by The Do Lab.

“This was my second year live painting at LIB and once again I was blown away by the amount of love and dedication that goes into LIB. Painting at LIB allows me to paint in a wonderful setting, converse with strangers about a variety of subjects and consequently feel true connectedness, spirituality and healing. When I paint I try to put the feeling of the music or talk into my work! Last year my painting evolved with the music I heard from the two stages I was I between. This year I positioned myself by the temple of consciousness and my painting slowly evolved into a psychedelic mandala! My surroundings inspire the direction of my work! I love how LIB allows me to push my work into new frontiers. The energy at the festival is my souls food!” – Andrew Knights

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Andrew Knghts with wife Amanda by his finished masterpiece

On Monday afternoon, as the temperature crawled past 100 – and everyone, for lack of a better term, was miserable.  As I looked around, I thought of everything  could do – I asked the Do Lab to turn the hoses back on, but they were busy – and rightfully so – trying to delicately tear down the Woogie. So I did the only thing that came to mind – grabbed a friend, unloaded squirt guns from our luggage, reloaded them with water and aimed them at the three hour line waiting for a shuttle that felt like it would never come.  Slowly, a collection of unspoken frustrated faces instantly lit up with excitement as they were drenched with some of the free water that was provided to the camps all weekend. A two person team became an eight person army, filling misters and hoses – bringing about smiles and laughs, camaraderie and community.

For five days – we camped under stars and a clear sky, told our darkest secrets to strangers and our deepest dreams to friends, laughed at the sight of bubbles and cried when we ran into an unexpected friend. We’ll always light up when ever we hear the words ‘Woogie’, ‘Drift Party’ or ‘Picklebacks’ and howling as the sun goes down might become second nature.  We weathered dust storms and heat waves with smiles on our faces and a bounce in our step.  Whether we met or not, if you were at Lightning in a Bottle – we’re forever bonded by this event.

As we left our beautiful, blissful weekend to returned to reality Monday evening, we were all confronted with current, tragic events in Santa Barbara.  For those of you that are new to the LIB Family, the festival community and the and Santa Barbara are incredibly close knit –  the Live Oak Campground where Lucidity Festival was held this past year played host to Lightning in a Bottle back from ’06 to ’08.  This past weekend was a beautiful, necessary and touching reminder that humanity at its core is wonderful, creative, giving and ever evolving. We build communities and families together, we help our weak and empower our strong. we dance with friends and laugh with strangers, we battle the elements and wish on stars.

We aren’t trying to say that it was the perfect conditions for the festival, but I’d like to argue that it was the perfect storm. The dry lake beds were more than we bargained for, but where some people lamented the exercise – others gleefully ran across, some holding hands, others  balancing ornate sculptures on their chins or giving their friends a piggy back ride – and some of us, including myself, had dance parties in the middle of the ditch and made new friends.  We’re a problem solving community that works together, in the moment, to find the best solution.  We’re strong, charismatic, energetic and whimsical with a lead by example attitude where no stranger is left behind.  Strangers instantly evolve into a camp, a tribe – a family.  People watch out for each other with flashlights, buy two drinks instead of one because they know if they’re thirsty – someone else has to be, too.

Every single person at Lightning in a Bottle – from your best friend to your camp neighbors, stilt walkers to the burlesque show at Amori’s Casino, the painters from ‘Lightning in a Pantcan’, costumed actors who stayed in character all weekend and the musicians themselves – each and every individual has a unique gift to share with the world. And we’ve proudly staked our claim as an empathetic band of weird and wacky humans just itching for our chance to give back.

As with any collective, as humans – we’re only as strong as our weaknesses; the time is now to explore your gifts and give back to the community that’s provided your personal inspiration.  It’s not the ‘Maybe Lab’ – it’s the Do Lab; do it with love, and do it now – there’s a whole family of people that can’t wait to see what happens next.

“Never doubt that a small group of thoughtful, committed, citizens can change the world.
Indeed, it is the only thing that ever has.”
― Margaret Mead

 

Sunrise Set: Desert Dwellers with some Ditch Dwellers

Speakeasy!

My Loves

 

Hosed Down during Plantrae

A huge thank you to The Do Lab, The Confluence, the Do Art Foundation and the extended Lightning in a Bottle family for such a  beautiful weekend. For every dollar donated to the proposed Chumash Heritage National Marine Sanctuary, The Do Lab will match the donation.  Please visit The Chumash Sanctuary Website for more information.

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

Photography Credit: Daniel Leist

[The Audiofiles] Set Times for Lightning in a Bottle Are Here!

There might still be four days left in the “real world”, but it already feels like I can already taste the salt air, feel the unabashed sun on my skin and feel the deep vibrations from Lightning in a Bottle.  There’s simply something so magical about the community, collaboration, conversation and creativity oozing out of every pore, person and performance.  Whether it’s live areal art, stilt walking, live painting, juggling, hooping, or  spinning fire – over the course of the weekend, it becomes hard to discern between the festival go-ers and the festival workers.  There’s a beautiful blur that leaves us wrapped up in the emotions of the weekend together, and we leave with an unbreakable bond that feels more like a heartwarming inside joke that we get to hold onto for the rest of our lives – or, until next year when we do it all over again.

The weekend features music on the more underground, underplayed spectrum of EDM – which is a wonderful change from the typical, redundant, fist-pumping festivals that I’ve gone to in the past.  Everyone from Moby to Kraak & Smaak, Simian Mobile Disco to Baauer, Wildlight to Late Night Radio, Tourist to Gramatik, and Amon Tobin to Little Dragon will be gracing the stages for epic performances all weekend long.   As with any festival, the conflicts will definitely be making my decisions a little more difficult.  Thankfully, I put out a recent guide to the Must See acts of LIB 

Set times for all things LIB were released this week so be sure to do your homework before you head to Bradley – you don’t want to miss out on the amazing opportunities of the weekend! Between yoga skill classes, culinary workshops, talks on sustainability, unified field theory, our unconscious mind and self-empowerment – during the day, there’s a little bit of something for everyone who’s looking to evolve themselves on a personal, or community level.  As the day carries on, classes turn into DJ sets and live ensembles – a mindful, intent community rises to their feet only to get down again with their bad selves on the dance floor.

 

I’ve created a few playlists for the weekend – but thankfully, if you don’t want to go through those motions – The Do LaB has just revamped their “In The LaB” series on Soundcloud with a slew of high-profile performances from last year’s epic LIB experience.

The Woogie Stage (pictured at the top) – feeds  on groovy, Deep House tracks and funky tech house beats and just released their 2014 teaser playlist with music from Dirty Bird master Claude VonStroke, Blond:ish, Max Cooper and more – and that’s just the tip of the iceberg. Peep the tracklist below for a proper introduction to this year’s stage.

 

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

[The Audiofiles] Required Listening for Lightning in a Bottle ’14

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I woke up bright eyed and bushy tailed this morning with a huge bounce in my step and a smile on my face; why, you ask? Because I can count down the days until Lightning in a Bottle on my fingers and toes! As of today, there are only 15 days left until my favorite music festival; 15 days until I leave the ‘real world’ of Monday through Friday, 9 to 5 jobs that leave us yearning for some semblance of self satisfaction; 15 days until I cruise up to the San Antonio Camp Grounds up on the Central Coast of California for a weekend of fun, sun, beautiful people and wonderful vibes.  After last year’s amazing experience at Lightning in a Bottle, I’ve been blessed with the opportunity to cover the event for The DJ List and I couldn’t be more thrilled.  So, with 15 days left until the big weekend – I give you the 15 acts you have  to see.

 

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Back when I first set eyes on the LIB’14 flyer, I recognized less than half of the artists on the bill – which is better than last year’s lineup, where I probably knew about a third of the acts pre-festival.  In an effort to educate my eardrums, I decided to start from the bottom right corner where the lesser known acts resided and work my way up to the top where mainstream headliners like MobyPhantogram and Little Dragon sit comfortably. Beyond the fact my taste in music has evolved over the last year, what I realized while winding myself through the lineup is that there’s just so much good music out there to discover for everyone.  From Goa and Psy-Trance to Ambient Chillscapes, Glitchy Dubstep to Liquid Drum and Bass, and Funky Deep House to Nu-Disco Soul Music – this year’s lineup for Lightning in a Bottle absolutely has something for everyone’s taste in music.


 

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Late Night Radio: Website | Facebook | Twitter | Soundcloud | The DJ List

When I started rummaging through the line-up, I had no idea that my plan to make it from bottom to top in a day at the office would be thwarted.  Not by the fact I had a meeting, or a heavy workload – but because third from the bottom is Late Night Radio and once I started listening, I simply couldn’t stop.  Even though my heart has found it’s way into an EDM groove over course of the past decade, Hip-Hop and Rap have a way of speaking directly to my soul – and that bassline, oh, that bassline – it most certainly was the gateway drug that converted me to Electronic Music.  So, when I started grooving to the Vinyl Restoration series from LNR –  I was absolutely sold.  Known to friends as Alex Medellin, LNR effortlessly blends ambient Electronic instrumentals with a Neo-soul, Hip-Hop groove – and the result is absolutely insatiable.  Hands down, he’s my #1 Must See at LIB.

TouristWebsite | Facebook | Twitter | Soundcloud | The DJ List

Admittedly, I’m a sucker for remixes – reworks, really – if you want to get down to brass tax. There’s a guy on Soundcloud who goes by Virgin Magnetic Material and he’s known for his masterful mix downs of hit songs. My first Tourist track reminds me of VMM in the best of all possible ways – it was ‘Your Girl’, a rework of the 90’s song from Aaliyah. The more I tore into his discography, the more I fell in lust with his downtempo, melodic and sometimes eerie, Deep House vibe. One of my personal favorites right now is ‘I Can’t Keep Up’ featuring the vocal stylings of Will Heard; it’s absolutely breathtaking.

The Polish Ambassador: : Website | Facebook | Twitter | Soundcloud | The DJ List

WildlightFacebook | Soundcloud | The DJ List

Even though TPA is half of Wildlight, it’s difficult to put them into the same category of music – unless that category is called: awesome.  The Polish Ambassador excells at working the festival crowd and has made a name for himself through his funky fresh remixes of jams like ‘No Diggity’ and ‘Girl Control’; Wildlight, on the otherhand, is a side project with the amazingly talented Ayla Nereo that fuses her ethereal voice with earthy instrumentals, creating what I can only describe as World Music that your parents could appreciate.  They’re two drastically different sounds, but they’re equally moving – and I highly recommend catching both.

 

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Lee BurridgeWebsite | Facebook | Twitter | Soundcloud| The DJ List

Ask anyone who’s attended any All Day I Dream event, and they’ll all gush the same thing: Lee Burridge is an expert at throwing day parties.  From the beautiful vibes his smile elicits, his “Get Weird” attitude, right on to the lovely house grooves coming off the decks – Lee’s Sunday set will undoubtedly attract all of the Deep House fanatics at LIB.

Slow MagicWebsite | Facebook | Twitter | Soundcloud | The DJ List

My first Slow Magic discovery was the song ‘Youth Group’ – a synth heavy, melodic anthem that makes you want to stomp around. Since then, I’ve been dabbling in all things SM and it’s been getting me really amped for their set!

Maxxi Soundsystem: Facebook | Twitter | Soundcloud | The DJ List

A few Summers ago, I had what I’d like to call a ‘Love Affair’ with Deep House. It was perfect for lazy Summer days by the pool where you didn’t want to move an inch, or lazy Sunday afternoons where you were soaking in memories of the weekend. But at the time, what Deep House didn’t do for me was move my body. Thank goodness my friends introduced me to Maxxi Soundsystem. Their music is an infectious, rumbling journey into the melodic side of deep house – trust me when I say you won’t be disappointed.

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Random RabWebsite | Facebook | Twitter | Soundcloud | The DJ List

Back a few months ago at King King, I got my first introduction to Random Rab and immediately, I was hooked. Most music – I can describe fairly well, but Random Rab provides almost meditative, downtempo soundscapes that you can drift into a daydream with.

Kraak & SmaakWebsite | Facebook | Twitter | Soundcloud | The DJ List

I have an incredibly vivid memory from How Sweet It Is ’09 – Fedde Le Grande was headlining the Main Stage, but because of capacity issues – officers on horseback ushered us away from the main tent and told us to find another stage. Keep in mind, this is when I was firmly planted in Electro House and Progressive Trance – and the thought of going to the Neon Gardens or Bass Pod at the time almost terrified me. Immediately, some fast friends of ours noticed our shift in mood and announced that they were going to introduce is to something magical and mindblowing. As we shuffled into an almost empty tent, our ears were full of live instruments and MCs – it was all so brand new, so exciting and so beautiful. Between SHY FX, Booka Shade and Kraak & Smaak – I was introduced to so much good music that night that’s since then, heavily influenced my life. Their epic hit ‘Squeeze Me’ gives me goosebumps to this day; I can’t wait to see K&S again now that I’m familiar with their catalog.

Desert DwellersWebsite | Facebook | Twitter | Soundcloud | The DJ List

If you’re opening for Shpongle, chances are – your music is insanely progressive. When Shpongle graced the stage at Avalon last month, they brought friends and fellow Goa/Psy Trance aficionados Desert Dwellers with them as their opening act and it was absolutely perfect. Slightly more downtempo than Shpongle, DD creates gorgeous ambient soundscapes that you can effortlessly lose yourself in but with just enough bass and harmony where you can dance to your heart’s content.

 

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PumpkinFacebook | Twitter | Soundcloud |The DJ List

Hands down, Pumpkin was one of my top five sets from last year. I have to hand it to the Gent, he really knows how to get the crowd movin’ to the music. A Los Angeles local, Pumpkin’s been in high demand within the festival circuit at Coachella, Sea of Dreams as well as Lightning in a Bottle over the years. Just take a five minute peak into his set at LIB and you’ll more than see why!

Dimond SaintsWebsite | Facebook | Twitter | Soundcloud | The DJ List

Dimond Saints is the brain child of Trip-Hop phenom An-Ten-Nae & friend ReLeece. For the last few months, they’ve been pushing hit after hit out to the Hypem charts and I’m really diggin’ what I’m hearing them put down. An-Ten-Nae threw down one hell of a set at Sea of Dreams as LowRiderz with Laura Low and has more then proved himself as a versatile artist and producer. He’s definitely going to be one to watch over the next few years.

ThriftworksWebsite | Facebook | Twitter | Soundcloud | The DJ List

The first time I heard of Thriftworks was through the Sea of Dreams lineup, and now I just can’t get enough of him. Somewhere in between the down-tempo Glitches and Trip-Hop beats, I lose myself in the music; some Thriftworks in the afternoon sun sounds simply perfect.

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Claude VonStrokeWebsite | Facebook | Twitter | Soundcloud | The DJ List

One thing’s for sure – there ain’t no party like a Dirty Bird party, cause a Dirty Bird party don’t stop! On NYE at Sea of Dreams, I saw Worthy and J.Phlip hold it down for the Dirty Bird crew – and now, I’m excited to see the Big Papa of the crew back on the decks! I saw him at Avalon back in ’12 and I’ve been itching to see him ever since. J.Phlip will also be in attendance for LIB, fingers crossed we’ll see some back to back Dirty Bird action goin’ down at the Woogie stage!

Beats AntiqueWebsite | Facebook | Twitter | Soundcloud | The DJ List

The first time I saw Beats Antique was back in ’08 when they opened for Bassnectar at the El Ray; that was right around the time that my mind was expanding exponentially with new music. No longer was it just House and Trance for me; all of a sudden – there were new, glitchier, funkier, grimier, more industrial sounds to explore – and Beats Antique was my first real introduction to them. At the time, I called it ‘great music to ride a horse to’ and while slightly ignorant, I still hold to my statement; Beats Antique elicits a bohemian bazaar feeling that immediately transports me back hundreds of years with their ‘World Music’ inspired sounds.

Tickets for Lightning in a Bottle are selling like hot cakes, so be sure to get yours now before they’re sold out – this is one weekend you don’t want to miss out on; trust me, I’m a festie.

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[The Audiofiles] Silent Frisco Set to Takeover the Nighttime Airwaves at Lightning in a Bottle

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From the US inception of the Silent Disco in 2007 at the Bonnaroo Music Festival, there was no doubt in anyone’s mind that this novel idea would become a bonafide hit at festivals and parties nationwide. This goes doubly so for Robbie ‘Motion Potion’ Kowel, founder of San Francisco’s famed Silent Frisco and Co-Founder of SunsetSF – not to mention the premiere Silent Disco DJ in the United States. Until 2011, Kowel spun the Silent Disco alongside DJs LOGIC, QUICKIE MART, and MEDI4 using one channel headphones manufactured by KOSS; now in 2014, you’ll find the Silent Frisco footprint at over 100 different events year round.

In the last two years alone, they’ve hosted monthly residencies in Los Angeles and San Francisco, had their hands on events from clients like Dos Equis, MacWorld, Yahoo and the L.A. County Museum of Art – not to mention the eye-opening experiences at music festivals nationwide like Electric Forest, Treasure Island Music Fest, Gathering of the Vibes, Camp Bisco, Ghost Ship Halloween, High Sierra Music Festival, Hornings Hideout, Sonic Bloom, Another Planet Entertainment, Insomniac Events, Madison House Presents, NoisePop and so much more.

Now, they’re pairing up with longtime friends and fun makers The Do Lab to bring their amazing energy, positive vibes and Silent Frisco-ing down to the hills of Monterey County for this year’s Lightning in a Bottle festival, held over Memorial Day Weekend. The Silent Frisco will broadcast for four nights over two channels with an exceptional roster of talent from all over the nation for four nights. On Thursday night, you’ll hear the tunes of Talking Heads vs LCD Soundsystem and the next night it’ll be Radiohead vs Daft Punk. This hefty portion of eclectic music has been meticulously schemed to ensure a sublime morning for all.

“After years of welcoming The Do Lab to produce stages at our greatest annual creation, Sea of Dreams, it’s only fitting that we should do the same for them at their incredible festival,” said Silent Frisco/SunsetSF director Robbie Kowal. “The Do Lab are among the finest of event producers and giving us “the keys to their sunrise” is an honor we do not take lightly.”

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Silent Frisco will broadcast in our upgraded and expanded HushZone late night on Thursday, Friday, Saturday (that’s Friday, Saturday and Sunday mornings) from 12:30am until 7am. The eclectic lineup will feature nufunk legends FORT KNOX 5 and drum & bass innovator Thunderball, (both from D.C.) as well as LA/NYC Moombahton trailblazer Sabo. SoCal will be well represented with electro-swing producers THE GENTLEMEN CALLERS of Los Angeles, eclectic electronic stalwarts ROMY ACONA and PATRICIO, and two sets from AARON CASTLE, including his patented LCD Soundsystem set. NorCal will represent as well with remix aficionado Zack Darling, mid-tempo hero Malarkey, and downtempo producer INI. Silent Frisco’s residents will keep the trains on the tracks with sets by including resident DJs MANCUB, MATT HAZE and SHOUTS and Motion Potion’s patented Radiohead and Talking Heads sets.

Adds Kowal, “Silent Frisco creates a direct connection between the listener and the artist, which enables more creative, explorational sets. We pride ourselves on curating experiences that allow DJ’s to truly stretch and take the listeners on a journey.”

For additional Silent Frisco events in the San Francisco and Los Angeles area, head over to their website, Facebook or Twitter pages.

Keep up to date with all things Lightning in a Bottle and Do Lab with their socials –

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

For festival coverage, keep your eyes on The DJ List

[Artist Spotlight] Late Night Radio

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For the last few weeks while I’ve been moving, I’ve been making a point of slowly but surely migrating from the bottom right of the Lightning in a Bottle flyer up to the top left just so I could really understand the entire breadth of the line-up.  I made it about three lines up until I had to stop myself because my ears were swimming with a new sound; something that found it’s identity somewhere between the groovy rhythms of MoTown Soul, the raw emotions of Hip Hop and our new age electronic influences. Originally from Houston but now residing in Denver, Late Night Radio – known to friends as Alex Medellin – puts a fresh take on old favorites; transforming classics into revamped masterpieces in incredible Vinyl Restoration series as well as his EP’s – Far Into The Night and Concrete Collage.  They’re so funky and retro, but with a unique flare of Electro Soul that keeps you dancing minute after minute.

Each time I’ve gone back to the lineup, I find myself going right on back to LNR – and each time I listen to his mixes, I find a new moment to covet or song to obsess over.  I’ve even converted my boyfriend and our housemate into fans – and as it stands, we’re more excited about LNR at LIB than almost everyone else on the lineup.  His collaborations with Robotic Pirate Monkey are obscenely amazing but I’d have to say, my current favorites are ‘For Dreamers’ – and his latest mix in the VR series.

I can picture it now: a lazy Saturday afternoon in the beautiful, Monterey sunshine – hundreds of smiling faces, of every age and every type of music lover – grinnin’ and groovin’ to some of these LNR sounds…

Keep up with Late Night Radio across their socials –

Website | The DJ List |  Facebook | Soundcloud