[The Audiofiles] Partying with a Purpose: The Dawn of Transformational Festivals

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We remember the sound of dial-up modems and the touch of rotary phones, make references to archaic cartoons like Jem and the Holograms and Legends of the Hidden Temple and laugh at our assorted childhood crushes from Saved By The Bell and Boy Meets World. The powerful product of the love generation, we’re toeing a thin line between Gen X and the Millennials, though in all honesty we’re somewhere delightfully in between.   I was already well-integrated into my collegiate career when Facebook sprouted, like a rogue weed from the garden of the interwebs.  Not to say I wasn’t already an avid Internet user, with multiple AOL and AIM screen names, frequenting chat rooms and discussing the latest music trends; but the social world was more or less turned on its head with the advent and evolution of Facebook and Twitter.

While the world spins itself into a frenzy at the latest and greatest “social” apps – like ‘Ello, Path, MySpace – my personal belief is that we’re losing our emotional and social intelligence in favor of quantitative statistics, figures and metrics; attributes that honestly have no foundation or basis within our communities. We’re a generation of dreamers and doers, who haven’t had it lost upon them that good things come with hard work and diligence; and we’re at a turning point in our lives where we desire to be a bigger part of a community, perchance even starting our own “tribe” with an intermingling of friends, extended family and blood relatives – or, a family of our own. We’re an enigma, we’re an entity; hear us roar.  

As the children of hippies, whether we’ve known it or not, we’ve been raised with similar morals, ethics, a general lack of organized religion and push towards spirituality.  And now that I’m engaged, turning 30 and settling down in my lifestyle a bit, I’ve found a new respect for the values that my parents implemented in my youth.  Growing up, I was used to having .  On the flip side, one of the beautiful things my parents did was opting for African-American and Native American Fables and tales over the Bible or the Torah.  I always lamented that I was missing out on the community aspect of organized religion, but as I’ve grown older – I’ve discovered that, I’ve discovered that I can pursue and derive that community on my own terms, which is infinitely better.  For me, that community is bas(s)ed on a shared love of music.

Raised on hearty Rock ‘n’ Roll riffs and Motown hits that I can now understand my parents were sarcastically referring to as oldies, there was something so enticing about music of my youth; from soulful storytelling, to moving melodies and music with a symphonic, harmonic message. As my musical tastes ebbed and flowed over time, I found myself front and center at rock shows, ranging from Atreyu, Avenged Sevenfold, Bad Religion and Taking Back Sunday – the heart and soul of the music were there, but so was the pushing, raging, shoving and screaming.  The concerts and shows I frequented, regardless of how big or small of a group I was with, became individual endeavors, a solo experience

Dance Music has been fueling my life for the last decade, starting with my first EDC while I was still in college…

“I remember walking in, arms firmly linked through a best friend on each side. I was trying to figure out which side of the rabbit hole I wanted to wake up on; I was trying to come to terms with my world spinning  inside out and upside down. Girls in neon tutus blocked every other turn but we were always greeted with friendly smiles, open arms and PLUR handshakes.

About ten minutes into the festival, my friends nodded in symmetry and announced they wanted to sit down and chat. I nodded in turn, but in silent agreement that I wasn’t in the mood for those kind of shenanigans.  I did a quick gut check and dove right in; or at least – tried to.  I must have looked as out of place as I felt, because immediately a charming sprite of a girl grabbed my arms and insisted I follow her to the dance floor. “Is this your first EDC?” she mused, but didn’t wait for a reply because she already knew the answer.  “You need to let it go…” she continued, her eyes dilating with excitement “…let it all fall down; shake it off and breathe it in.” She was speaking in tongues but I understood every word.  One by one, my hands wound up entwined between her delicate fingers and then, with glee, she announced my next move: “Spin! Faster! And now, just let it go…”  For the next five minutes,  I twirled with the delight of a toddler and every preconception I had about that night washed over and off of my like Spring rain.  She smiled whimsically, like whatever magicians trick she pulled actually produced a rabbit out of a hat.  She smiled with satisfaction; I smiled back in wonderment.  We hugged and danced off in different directions – but the lesson remains:  I haven’t been the same since.”

I walked away from that event completely transformed, set off on a bold, new tangent; entering a new phase of life; evolving into the individual that I want to become. There was something so special about the outlying community, a group of strangers waiting to become your friends, equally enamored by the music and the sense of personal expression.  But, after your ump-teenth rave with your friends, you find that instead of PLURing together – they start to blur together; basslines, sets, stages, days, events. Is there something more? And the answer is yes. My parents always quipped that doing the same thing over and over while expecting different results is a form of insanity; after a certain amount of raving,  I think the same can be said for the mainstream quotient of our current festival scene.

In the last five years, EDM has catapulted into the spotlight; but for those of us that have been there for years, and even before my time, EDM symbolized an underground movement where the freaks, the misfits, the lone wolves and wistful wallflowers could come together and become something greater, together. Now that it’s gone ‘mainstream‘, so have many of the concerts – held in large metropolitan areas with crowds in cookie cutter outfits, bobbing on queue to the same beat and ample amounts of vendors (whose money more often than not doesn’t go back into the community) and leaving the venue in a general state of disarray. IMG_2272.JPG

Here’s the thing, musicians – and the unique world they curate – are by proxy, always evolving, ever-changing, catalyzed by passion and moved by the moment.  And with the community surrounding Dance Music, one thing has become crystal clear: there’s a want for something more meaningful than just partying all night; something deeper than tossing back bottles and breathing in cigarette ash; something that resonates with you for longer than one night and inspires you, as an individual, to become a better version of yourself while engaging in your community.

Though I’d had my sights set on Lightning in a Bottle for a few years prior,  Coachella was my gateway drug to Transformational Festivals; it was the first time I’d had my 360 view of the world turned upside down by my surroundings, and for multiple days at that.  The costumes, the stages, the stage makeup, the bass frequencies, the art installations – the art !!, the theatrics of The Do LaB’s stage at centerfield, submerging myself in my first of many Lucent Dossier Experiences and an extreme sense of community and belonging.  After two years of watching the Polo Fields turn from green to a muddy brown, strewn with garbage and leftover fabric from meticulously planned outfits meticulously while seven stages bled together, I knew that it was time to move on. With each and every one of their events, from large scale multi-day festivals to low-key concerts, The Do Lab unabashedly embodies the essence of Transformative Festivals all along the California Coast.  From local level to large scale, their shows constantly offer up novel musical pairings in conjunction with a live painting, immersive entertainment and an enigmatic community of modern day Renaissance personalities.

After years of pining, months of planning and weeks of anticipation – I  to LIB in the Summer of 2013; no expectations, just wild eyed in wanderlust, anxiously awaiting the next music laced adventure.  Waltzing through sculptures that were thrice the size of my body, the live art humbled me – and was unfolding in front of me; I was amazed by the live acrobatics, performance art and creative prowess of not just the artists – but the community at large.  Music takes the backseat to personal growth as bodies gracefully collapse underneath themselves during mid-morning Yoga sessions. Minds expanded and consciousness, both personal and communal, during group workshops and seminars featuring discussions on Sustainable Living, Music as Therapy, Meditation Techniques,  The Art of Tantra, Self Actualization and so, so much more.

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From that weekend on, my three day tango with Lightning in a Bottle manifested into a deep rooted curiosity with Transformative Festivals, Counter Culture and Permaculture, Burning Man ideology, flow performance art and the rich history of West Coast Bass Music.  Plush with the fusion of art, music and culture, living in Los Angeles is the perfect catalyst to cultivate those feelings.  Between Do LaB events, the Melrose Trading Post, the Downtown Art Walk, Venice Beach, Hollywood, the U R Art Festival, or a Sunday at Grand Park – this town is always painted some sort of neon, with shimmer, glitter and technicolor combined. Take one step outside of the city, and California – and the West Coast are essentially the Meccas of Transformative culture, and have been for some time. Burning Man, making Nevada weird for 26 years, started in San Francisco in ’86; the event is almost as old as I am and founder Larry Harvey is my mom’s age.  When I gushed earlier about the commonality with my friendships being that we were instilled with similar values, I can easily parallel that to why we’re equally attracted to Larry Harvey’s brainchild; it’s roughly the same age as we are and the 10 Principles are incredibly reminiscent of   the value system that my parents had in place, where individuality is coveted, creativity is rewarded, art is meant to be climbed on, hugs have more klout than handshakes and the weirder – the better. You call it new-agey hippie shit; we call it a lifestyle choice that we make on the daily.

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At this point – I owe you a definition- Transformative Festivals are an ecologically friendly, multi-day counter culture events with equal focus on mind, heart, body and soul.  They’re set in a lush, natural location so participants can return to their roots – not just as individuals, but as a community with workshops ranging from sustainability to personal growth and artistic expression paired with rich musical entertainment and a ‘Pack in, Pack Out’, or ‘Leave No Trance’ mantra. Over the last two decades, multitudes of these have sprouted all along the Pacific Coast – but most notably in California. Southern California’s Lightning in a Bottle has been going strong for 20 years, Shambhala Music Festival in Salmo, BC has been around for 17 and now that it’s 2014, you can take your pick from a slew of newer ones like Symbiosis, Lucidity, Youtopia, Sea of Dreams, Colorado’s Bloom Festival, Desert Hearts, Forever Never Land and Costa Rica’s Envision Festival – not to mention, the theatrics of live concerts from Emancipator, Beats Antique, Shpongle, and the Lucent Dossier Experience

The more I understand about the culture, the more I want to know – so I invite you to journey with me through my series on Transformative Festivals! I’ll be focusing on their rich history on the West Coast, the infusion of their principles into daily life and the unabashed creativity, energy, effort and curation of an ecologically friendly, socially innovative musical affair. I’ll be interviewing key players, dream weavers, festival organizers and musical tastemakers within the Transformative Community – all in an effort to help you, your friends and the music community both understand the necessity of these events and learn how to incorporate them into our daily lives.

Ps.  This is one of my favorite TED talks – it’s by Jeet-Kei Leung, who’s since gone on to create the Bloom Series – which I’ll touch on in a future post. Enjoy!

[Traveling Tales] The Journey to Shambhala

Not even a few weeks after we arrived back in Los Angeles from our epic journeys to Red Rocks and Zion, Danny and I were feverishly packing our car and getting ready for what turned out to be the best weekend of our young lives so far. Blessed with amazing connections and peers within the dance music scene, Danny and I were both asked by The Confluence to cruise up to Canada for their famed Shambhala Music Festival out at Salmo River Ranch in British Columbia, Canada – and you all know how I am when threatened with a good time, so when they asked I immediately and obviously jumped on this amazing opportunity with pep in my step and more bounce in my boogie.

Once the car was packed to the brim with camping supplies – tents, tarps, blankets, pillows and a cooler – we were off to the races! What originally was a 23 hour drive got broken up into three simpler sections: a 6 hour drive from LA to SF to visit my father, a 9 hour drive from SF to Corvallis to visit my Step-Mom and then another 9 hours until we found ourselves across the border and at Salmo River Ranch in Canada. What started as an unassuming adventure to both a new country, and new music culture, culminated in a warrior-esque journey to a new mindset, absolutely engulfed by the serenity of nature and enthralled by the beautiful expressions of humanity that surrounded us from every angle. There was never a dull moment, and at each and every turn there was someone or something to interact, connect, dance or laugh with and for every stranger we met – we walked away with two new friends. The Shambhala story – and trust me, it’s an EPIC one -won’t be coming later this week; so, until then, enjoy some of these pics from our roadtrip and Shamble-on!

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[The Audiofiles] LIB ’14: Let The Beauty We Love Be What We Do

“Let the beauty you love be what you do;
There are a thousand ways to kneel and kiss the Earth”
Rumi

DJ Tennis at the Woogie

Dirt Devil Sized Woogies

Between the epic amounts of live music and menagerie of performers – from stilt walkers to fire dancers and back to the artists live painting  as part of The Do Art Foundation’s ‘Lightning in a Paintcan‘, the Lightning in a Bottle music festival has consistently and gracefully walked a thin line between Burning Man, where the festival draws it’s transformative inspiration, and the Coachella Valley Music and Arts Festival, where The Do Lab’s been curating their own bass heavy, freak friendly stage for the past decade.  Originally held in the sprawling Live Oak Campground in Santa Barbara where Lucidity Festival has been located for the last several years, Lightning in a Bottle’s been jumping around Southern California from Oak Canyon Ranch in Silverado in ’10 to Lake Skinner in Winchester for last year’s festival – all in search of a location they can continue to call home; and with the new location situated halfway plush in the hills of Monterey County between their devoted underground music communities of the Bay Area and Los Angeles  – it feels like they’ve finally found it on the North Shore of Lake San Antonio.

This guy was doing it right.

As with any year, this location wasn’t without it’s challenges – this wasn’t a festival that happened to have a camping option, this was a pretty rough and rugged camping trip that seemed to organically create a music festival inside of itself; and unlike previous years, the camping was intertwined with the festival grounds.  So, whether this was your first LIB or your third – everyone was met with new environmental challenges. Some people came prepared to let loose at a festival for five days, and just happened set up some tents while they did it – others came prepared to really rough it and set up camp for the weekend and happened to enjoy a festival while doing so.

As we waited in line for the mass exodus on Monday afternoon, dirt stained smiles and glistening eyes gave away the Thursday crowd that’d planned for Lightning in a Bottle for months – alternatively, complaints of heat exhaustion, distances to the stages paired with an overall lack of filth emanated from attendants that showed up with a last minute ticket Saturday morning unprepared for the mayhem and the magic. From Thursday when the majority of campers arrived through Monday afternoon when the majority left, we dealt with a high of 100°, a low of 49° (thats more than a 50° shift) and winds of up to 34 mph. If you were there, take a moment and brush that dirt off your shoulders – because there’s an actual chance with all those dust storms and dirt devils that there’s just a little bit still left over somewhere from the weekend, no matter how many times you shower or do laundry.  For those of you that have attended Burning Man, you’re well aware that the weather conditions at Lightning in a Bottle are nothing to joke at – and are at par, if not slightly more intense than last year’s Playa conditions.

Though held at Lake San Antonio, the lake was dry and the lake beds were converted into expansive camping space as well as two renegade stages – The Ditch, and The Drift; the former of which was hosted by Distrikt and now has it’s own Facebook page and the later was basically in my front yard and hosted surprise sunrise sets from the Desert Dwellers and Random Rab.  And for those that are still feeling the hills in their legs and thighs – there’s another reason to pat yourself on the backs, earlier this month on the South Side of Lake San Antonio, the Wildflower Triathlon was held for it’s 32nd year in a row.
Formerly a Chumash Reservation, Lake San Antonio is currently 30 miles from both a Recruiting station as well as an Army Base. Unbeknownst to festival attendants, residents of Bradley were given free entrance to the festival so they could experience the event firsthand and jump to their own conclusions about our intentions.  The second night of the festival, a rugged older gentlemen with an adorably welcoming olive green yoda beanie stumbled into my campsite and sat down with my friends and I.  After a small and socially awkward conversation, we realized that not only was he a resident of Bradley – but a US Army Vet with a conservative viewpoint and at that very moment time – a staunch representation of the reason transformational festivals are so important:

Well, I showed up in my camouflage hunting cap but that felt so out of place, so after looking around at the vendors I found something I was excited to wear – I lean to the right, but I have some real right wing friends and I can’t wait to show it off around them.

I didn’t know people could be so wonderful.  Originally, I didn’t want the festival here because I thought it would be a group of ignorant kids trashing the environment.  ” He admitted, “But now that I’m here, I see people throwing away their trash and looking after one another. This is a special group of individuals. There’s amazing live music, and the art! There’s so much art being created and being explored; I hope they have LIB here again next year, but if they don’t – I still want to go, and I’ll even pay for it.”

The Courtyard / Giggle Juice Cafe

The three main stages of the weekend – The Lightning Stage, The Bamboo Stage and The Woogie – each had such a unique feel and draw, which brought about three different types of musical crowds. Back at the road, back where the festival land starts is the Bamboo Stage – let’s think of this as your ‘One Night Stand’ or ‘Spring Fling’. You go there for a reason: you want to get your head warped and you feel an overwhelming urge to get hit with an epic bass drop; it hits hard, it’s sexy, it wobbles, shakes, can get sweet for a second but overall – the Bamboo stage is pure debauchery.

What So Not

 

 

Baauer

 

From the time Filabusta opened the stage at noon on Friday until the final set on Sunday, when The Gaslamp Killer gave everyone a lesson in Low End Theory as he hit them with the sound of an Earthquake – what happened at the Bamboo Stage was unprecedented, revolutionary and magical. Sunday afternoon was the hottest day of the festival both temperature wise (99) and musically.  From start to finish, the stage was stacked and hosted the surprise set of the whole weekendstarting with  Late Night Radio opening to a rapidly growing crowd.  There might be a limited dancing, but believe me, each and every last inch of shade was taken up by an eager crowd that didn’t care about a dancefloor.  Plantrae followed the only way he knew how, a melodic dubstep set layered with a live electric violin – the skills!   Other notable sets of the weekend came from What So Not, Cashmere Cat, who turned up the sexy on Saturday night, and Baauer who payed proper tribute to the Rap and Hip-Hop influences so readily heard in EDM.

 

Beats Antique Closing the Lightning Stage

The Lightning Stage is the ‘Long term, Serious Relationship’ stage: It’s moving, emotional, light hearted, romantic – but serious, committed (And if it’s Amon Tobin, it can be straight aggressive).  And just as anything emotionally important, the stage was tucked deep into the heart of the festival and was chalk full of emotionally moving music all weekend long.  Between amazing live experiences from Norwegian trio Kraak & Smaak, The Do Lab’s own Lucent Dossier Experience, Chet Faker and Phantogram as well as headlining sets from Gramatik and Gold Panda; each and every artist told a story, strung together beautifully and deliberately.

On Friday night, Moby threw a party straight out of a rave 5 years ago – as we shimmied up to the stage,  Infinity 2008 (Klauss Remix): Guru Josh Project: was blaring from the speakers – a bouncy, fun moment – but not what I had in mind when I chose LIB.  On Saturday, Amon Tobin threw an exceptionally well DJed party for himself and didn’t seem to mind that literally no one in the crowd was moving a muscle to the heavy, aggressive and industrial Drum & Bass tracks.  In contrast, The Polish Ambassador’s Sunset set on Friday night had everybody movin’ and groovin’ to his fresh beats, including the jumpsuited passe he habitually brings on stage with him and Beats Antique closed the festival with a visually stunning performance, getting the entire crowd – including local police officers – to get weird with friends and neighbors alike as they danced their cares away for one last night.

The Polish Ambassador at Sunset

Last but definitely not least, just a hop, skip and a jump across “The Ditch” – there’s that Woogie – your little sultry, sexy, little thing on the side where you go when you want to dance your cares away. From noon til midnight, Friday through Sunday, the Woogie was movin’ and groovin’ to deliciously deep house thanks to a brand new sound system from Pure Groove Audio.

Simian Mobile Disco holding down the Woogie

As the torch was passed from Los Angeles resident Tara Brooks to Maxxi Soundsystem and the bassline for ‘Regrets We Have No Use More’ came on, the dance floor exploded in energy; only to be topped by DJ Tennis, Damian Lazarus and the Dirtybird legend himself, Sir Claude VonStroke.  The jams continued into Sunday night where Lee Burridge played an All Day I Dream Set during the final sunrise and Simian Mobile Disco whipped up a seductive, old school set and reminded the crowd why they’re one of the best DJ duos in the business; simply put – if we ‘Eat, Sleep, Rave, Repeat’, they ‘Wake Up, Make Dope Music, Go To Sleep’

 

One thing I found – even though my days and nights were packed with activity, I felt like I both saw it all and saw absolutely nothing of the camp grounds.  On the first night during Ryan Hemsworth’s set at the Bamboo Stage, we jumped on the shuttle to Camp 13 (The RV Camp), because….well….just because – and it let us see just how expansive the festival grounds really were; absolutely astounding.If you had time between sets, you could wander into the vendor area to ease your hunger pains or get your fix of adorable festival worthy gear including Spirit Hoods, Jammy Packs, Electro Fur and amazing jewelry from the team at Third Eye Pinecones. As far as food was concerned, it’s a camping trip – so it’s always recommended to bring your own.  That said, the event offered some amazing food options ranging from Vegan to Vegetarian, and even Pescetarian if you were lucky enough to find the mouth watering sushi.  Between the breakfast burritos, seaweed salad, pizza fresh from the Do Lab’s Dough Lab that I’d gladly purchase any day of the week and smoothies – you could have your cake and eat it, too.  I’m all for conscious eating, so this was a great time to actively engage in the practice – but at the end of the trip, all I could think about was bacon.  Next year, if my camp plans a little better – we’ll just bring our own bacon, cook it – and add it to the breakfast burrito; hunger problem, solved.

Though it wasn’t as heavily advertised as the main lineup, other stages boasted smaller, but equally talented musical acts. San Francisco’s Silent Frisco hosted an after hours silent disco for the event once the main stage music had ended. San Diego’s Vokab Company and The Herbert Bail Orchestra wowed The Grand Artique – another alternative source of music for the weekend.  One wandering through the area was enough to delight and amuse the festival at large – with a mock election for Mayor, and a hidden speakeasy with some deliciously free pickle bottoms if you happened to know the password, or Joaquin Murrietta.

During the day, The Temple hosted talks from Bashar and Lucent Dossier Experience creator and Lightning in a Bottle co-founder Dream Rockwell.  Author Daniel Pinchbeck spoke on his book ‘Breaking Open The Head’ – a personal favorite’, Moby gave his thoughts on art as therapy and Youtube creator Chad Hurley divulged his secret recipe for following your dreams. Each night after the speeches were over, the venue hosted music – Wildlight – the emotive sideproject from The Polish Ambassador and Ayla Nereo – wowed the crowd early Saturday morning.  Sunday evening the was curated by up and coming Los Angeles locals, The Luminaries who brought in The Human Experience to close with a moving set on Sunday morning.

Wildlight at The Temple

 

Beyond the large, ornate and often fire engulfed art sculptures – thanks to The Do Art Foundation, easels scattered throughout Lake San Antonio filled with color as the festival grounds filled with happy campers.  A menagerie of local artists, including Vyal, Andrew Knights, Anthony West and Max Neutra, used inspiration from the festival to create paintings displayed at a showcase Sunday night of the festival, fully equipped with a silent auction. All proceeds go directly to the artists and a small percentage will go to supporting the public arts through the foundation, run by The Do Lab.

“This was my second year live painting at LIB and once again I was blown away by the amount of love and dedication that goes into LIB. Painting at LIB allows me to paint in a wonderful setting, converse with strangers about a variety of subjects and consequently feel true connectedness, spirituality and healing. When I paint I try to put the feeling of the music or talk into my work! Last year my painting evolved with the music I heard from the two stages I was I between. This year I positioned myself by the temple of consciousness and my painting slowly evolved into a psychedelic mandala! My surroundings inspire the direction of my work! I love how LIB allows me to push my work into new frontiers. The energy at the festival is my souls food!” – Andrew Knights

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Andrew Knghts with wife Amanda by his finished masterpiece

On Monday afternoon, as the temperature crawled past 100 – and everyone, for lack of a better term, was miserable.  As I looked around, I thought of everything  could do – I asked the Do Lab to turn the hoses back on, but they were busy – and rightfully so – trying to delicately tear down the Woogie. So I did the only thing that came to mind – grabbed a friend, unloaded squirt guns from our luggage, reloaded them with water and aimed them at the three hour line waiting for a shuttle that felt like it would never come.  Slowly, a collection of unspoken frustrated faces instantly lit up with excitement as they were drenched with some of the free water that was provided to the camps all weekend. A two person team became an eight person army, filling misters and hoses – bringing about smiles and laughs, camaraderie and community.

For five days – we camped under stars and a clear sky, told our darkest secrets to strangers and our deepest dreams to friends, laughed at the sight of bubbles and cried when we ran into an unexpected friend. We’ll always light up when ever we hear the words ‘Woogie’, ‘Drift Party’ or ‘Picklebacks’ and howling as the sun goes down might become second nature.  We weathered dust storms and heat waves with smiles on our faces and a bounce in our step.  Whether we met or not, if you were at Lightning in a Bottle – we’re forever bonded by this event.

As we left our beautiful, blissful weekend to returned to reality Monday evening, we were all confronted with current, tragic events in Santa Barbara.  For those of you that are new to the LIB Family, the festival community and the and Santa Barbara are incredibly close knit –  the Live Oak Campground where Lucidity Festival was held this past year played host to Lightning in a Bottle back from ’06 to ’08.  This past weekend was a beautiful, necessary and touching reminder that humanity at its core is wonderful, creative, giving and ever evolving. We build communities and families together, we help our weak and empower our strong. we dance with friends and laugh with strangers, we battle the elements and wish on stars.

We aren’t trying to say that it was the perfect conditions for the festival, but I’d like to argue that it was the perfect storm. The dry lake beds were more than we bargained for, but where some people lamented the exercise – others gleefully ran across, some holding hands, others  balancing ornate sculptures on their chins or giving their friends a piggy back ride – and some of us, including myself, had dance parties in the middle of the ditch and made new friends.  We’re a problem solving community that works together, in the moment, to find the best solution.  We’re strong, charismatic, energetic and whimsical with a lead by example attitude where no stranger is left behind.  Strangers instantly evolve into a camp, a tribe – a family.  People watch out for each other with flashlights, buy two drinks instead of one because they know if they’re thirsty – someone else has to be, too.

Every single person at Lightning in a Bottle – from your best friend to your camp neighbors, stilt walkers to the burlesque show at Amori’s Casino, the painters from ‘Lightning in a Pantcan’, costumed actors who stayed in character all weekend and the musicians themselves – each and every individual has a unique gift to share with the world. And we’ve proudly staked our claim as an empathetic band of weird and wacky humans just itching for our chance to give back.

As with any collective, as humans – we’re only as strong as our weaknesses; the time is now to explore your gifts and give back to the community that’s provided your personal inspiration.  It’s not the ‘Maybe Lab’ – it’s the Do Lab; do it with love, and do it now – there’s a whole family of people that can’t wait to see what happens next.

“Never doubt that a small group of thoughtful, committed, citizens can change the world.
Indeed, it is the only thing that ever has.”
― Margaret Mead

 

Sunrise Set: Desert Dwellers with some Ditch Dwellers

Speakeasy!

My Loves

 

Hosed Down during Plantrae

A huge thank you to The Do Lab, The Confluence, the Do Art Foundation and the extended Lightning in a Bottle family for such a  beautiful weekend. For every dollar donated to the proposed Chumash Heritage National Marine Sanctuary, The Do Lab will match the donation.  Please visit The Chumash Sanctuary Website for more information.

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

Photography Credit: Daniel Leist

[The Audiofiles] Music Festival Packing Essentials

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Sleep hasn’t come easy these past few nights. Slowly but surely, we’ve been starting to pack for Lightning in a Bottle and every night I’ve been lying in bed, rehashing plans and crossing my fingers I’m not forgetting anything. Thank goodness I’ve developed into a semi pack-rat about things; after some quick thinking, I unearthed my packing list from the festival last year and with a few fell swoops I’ve developed a new, improved and rather idiot-proof list of festival essentials that you won’t want to leave home without!


Tent
If you’re camping, this is almost a ‘No-duh!’ moment. Of COURSE you want a tent, but what kind of tent? First, take into account how many people you’re camping with (if you’re small, add one – trust)) and before you make that impulse purchase that sounds too good to be true (read: it probably is), Google that shit and see how it ranks on Amazon.  We got our 3-Person Coleman tent at Big 5 on an uber discount, but Amazon as always is also amazing.

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Don’t forget your sleeping bags, some toss away pillows and second hand blankets that you’re okay getting a little trashed over the weekend.

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Different Types of Footwear
As awesome as it is to gallivant around in sandals all day, sometimes – they’re just not practical.  I always have a pair of toss-away boots on me in case the weather gets wacky – and if you’re feeling fiesty, there’s no better feeling than getting a new pair of electric or neon inspired kicks.

Bubble Guns

Fact: you can’t say the word ‘Bubble’ and be unhappy. Try it. Now again. That very feeling is the reason I looooove running around with a bubble gun at festivals! Not only are you constantly making your day with your own floating, translucent Technicolor army – but you’ll be making the weekend a prettier place for everyone.

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Try your local convenience store, CVS, Rite-Aid or Target for awesome options!

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See all that stuff you’re planning on bringing? At some festivals, you get to camp with your car which is absolutely perfect.  Others, like Lightning in a Bottle, you have to buy a separate pass for car camping and some – like myself – choose not to.  So we don’t have to break our backs lugging stuff (and people!) too and fro, we’ve invested in this handy dandy garden cart.  Check your local Home Depot or gardening stores (or, per usual – Amazon)

Water
Whether it’s a pallet of water bottles from Costco, or a refillable, personalized water jug – you should always know where your next drink of water is coming from.  Plus, if you’re the creative type – it’s always
fun customizing something you’ll be able to use at future festivals!

20140521-085934-32374804.jpgMini Supply and First Aid Kit
You never know what could go down at a music festival, and it doesn’t hurt to be prepared – snag a little first aid kit from your local convenience store and make sure you’re fully stocked with hydrogen peroxide, band aids, tums, wet wipes, ear plugs.

While you’re at it, throw in a hammer, pair of scissors and a roll of duct tape just in case; you never know what you could need!

Mini Grill
One thing I forget to think about at festivals is food, and even though there are always ample options in the food court – they can cost a pretty penny.  Which for one day, and one meal – it’s not so bad….but on day four of a festival, you might wish you’d brought some of your own snacks. Invest in one of these, pre-freeze some hamburger patties, get some ketchup, mustard and buns and have yourself a little festival tail-gate.  Plus, food is a phenomenal way to meet friends.

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Having a small bag at all times to house your little gear – like travel sized SPF, chapstick, your cell, wallet  and a camera – is 110% necessary.  Some ladies love the over the shoulder satchels, but I opt for something a little more retro and hands free.

Waterproof Camera Case
EDC week in Las Vegas last year was the first time I’d played around with a waterproof camera case, and ever since I’ve been on the prowl for one of my own. So, when we were at Big 5 the other day grabbing a tent – I couldn’t resist the impulse purchase!  Now, instead of worrying about getting sprayed with water, jumping in the pool or ruining my camera – I can get that epic shot I’ve always wanted.  I’m also bringing an extra, fully charged battery, sturdy case and a charger just in case it runs out of juice.

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Mini Flashlights
At night time, it can be hard to find your way – especially back to camp. I stocked up on little flashlights so everyone in my camp can have one – and it’ll definitely make going to the bathrooms at night a lot easier 😉

Festival Friendly Beauty Products
Model in a Bottle: You definitely don’t need much makeup during a festival, but that doesn’t mean you won’t want the option.  I absolutely SWEAR by this product – spritz it on after applying makeup for a set that’ll last through water, sweat, tears and lots of epic raving.  I’ve used this at every EDC since ’08 and my makeup’s been flawless post-ragefest.

Fenix SunscreenMost suncreens deposit a layer on your skin that the sun can still fight through, Fenix products reflect sunlight instead of absorbing – which is so much better for your skin!

Real Spray Aloe: If your sunscreen fails, it’s nice to have something as backup and spray aloe is the way to go.

Ouidad Climate Control: Frizzy, Curly, Straight – whatever you want your hair to do, it might not be so willing on Days 3 as it was on Day 1 to control itself – get a little glob of this on your hands and through your hair and you’ll be set for the entire day.

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Last but certainly not least, don’t forget to bring a towel so you can dry off quickly after galavanting through spritzing water, a quick shower or for something to catch some rays (and Zzzz’s) over the weekend.

Oh, and some good vibes and great company – but you knew that already, I’m sure 🙂 Friends might say that I’m in rare form this year – on the regular, my social schedule can get pretty packed, especially in the Summer months. Blame it on age, or being happy in love and filling my life with a world beyond festival life – but over the past year, I’ve more or less removed myself from the festival circuit. Electric Daisy Carnival, Together As One, Love Festival, How Sweet it Is, Nocturnal Wonderland – you name it, if it’s been in Southern Cali in the past 7 years I probably raved it. Gradually, my taste in music evolved and I migrated from being an open minded observer, to a full on member of this beautiful, international community of music aficionados and perpetual dream chasers.  I started the year with Sea of Dreams, and besides Lightning in a Bottle – and maybe Sun City in Texas, there’s nothing on my agenda – so I have to ask: what are your favorite music festivals and what are your must have packing essentials?

[The Audiofiles] Required Listening for Lightning in a Bottle ’14

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I woke up bright eyed and bushy tailed this morning with a huge bounce in my step and a smile on my face; why, you ask? Because I can count down the days until Lightning in a Bottle on my fingers and toes! As of today, there are only 15 days left until my favorite music festival; 15 days until I leave the ‘real world’ of Monday through Friday, 9 to 5 jobs that leave us yearning for some semblance of self satisfaction; 15 days until I cruise up to the San Antonio Camp Grounds up on the Central Coast of California for a weekend of fun, sun, beautiful people and wonderful vibes.  After last year’s amazing experience at Lightning in a Bottle, I’ve been blessed with the opportunity to cover the event for The DJ List and I couldn’t be more thrilled.  So, with 15 days left until the big weekend – I give you the 15 acts you have  to see.

 

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Back when I first set eyes on the LIB’14 flyer, I recognized less than half of the artists on the bill – which is better than last year’s lineup, where I probably knew about a third of the acts pre-festival.  In an effort to educate my eardrums, I decided to start from the bottom right corner where the lesser known acts resided and work my way up to the top where mainstream headliners like MobyPhantogram and Little Dragon sit comfortably. Beyond the fact my taste in music has evolved over the last year, what I realized while winding myself through the lineup is that there’s just so much good music out there to discover for everyone.  From Goa and Psy-Trance to Ambient Chillscapes, Glitchy Dubstep to Liquid Drum and Bass, and Funky Deep House to Nu-Disco Soul Music – this year’s lineup for Lightning in a Bottle absolutely has something for everyone’s taste in music.


 

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Late Night Radio: Website | Facebook | Twitter | Soundcloud | The DJ List

When I started rummaging through the line-up, I had no idea that my plan to make it from bottom to top in a day at the office would be thwarted.  Not by the fact I had a meeting, or a heavy workload – but because third from the bottom is Late Night Radio and once I started listening, I simply couldn’t stop.  Even though my heart has found it’s way into an EDM groove over course of the past decade, Hip-Hop and Rap have a way of speaking directly to my soul – and that bassline, oh, that bassline – it most certainly was the gateway drug that converted me to Electronic Music.  So, when I started grooving to the Vinyl Restoration series from LNR –  I was absolutely sold.  Known to friends as Alex Medellin, LNR effortlessly blends ambient Electronic instrumentals with a Neo-soul, Hip-Hop groove – and the result is absolutely insatiable.  Hands down, he’s my #1 Must See at LIB.

TouristWebsite | Facebook | Twitter | Soundcloud | The DJ List

Admittedly, I’m a sucker for remixes – reworks, really – if you want to get down to brass tax. There’s a guy on Soundcloud who goes by Virgin Magnetic Material and he’s known for his masterful mix downs of hit songs. My first Tourist track reminds me of VMM in the best of all possible ways – it was ‘Your Girl’, a rework of the 90’s song from Aaliyah. The more I tore into his discography, the more I fell in lust with his downtempo, melodic and sometimes eerie, Deep House vibe. One of my personal favorites right now is ‘I Can’t Keep Up’ featuring the vocal stylings of Will Heard; it’s absolutely breathtaking.

The Polish Ambassador: : Website | Facebook | Twitter | Soundcloud | The DJ List

WildlightFacebook | Soundcloud | The DJ List

Even though TPA is half of Wildlight, it’s difficult to put them into the same category of music – unless that category is called: awesome.  The Polish Ambassador excells at working the festival crowd and has made a name for himself through his funky fresh remixes of jams like ‘No Diggity’ and ‘Girl Control’; Wildlight, on the otherhand, is a side project with the amazingly talented Ayla Nereo that fuses her ethereal voice with earthy instrumentals, creating what I can only describe as World Music that your parents could appreciate.  They’re two drastically different sounds, but they’re equally moving – and I highly recommend catching both.

 

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Lee BurridgeWebsite | Facebook | Twitter | Soundcloud| The DJ List

Ask anyone who’s attended any All Day I Dream event, and they’ll all gush the same thing: Lee Burridge is an expert at throwing day parties.  From the beautiful vibes his smile elicits, his “Get Weird” attitude, right on to the lovely house grooves coming off the decks – Lee’s Sunday set will undoubtedly attract all of the Deep House fanatics at LIB.

Slow MagicWebsite | Facebook | Twitter | Soundcloud | The DJ List

My first Slow Magic discovery was the song ‘Youth Group’ – a synth heavy, melodic anthem that makes you want to stomp around. Since then, I’ve been dabbling in all things SM and it’s been getting me really amped for their set!

Maxxi Soundsystem: Facebook | Twitter | Soundcloud | The DJ List

A few Summers ago, I had what I’d like to call a ‘Love Affair’ with Deep House. It was perfect for lazy Summer days by the pool where you didn’t want to move an inch, or lazy Sunday afternoons where you were soaking in memories of the weekend. But at the time, what Deep House didn’t do for me was move my body. Thank goodness my friends introduced me to Maxxi Soundsystem. Their music is an infectious, rumbling journey into the melodic side of deep house – trust me when I say you won’t be disappointed.

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Random RabWebsite | Facebook | Twitter | Soundcloud | The DJ List

Back a few months ago at King King, I got my first introduction to Random Rab and immediately, I was hooked. Most music – I can describe fairly well, but Random Rab provides almost meditative, downtempo soundscapes that you can drift into a daydream with.

Kraak & SmaakWebsite | Facebook | Twitter | Soundcloud | The DJ List

I have an incredibly vivid memory from How Sweet It Is ’09 – Fedde Le Grande was headlining the Main Stage, but because of capacity issues – officers on horseback ushered us away from the main tent and told us to find another stage. Keep in mind, this is when I was firmly planted in Electro House and Progressive Trance – and the thought of going to the Neon Gardens or Bass Pod at the time almost terrified me. Immediately, some fast friends of ours noticed our shift in mood and announced that they were going to introduce is to something magical and mindblowing. As we shuffled into an almost empty tent, our ears were full of live instruments and MCs – it was all so brand new, so exciting and so beautiful. Between SHY FX, Booka Shade and Kraak & Smaak – I was introduced to so much good music that night that’s since then, heavily influenced my life. Their epic hit ‘Squeeze Me’ gives me goosebumps to this day; I can’t wait to see K&S again now that I’m familiar with their catalog.

Desert DwellersWebsite | Facebook | Twitter | Soundcloud | The DJ List

If you’re opening for Shpongle, chances are – your music is insanely progressive. When Shpongle graced the stage at Avalon last month, they brought friends and fellow Goa/Psy Trance aficionados Desert Dwellers with them as their opening act and it was absolutely perfect. Slightly more downtempo than Shpongle, DD creates gorgeous ambient soundscapes that you can effortlessly lose yourself in but with just enough bass and harmony where you can dance to your heart’s content.

 

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PumpkinFacebook | Twitter | Soundcloud |The DJ List

Hands down, Pumpkin was one of my top five sets from last year. I have to hand it to the Gent, he really knows how to get the crowd movin’ to the music. A Los Angeles local, Pumpkin’s been in high demand within the festival circuit at Coachella, Sea of Dreams as well as Lightning in a Bottle over the years. Just take a five minute peak into his set at LIB and you’ll more than see why!

Dimond SaintsWebsite | Facebook | Twitter | Soundcloud | The DJ List

Dimond Saints is the brain child of Trip-Hop phenom An-Ten-Nae & friend ReLeece. For the last few months, they’ve been pushing hit after hit out to the Hypem charts and I’m really diggin’ what I’m hearing them put down. An-Ten-Nae threw down one hell of a set at Sea of Dreams as LowRiderz with Laura Low and has more then proved himself as a versatile artist and producer. He’s definitely going to be one to watch over the next few years.

ThriftworksWebsite | Facebook | Twitter | Soundcloud | The DJ List

The first time I heard of Thriftworks was through the Sea of Dreams lineup, and now I just can’t get enough of him. Somewhere in between the down-tempo Glitches and Trip-Hop beats, I lose myself in the music; some Thriftworks in the afternoon sun sounds simply perfect.

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Claude VonStrokeWebsite | Facebook | Twitter | Soundcloud | The DJ List

One thing’s for sure – there ain’t no party like a Dirty Bird party, cause a Dirty Bird party don’t stop! On NYE at Sea of Dreams, I saw Worthy and J.Phlip hold it down for the Dirty Bird crew – and now, I’m excited to see the Big Papa of the crew back on the decks! I saw him at Avalon back in ’12 and I’ve been itching to see him ever since. J.Phlip will also be in attendance for LIB, fingers crossed we’ll see some back to back Dirty Bird action goin’ down at the Woogie stage!

Beats AntiqueWebsite | Facebook | Twitter | Soundcloud | The DJ List

The first time I saw Beats Antique was back in ’08 when they opened for Bassnectar at the El Ray; that was right around the time that my mind was expanding exponentially with new music. No longer was it just House and Trance for me; all of a sudden – there were new, glitchier, funkier, grimier, more industrial sounds to explore – and Beats Antique was my first real introduction to them. At the time, I called it ‘great music to ride a horse to’ and while slightly ignorant, I still hold to my statement; Beats Antique elicits a bohemian bazaar feeling that immediately transports me back hundreds of years with their ‘World Music’ inspired sounds.

Tickets for Lightning in a Bottle are selling like hot cakes, so be sure to get yours now before they’re sold out – this is one weekend you don’t want to miss out on; trust me, I’m a festie.

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[Track of the Week] The Polish Ambassador – Girl Control

“I keep it playin’ while some choose to play it safe…”

As I cruised through the lineup for Lightning in a Bottle, a wave of confusion washed over my body – I recognized about two thirds of the entire line-up but the closer I got to the bottom of the bill, the more questions I had: who are you, how did you get here and can you move my head, heart and / or feet?  Moby, Phantogram and Little Dragon grace the topline and rightfully so – they’re household names that you actually have the chance of hearing on mainstream radio.  Then you work downwards: Amon Tobin, Gold Panda, Simian Mobile Disco, Beats Antique, Gramatik,  Chet Faker, Thomas Jack, Random Rab, Desert Dwellers; those names might cause some to scratch their heads, but if you’ve been on the outskirts of indie electro or in the electronic underground – they’re just as familiar, if not more so than the latest work from the ‘headliners’.

Slowly but surely, I’ve been chronicling the artists starting from the bottom right corner and heading up that bright headline of familiar faces. Over the past few years, this process has become more of a tradition – starting with my first Coachella and leading me here – to my second Lightning in a Bottle experience.   And now that I’ve gotten aquanited with some of the lesser known acts, let me just ooze with excitement for a second: between the world music out of Natasha Kmeto, the delightful deep house grooves of Marley Carroll and the groovy, jam-band Plantrae – the bottom of the lineup has just as much, if not more talent than the top.  And of course, I already have a steady list of favorite artists that I’m delighted to be sharing with the world.  The cherry on top of my ice cream sundae is that two artists that I’ve featured in my Rising Star Spotlight series made the line-up – Thomas Jack  and  Flume, who’ll be performing as half of the duo What So Not.

The original plan was to meander through the artists repository on Soundcloud and throw a few tracks into my LIB Prep Playlist; but then, I put on The Polish Ambassador – and somewhere between the one woman dance party that started in my living room, rocking out in the car and then sharing my favorite jams with my friends, I’d realized that I’d been on a 2 hour kick and wasn’t planning on coming out of it anytime soon.  From the funky soul grooves to the ambient, ethereal soundscapes, The Polish Ambassador has effortlessly and successfully crafted music for any occasion.   My current favorite called ‘Girl Control’; it’s an oldie, but a goodie – and I’ll bet your bottom dollar you won’t stop booty shakin’ til its over.

As the festival gets closer, I’ll be shining the spotlight on the artists, entertainment, live talks and music that will be filling the hills of the San Antonio Recreation Area in Bradley, CA.  I can’t wait to share what makes this festival so amazing with everyone, and hopefully I’ll be seeing your beautiful faces in the mountains!

[The Audiofiles] Lightning in a Bottle Brings the Noise with Official Lineup

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Fresh off the heals of their epic lineup celebrating a decade of live entertainment  at the Coachella Music and Arts Festival, The Do Lab – the seminal and ever evolving production team out of Los Angeles California, just keeps the hits coming with yet another epic festival announcement: the lineup for Lightning in a Bottle (aka, my favorite festival ever).  From Amon Tobin to Kraak & Smaak, Thomas Jack to Desert Dwellers, Kaytranaa to What So Not – the weekend offers a little bit of something for everyone, especially those who distance themselves from the monotony of mainstream EDM.  In a page from the book of Sea of Dreams, you’ll still find various remenants of mainstream indie acts like Moby, Little Dragon, Phantogram – but that just leaves more dancing room for the rest of us at the other stages!  The majority of the lineup is, and has always been, creative and cultured underground music scene – and that’s precisely what the Do Lab is known for.  Take a gander at the playlist they threw together and feast your ears on these delightful beats:

When it comes to music festivals, seeing is believing – and if you’re never been to Lightning in a Bottle before, each and every one of your senses is in for a delectable treat.  These videos chronicle last year’s festival out at Lake Skinner in Temecula, California.  This year’s festival promises to be bolder and brighter as the event migrates from its home in Southern California to the hills of Bradley, a location equidistant from the overflowing West Coast Music communities in Los Angeles and San Francisco (and you, too, San Diego; don’t think we’ve forgotten about you).   The new location boasts more land, and swim-able water; a perk for those of us last year that spent too much time seeking shade in that hot, Summer sun.