As the last year and a half starts to blur together, and we collectively try and negotiate the new normals of the world, or whatever that means, more and more of us are flocking back to our old favorite habits in new stomping grounds. For the better part of the last two decades, the music world was my life – concerts, festivals, massives, raves; whatever the event was, I was there and loving losing myself in the middle of a crowd of sweaty strangers that could quickly become close friends. I wish I felt that those situations were a viable, healthy option at the moment; alas, I don’t. With the blossoming number of COVID variants, paired with living with someone who is immunocompromised…simply put, is a stupid idea for now. So in the meanwhile, I’ve been amassing my list of fantastic parks, gardens and outdoor venues to frequent in the Pacific North West and am so eager to watch the colorful cacophony of Autumn colors come into being.
I really wanted to believe that I’ve seen all that the city of Seattle proper has to offer – but time and time again, I’ve been proven delightfully wrong. Just the other weekend, I took a proper afternoon excursion to the Olympic Sculpture Park and I was so incredibly enthralled with everything it had to offer.
Encompassing 9 acres right on the edge of the Puget Sound, the Seattle Art Museum‘s Olympic Sculpture Park offers a novel and whimsical view of the downtown skyline befit with large scale, immersive art pieces that inspire insight, awe and adventure. What was once before an industrial site was transformed in 2007 into a wonderland, befit with bike paths and walking trails, rocky beaches and stunning vistas. A stone’s throw from the actual Seattle Art Museum, the Olympic Sculpture Park sits in Belltown bookended by the Central Waterfront to the North and and Myrtle Edwards Park to the South.
Hidden right off the trails is one of my new favorite micro-parks, the Rose Garden within Centennial Park; it might have a teeny tiny footprint, spanning about the length and width of the street on one city block. Color me a hopeless romantic, but there’s something so special, serene and soulful about smelling the incredible blossoms while getting a look at the sweeping seascape of Elliot Bay.
Meandering south, you’ll stumble across fabled fixtures like Alexander Calder’s ‘The Eagle’, a collection of Tony Smith sculptures – ‘Stinger’ and ‘Wandering Rocks’, and a few personal favorites like ‘Seattle Cloud Cover’ from the incredible mind of Teresita Fernández, Roy McMakin’s ‘Love & Loss’ and the illusion inspiring mirrored collection from Beverly Pepper.
Whether you’re in the mood for a picnic in the heart of the city, a long stroll with the Seattle skyline, sunset on the water or incredible art installations – the Olympic Sulpture Park has it all, and more. Though most of the collection is permanent, there are assorted temporary pieces that flow in and out of the park on a regular basis; paired with the ever mercurial weather and plenty of detours, each visit to the park has the opportunity to be a unique experience to be coveted.
For more on the awe inspiring Olympic Sculpture Park, head to their social media channels – or dive right in and experience it for yourself.
‘If you look the right way, you can see that the whole world is a garden.’ — Frances Hodgson Burnett
For as long as I can remember, I’ve had an affection for botanic gardens and the art of landscape gardening in general. For as much credit as both my mother, my step-mother – and now my mother-in-law – deserve for instilling this love inside me, there’s ample credit due to a few locations back home; from the lavish landscaping at Filoli Gardens to the expanse of parks at and around Stanford University, as well as the now defunct Roger Reynolds Nursery and school field trips to the original Sunset Gardens Headquarters in Menlo Park. I didn’t know it at the time, but my senses were spoiled rotten – and my admiration for the beauty of nature was born.
After moving to the Pacific North West, my husband and I started putting little lists together of places to explore at one time or another; swimming holes, sunset spots, and interesting hikes. Now, a few years in – we each have some excellent lists of parks, gardens, beaches and scenery to check out from the coast of Washington to the desert, the Columbia River to the Canadian Border. No matter how far away we get from home, admittedly the places I have the most fun exploring are just a hop, skip and a jump away in some hidden part of my neighborhood that’s been itching for adventurers.
Falling head over heels for both the Arboretum and the Seattle Japanese Garden, I went down the digital rabbit hole looking for other local spots worth exploring. First things first, I was pleasantly surprised and proud of myself to realize that I’d gone to most that were on the lists! I could check off the Kubota Garden, the SAG and Arboretum, Discovery Park, The Woodland Zoo’s Rose Test Garden. Immediately, the Blodel Reserve on Bainbridge Island skyrocketed to the top of my bucket list – but then another caught my eye: a garden in our zip code; the Kruckeberg Botanic Garden.
Tucked away in a small corner of Shoreline near Richmond Beach, the Kruckeberg Botanic Garden spans four acres of land, and boasts a blend of natives to the Pacific Northwest in additional to unusual exotics in a natural woodland setting. Founded in the 1950s by Dr. Arthur Kruckberg, a Professor of botany at the University of Washington, and his wife Mareen – a self taught botanist and enthusiast of all things flora and fauna. After purchasing the property in 1958, Mareen curated the first on site greenhouse for her rare plants in 1970, with a second coming just six years later. During this time of growth and evolution for the nursery, the rest of the grounds began to be expertly established. In 1998, a foundation was finally created to preserve their love of labor and just five years later, the garden was formally placed into a public trust to preserve it into perpetuity; it’s through Dr Arthur and Mareen’s love, legacy and dedication that we now can appreciate the wonderful gift of the Kruckberg Botanic Garden for generations to come.
Through their own collection of specimens, as well as a rich network of locations to exchange seeds with, their collection grew to contain everything from trees like the Giant Sequoia, Hemlocks, Spruces, Larches, Pines Maples and Oaks to flowering woodland plants like magnolias and rhododendrons, and to what my husband can only describe as ‘fern envy’ with a luscious undergrowth of vegetation around every turn. To boot, the Kruckberg Garden is home to a variety of State Champion trees (raise your hand if you knew that this was even a thing!), including a Tanoak, a Chokecherry and a lovely Striped Bark Maple.
For more on the history of the Kruckeberg Botanic Garden, and insight into educational offerings through their nursery – head to their social media channels; if you’re in the area, pay them a visit and thank me later! The grounds are open Friday through Sunday from 10 to 5pm, and admission is always free; one of my favorite f-words!
When’s the last time you stumbled upon a hidden gem in your neighborhood?
“The art of stone in a Japanese garden is that of placement. Its ideal does not deviate from that of nature.”
If you thought the Washington Park Arboretum was fantastic, meet it’s neighbor and kid sister – the Seattle Japanese Garden. Tucked away in a small corner of the Washington Park Arboretum, the Seattle Japanese Garden is host to some of most marvelously manicured walks, featuring beautifully landscaped arbors and a reflecting pond in the middle. According to local lore, the Seattle Japanese Garden is one of the finest Japanese-style gardens outside of Japan itself, and after one visit I can handedly see why – the attention to detail is exquisite, and their variety of specimens from the flora and fauna, down to the stone architecture and specific placement is impressively thought out, expertly designed.
Though the Seattle Japanese Garden isn’t the only Japanese Garden in the area, it’s easily the most gorgeous detailed and well thought out. Taking up a little over three acres, the Seattle Japanese Garden was first envisioned back in 1909; but, it wasn’t until the end of the 1950s, after World War II, that the garden started to really take shape – and became the first Japanese Garden in post-war construction on the West Coast of the United States.
Before we dive into the Seattle Japanese Garden, let’s take a little dive into the detailed qualities of a Japanese Garden! An ode to Shinto, Daoism and Amida Buddhist philosophies, Japanese Gardens (日本庭園, nihon teien) encourage visitors to reach a state of Zen and meditation through naturally created, or nature inspired, pieces within a minimalist aesthetic with weathered elements that evoke the ephemerality of life. The origins of the nihon teien date back to the Asuka period of Japanese history in the 6th and 7th century; the Japanese observed and digested many of practices at the epicenter of Chinese gardening at the time. Initially, Japanese Gardens popped up on the Honshu island of Japan, the main island, and immediately took natural elements of the landscape into the gestation of their gardens – the seasonality of the area, which had a distinct feel for each of the four seasons, in addition to waterfalls and streams, reflective lakes adorned with beaches of small stone set against slender valleys and the jagged tops of volcanos.
There are two major schools of Japanese Gardens – there are hilled gardens, tsuki-yama, or level gardens, hira-niwa; where the tsuki-yama gardens feature ponds in addition to their hills, the hira-niwa are more akin to moors, or valleys. As a traditional rule, tsuki-yama contains a stream, as well as a real pond of water; however, a tertiary variety of garden, the dried-up landscape or kare-sansui garden, is built to imply a former waterfall while dried ponds, or sand, replace the reflective pond to imply the barren nature of the terrain. Fun fact, the Japanese word niwa has evokes a purified location that is anticipating the arrival of the Shinto spirits, otherwise known as kami.
Other variations on the traditional hilled Japanese Gardens include rin-sen (forest and water gardens), sen-tai (water gardens); amongst the hira-niwa, you’ll discover the bunjin – the Literati, or “literary scholar” garden which is succinct, simple and typically is full of delicately manicured bonsai trees. Last but certainly not least we have the tea gardens; referred to as roji, these have a specific style that’s up to par with the requirements for an official tea ceremony. Some common elements among the nihon teien include guardian stones, springs and streams which flow from a waterfall, lakes, hills, islands, a variety of bridges.
Now, back to the Seattle Japanese Garden! In 1957, as the Arboretum Foundation began raising money for the project, the foundation reached out to Tatsuo Moriwaki from Tokyo Metro Parks to assist with their project – and he tapped in esteemed designers Kiyoshi Inoshita and Juki Iida to bring the vision to life. The garden began construction in 1959 under the guidance of Iida and Nobumasa Kitamura, finishing the next year in 1960. To fill the space, Iida and Kitamura ventured deep into the Cascade Mountains to Snoqualmie Pass, hand selecting 580 granite stones to be used in the Seattle Japanese Garden. To finish the construction, Iida, Moriwaki and Inoshita had the assistance of other Japanese American gardeners – on plants was William Yorozu, for stone setting they brought in Richard Yamasaki and finally for the garden structures themselves they solicited the help of Kei Ishimitsu. The Seattle Japanese Garden features details from the 16th century Momoyama Period, in a more formal or, shin, setting, as well as odes to the 17th century Edo period.
Even before gracing the grounds, you first have to pass through a detailed and lovely bronze gate from Seattle based sculptor Gerard Tsutakawa. Once inside, traditional features of a Japanese Garden present themselves in beautiful succession. First, you’re greeted by an open woodland and mixed forest that delights in Japanese Maples and a mix of Evergreens, with hints of pins, camellias and bamboo scattered around. Winding around the reflecting pond, there are a variety of different bridges to cross; first, a bridge created of earth (known as a dobashi) and then a bridge of planks (tatsuhashi).
Reaching the Northern peak which represents a mountains foothills, you’ll find a large stone wall that gives way to a sweeping view of the park. Coming back into the main grounds, on the Western side of the park, you’ll discover an orchard that sits sweetly surrounded by flowering cherry blossoms during the Spring, finally reaching the roji. Unfortunately, the original tea house on site was burnt down by vandals in 1973 – but was beautifully reconstructed in 1981 by Yasunori Sugita. Last, but most certainly not least, you’ll uncover the final treasure of the gardens – a bellowing waterfall, that ebbs and flows into streams, and finally to the central, koi pond.
The Seattle Japanese Garden is open from the beginning of Spring through the end of November, technically March 1 to November 30 when the grounds close for Winter Maintenance. Open Tuesday through Sunday, park hours range from 10am to 7pm in the Summer, to closing at 6pm in April and September, 5pm in October and last but certainly not least until 4pm in November. Currently, the park is observing COVID protocols so be sure to be on your Ps and Qs with masks and social distancing inside the grounds. For parking, you can either park right at the SPG or if you’re on an adventure through the Arboretum, the park is on the South East end and a beautiful deviation from your normally scheduled blooms of the Washington Park grounds.
Curious if you have a unique, Japanese Garden in your neck of the woods? Head here to see your local fare! Do you have a Japanese Garden that you’re head over heals in love with? Show it some love and leave me a link to it in the comments below – I can’t wait to check out the places you can’t get enough of!
For more on the Seattle Japanese Garden, head to their socials – or just take a visit!
A hidden gem of the outskirts of Seattle, and Washington state at large, the Kubota Garden boasts beautiful grounds to meander through, inspiring views and incredible landscaping. Covering twenty stunning acres of land in the Rainier Beach neighborhood in South Seattle, the Kubota Garden started as a labor of love from the Fujitaro Kubota back in 1927; sixty years later, the city of Seattle adopted it into their public park system – and let me tell you, we are all infinitely better off for having such a beautiful park in our proverbial backyard.
A fun fact, and lesser known to me before my move to the Pacific Northwest – the city of Seattle has incredible ties to Japan.
Thanks to the former Prime Minister of Japan, Takeo Miki, we get to celebrate the beginnings of Spring alongside the beautiful cherry blossoms – 1000 of which were donated to the city back in 1976 to commemoration of America’s bicentennial and the long allegiance, alliance and friendship between the people of Japan and of Washington state..
Historically, Seattle is been known for hosting the second largest Japanese population on the West Coast next to San Francisco, with Los Angeles and San Jose coming in close behind.
These Japantowns (日本人街), formally known as Nihonjin-gai or informally as J-Towns, Little Tokyo or Nihonmachi ( 日本町 )were created during the Meiji period. From approximately 1870 to 1910 an outpouring of Japanese immigrants fled home to pursue better economic opportunities, initially settling along the West Coast of America and Canada.
Though at one point there were over 40 different Japantowns in California, after World War II and the unfortunate and disappointing internment of the Japanese community – only three are now left; out of the numerous Little Tokyo’s scattered along the West Coast, the only left outside of California is Seattle.
Now, back to Fujitaro Kubota – Kubota was part of the Issei immigrants; a term used to describe first generation immigrants from Japan. Though his first job was working on the railroad, Kubota forayed into his own gardening business, the Kubota Gardening Company, in 1922. By 1927, Kubota bought five acres of logged off swampland and started work on a small garden as a hobby; fast forward a hundred years later, and that small hobby has become a pinnacle of park life in the greater Seattle area. Before his passing, the Japanese government presented Kubota with the ‘Order of the Sacred Treasure’ award for his achievements within his adopted country, and for giving life to Japanese Gardens in his new homeland.
Boasting meditative monuments, waterfalls, ponds, streams and a vibrant variety of foliage and provide a novel journey into the delicate, and decorative world of Japanese landscaping. Eventually, the gardens ballooned from five acres to twenty. Unfortunately, with their families internment – no work was done on the park for several years – but after the war, with the assistance of his two sons, Fujitaro rebuilt the grounds to feature reflection pools, incredible waterfalls and plants from his nursery that he had been keen on incorporating into the garden. In 1972, the Japanese government presented Kubota with the ‘Fifth Class Order of the Sacred Treasure’ award for his achievements within his adopted country, and for giving life to Japanese Gardens in his new homeland; unfortunately, Kubota passed away at the ripe age of 94 the following year.
When the 20-acre property became a target for condominium developers, community groups encouraged the Seattle Landmarks Preservation Board to designate the 4.5-acre core area of the garden as a Historical Landmark. In 1981 the American-Japanese Garden created by Fujitaro Kubota was declared to be an Historical Landmark of the City of Seattle.
In 1981, the City of Seattle was made into a Historical Landmark in order to preserve his legacy – especially as the area was targeted for housing developments; and finally, in 1987 the city officially acquired the Kubota Garden from the family and it is currently maintained by not only the city, but plenty of volunteers. To ensure further protection of the area, the city’s Open Space Program has bought an additional twenty eight adjacent acres of land to remain as a natural area to protect the ravine, as well as Mapes Creek.
Whether you’re coming to or from the Sea-Tac airport, or live in the area and are craving an escapade in your backyard – this is one fantastic field trip that I recommend to all. For more on the colorful Kubota Gardens, head to their socials – currently, you’re allowed a visit as long as you maintain your social distance, but if you’re not willing to risk it – simply take a peak using the live view of Google Maps!
“I want people to be overwhelmed with light and color in a way they have never experienced.”
I’m picky – with almost everything, but especially with what I want out of a museum. In my eyes – when art can exist in so many beautiful forms in ‘the wild’, let’s just call it, I have a hard time believing it should be relegated to a stuffy room with static lighting. I love when art is unencumbered and free – probably a reason I fell in love with large installations at music festivals, and the vast swaths of street art in San Francisco and Los Angeles. Art is everywhere you look, if you look with the right eye – or so, I’d like to believe.
That said, it takes a special brand of both art and artist to get me into a museum. Growing up in the Bay Area, my family took me to plenty of museums growing up, but my heart was always much happier at the San Francisco Academy of Sciences, the Barbie Museum in Palo Alto, or roaming the city streets in search of hidden art right under our noses and feet.
Even with an immaculate collection of museums in and around Los Angeles -from the LACMA to The Broad, The Gettyand Getty Villa to the Museum of Death and Destruction, and all the niche pop-up museums in between – I always enjoyed myself, but still gravitated more towards the street art in the alleyways as versus the art within. As mentioned before, my taste in artistic expression has been vastly shaped by both Burning Man art installations as well as music festivals likeLightning in a Bottle, EDC, Shambhala – and even the Coachella Music and Arts Festival, art makes me happier when I can interact with it; when I can engage multiple senses, and open my mind in new ways of thinking creatively.
I was over the moon when I stumbled across Hauser and Worth, and the Kusama exhibit at The Broad was one of the coolest things I’ve ever seen in person; but not shortly after we made the big move up north. Ever since migrating to Seattle a few years ago I have been searching for something comparably fantastic. As transplants, one way we could get to know the city and the community ethos was to try and visit as many museums, galleries and parks as we could fit into a day
Up here, the nice days are exquisite and it’s your duty to get your cute butt outside and enjoying the fresh sunshine – but on a cloudy, rainy, blustery day it’s the diverse array of art that’s truly inspiring about the Pacific North West. So, believe me – when I heard about Chihuly Glass and Garden I immediately knew I had to have an adventure.
Built to host the exquisite designs and artwork of Washington’s own Dale Chihuly, Chihuly Glass and Garden is located in the heart of the Seattle Center in the mix of the hustle and bustle of Seattle proper.
With gorgeous gardens adorned with exquisite glass pieces, as well as several permanent pieces indoors and a rotating show of the latest and greatest in blown glass – this is a can’t miss museum that fairy tales are made of. From the second you get to the grounds, you’re greeted with a spectacular view of Seattle’s iconic Space Needle.
Inside, you’ll meander through the hallways and large scale, open air designs with three different drawing walls and eight individual galleries of work. Once you’ve marinated on the unique and exquisite beauty indoors, you’ll be greeted by my favorite pieces – the Glasshouse, and the gardens. Standing over 40′ tall with over 4,000 square feet of radiant space -The Glasshouse is one of the most amazing things I’ve literally ever seen with the focus on a larger than life suspended structure in the middle, full of vibrant and delightfully rich colors.
The Chihuly Glass and Gardens is a phenomenal experience that deserves to be on everyone’s bucket list, Whenever travel is available again, it’s really worth visiting Seattle for – and 10 out of 10, I greatly recommend it! If the Pacific North West isn’t in the books anytime soon, there are also exhibitions around the country, including permanent galleries in the Tacoma Art Museum, the Colorado Springs Fine Arts Center, Ohio’s Franklin Park Conservatory and Botanical Gardens, the Morean Art Center in Florida, and Tokyo’s Toyama Glass Art Museum.
For more on Dale Chihuly, his life’s work and his various galleries – head to his social media links and websites:
“In Seattle, we live among the trees and the waterways, and we feel we are rocked gently in the cradle of life. Our winters are not cold and our summers are not hot and we congratulate ourselves for choosing such a spectacular place to rest our heads.”
What’s the most interesting museum that you’ve ever been to? Do you have a artistic niche that you cant help but be enthralled by? Let me know what some of your unique museum experiences in the comments below!
With that out of the way, now we need to focus on the matter at hand: what does it mean to defund a public community service, funneled by our tax money? I might be wrong, but I’m pretty sure every person who pays their taxes deserves to know where the money is funneled through – regardless of the programs. Schools, hospitals, transportation – all get defunded, all the damn time; but, we still have them as public, societal programs.
We’re not saying eradicate and abolish the police, or decline to fund them entirely – we’re asking that communities, cities and states take a harder look at both where the funding for their police, their training and their equipment come from and the proportional rate of funding compared to other helpful civic functions – public housing and assistance, education reform, child protective services. We’re asking for a reinvestment of Black and BIPOC lives.
Now, we could probably try and chant “re-evaluate and redistribute our tax money through better channels of public service than a racist police forcebecause it’s killing people“, or we could shorten it to “Reform the Police“. But let’s face facts, those slogans simply aren’t as persuasive, powerful or conversation starting as a protest march thousands of vibrant faces deep in a beautiful display of the complexities of the human condition, screaming “DEFUND THE POLICE” in unison.
• In 2019, the police murdered 1098 US citizens
• Black people were 24% of those killed despite being only 13% of the population.
• There were only 27 days in 2019 that the police did NOT kill anyone
👊🏿👊🏾WHY are we asking to defund police departments?👊🏾👊🏿
Our current police system is rigged against Black and minority communities, and needs staunch and inherent reform from all directions. From the salaries of those at the top, to the training – or lack thereof – for new officers, and the vast stockpile of militarized weapons police forces are receiving.
“…we have everything from office equipment, clothing, tools, radios. But then we have some pretty heavy-duty things, things like armored vehicles, assault rifles, grenades and something called a Mine-Resistant Ambush Protected vehicle (MRAP), which was invented by the Department of Defense as a counterinsurgency strategy to be able to fight IED attacks in Iraq and Afghanistan.”
If you’ve watched any of the protests at all, you’ll notice LRAD cannons and tanks, armored vehicles and oodles of tactical gear; a stark contrast to what we’ve seen the medical community supplied with in the wake of COVID-19. Since moving up to Seattle a year and a half ago, this city has become a new home to me – and because of that, I’ve taken a vested interest in how our city has been handling the protests. Statistics provided are from USA Today.
• Population, 2018: 744,949 (20th most populated city in the US)
• Police dept. funding as % of total budget, fiscal year 2020: 27.2% (5th largest out of 50 largest cities)
• Total police budget for fiscal 2020: $409 million (17th largest)
• Total city budget for fiscal 2020: $1.50 billion (19th smallest)
• Law enforcement employees per 100K: 262 (123rd highest out of 634 cities with 65K +)
• Total law enforcement employees: 1,954
• Violent crimes reported per 100K in 2018: 680 (111th highest out of 634 cities of 65K +)”
👊🏿👊🏾HOW does defunding work?👊🏾👊🏿
The actual, literal act of defunding is simple, it’s just not easy: all you have to do is reduce spending to the department while moving that money to social services better suited to assist the entire community. Here’s the rub – to get there you have to go through policy makers and politicians; the same ones who are potentially bankrolled by part of that same budget you’re asking to diminish.
“Defunding the police does not necessarily mean getting rid of the police altogether. Rather, it would mean reducing police budgets and reallocating those funds to crucial and oft-neglected areas like education, public health, housing, and youth services. (Some activists want to abolish the police altogether; defunding is a separate but connected cause.) It’s predicated on the belief that investing in communities would act as a better deterrent to crime by directly addressing societal problems like poverty, mental illness, and homelessness — issues that advocates say police are poorly equipped to handle, and yet are often tasked with. According to some estimates, law enforcement spends 21 percent of its time responding to and transporting people with mental illnesses. Police are also frequently dispatched to deal with people experiencing homelessness, causing them to be incarcerated at a disproportionate rate.”
Our educational system is in disarray, many districts using outdated text books or without enough materials for all students. There isn’t enough job training for the unemployed and homeless communities to get them back on their feet, nor are there enough resources to bring citizens out of homelessness – even though there are thousands of high rent apartments that are empty. Our veterans aren’t taken care of appropriately when they return to the states. Mental illness has run amuck and there could be a vast focus on that for the betterment of society.
Each one of those functions is something that has been defunded over time, and each one of those could use reinvestment – let’s face it, that pseudo-utopian version of the United States would be beautiful, with education, access and housing for all; we could actually make America great again. Not to mention, that providing those social functions would help eradicate the future need FOR MORE law enforcement.
👊🏿👊🏾WHO would step in to... 👊🏾👊🏿
In the US, the police deal with far more than just crimes – they also deal with civil disputes, mental health issues, drug abuse and overdoses, as well as family disputes and domestic violence calls.
In each of these situations, an officers lack of diversity or community training can be costly – when you’re a Black American, they can also be deadly – as we’ve seen with Jacob Blake. One look at the infographic and it’s painfully obvious that many of the reasons behind crime are wound up in mental health; and by in large, that’s something that we do not tackle as a society – drug use included; if we had better funding for programs aimed at curtailing drug additions, as well as an end to the drug war – which by in large targets BIPOC communities as well – our society would get back on the right foot again.
In lieu of police serving more social functions with no psychological or sociological background to assist them, we could send in trained mental health professionals; for non-threatening emergencies, we could simply rely on the same EMT crews that are dispatched for car accidents.
👊🏿👊🏾WHEN? The time is NOW. 👊🏾👊🏿
With the Breonna Taylor verdict, or non-verdict, on all of our minds – I know people are angry, upset, outraged. We’re taking to the streets, we’re demanding change – but what we need to do is demand it from the right people. That isn’t the President, or the Executive branch – it starts with your local officials for your city, for your county – and for your state.
We need to remember to vote not just every four years, but every year for state office and every two years for congress. Register to vote, double check you’re registered and if voting by mail or absentee be sure to turn in your ballot as far ahead of time as possible.
Do your own research on local and state government, and truly try to understand how they’re spending their money. How are you going to be a champion for the people today – how are you going to ensure that Black lives not only matter, but are an equally important and integral part of our gestation as a nation? Which side of history are you going to be on?
“Art, at the dawn of human culture, was a key to survival, a sharpening of the faculties essential to the struggle for existence. Art, in my opinion, has remained a key to survival.” – Herbert Read
Located in the heart of Downtown Seattle near the Seattle Aquarium, Pike Place Market and steps from the Starbucks Reserve and colorful bane of my germaphobe existence – the historically disgusting gum wall, the Seattle Art Museum sits surrounded by towering skyscrapers and moody skies – depending on the time of year at least. One of three sister facilities with the Seattle Asian Art Museum and the Olympic Sculpture Park, the Seattle Art Museum opened it’s doors in 1993 and plays host to over 25,000 unique pieces of fine art, sculpture, pottery, design and experimental immersive exhibits from around the world.
Many Art Museums tend to lay their focus on the European, or Western, historic artistic influence – but one of the many wonderful things about the SAM, is their focus on art and artists from around the globe, and because of that have renowned and fantastic collections of African, Native American, Aboriginal, Oceanic and Islamic Art in addition to more traditional collections of Modern, American and European art.
I was lucky enough to go at a time where there were two fantastic exhibits – which have both catapulted to personal favorites after the Yayoi Kasuma Infinity Rooms at the Broad, and the Crystal Bridges Museum of Art in Bentonville, Arkansas. Finally, at the age of 34, I saw my first Georgia O’Keeffe collection in person and found the colors, shadows and textures mesmerizing and meditative; needless to say, I thoroughly enjoyed viewing a retrospective of her body of work.
Another favorite rooms in the SAM was the Porcelain Room; an exquisite collection, immaculately laid out in a wonderfully chromatic aesthetic. Brought in from around the globe, many of the pieces on view can be dated back as far as the 17th century – and are dichotomous and beautifully paired with modern retrospective kiosks which can engage and educate you on each piece. Photos simply can’t do the room justice, either; the innocently creme and pastel colors, paired intricate attention to detail on each individual piece, makes the entire collection even more stunning to take in.
I don’t know what it is about art that works up an appetite for wine, but every time after I go to a museum – I come away with a silly cultured craving for some bubbles and snacks, and couldn’t have been more thrilled to discover Purple Cafe + Wine Bar just a hop, skip and a jump from the museum. Featuring a fantastic array of flights, it’s the perfect afternoon beverage and snack break, and they also have an incredible menu if you’re looking for a full meal.
For a sneak peak into the Seattle Art Museum, peep this fantastic new concept – the First Thursdays Virtual Art Walk hosted by the adorably engaging duo behind By The Hour.
In every corner of the country, albeit the world – there are many businesses that are suffering because they are agreeing to stay closed for the betterment of all of our health, and the preservation of our humanity – and our arts – for the future. If you are in a position to do so, please help your local art and music communities by donating where and when you can. To donate to the Seattle Art Museum, head here – and for more on the Seattle Art Museum, including proposed reopening schedules and practices – head to their socials: