[The Audiofiles] Partying with a Purpose: The Dawn of Transformational Festivals

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We remember the sound of dial-up modems and the touch of rotary phones, make references to archaic cartoons like Jem and the Holograms and Legends of the Hidden Temple and laugh at our assorted childhood crushes from Saved By The Bell and Boy Meets World. The powerful product of the love generation, we’re toeing a thin line between Gen X and the Millennials, though in all honesty we’re somewhere delightfully in between.   I was already well-integrated into my collegiate career when Facebook sprouted, like a rogue weed from the garden of the interwebs.  Not to say I wasn’t already an avid Internet user, with multiple AOL and AIM screen names, frequenting chat rooms and discussing the latest music trends; but the social world was more or less turned on its head with the advent and evolution of Facebook and Twitter.

While the world spins itself into a frenzy at the latest and greatest “social” apps – like ‘Ello, Path, MySpace – my personal belief is that we’re losing our emotional and social intelligence in favor of quantitative statistics, figures and metrics; attributes that honestly have no foundation or basis within our communities. We’re a generation of dreamers and doers, who haven’t had it lost upon them that good things come with hard work and diligence; and we’re at a turning point in our lives where we desire to be a bigger part of a community, perchance even starting our own “tribe” with an intermingling of friends, extended family and blood relatives – or, a family of our own. We’re an enigma, we’re an entity; hear us roar.  

As the children of hippies, whether we’ve known it or not, we’ve been raised with similar morals, ethics, a general lack of organized religion and push towards spirituality.  And now that I’m engaged, turning 30 and settling down in my lifestyle a bit, I’ve found a new respect for the values that my parents implemented in my youth.  Growing up, I was used to having .  On the flip side, one of the beautiful things my parents did was opting for African-American and Native American Fables and tales over the Bible or the Torah.  I always lamented that I was missing out on the community aspect of organized religion, but as I’ve grown older – I’ve discovered that, I’ve discovered that I can pursue and derive that community on my own terms, which is infinitely better.  For me, that community is bas(s)ed on a shared love of music.

Raised on hearty Rock ‘n’ Roll riffs and Motown hits that I can now understand my parents were sarcastically referring to as oldies, there was something so enticing about music of my youth; from soulful storytelling, to moving melodies and music with a symphonic, harmonic message. As my musical tastes ebbed and flowed over time, I found myself front and center at rock shows, ranging from Atreyu, Avenged Sevenfold, Bad Religion and Taking Back Sunday – the heart and soul of the music were there, but so was the pushing, raging, shoving and screaming.  The concerts and shows I frequented, regardless of how big or small of a group I was with, became individual endeavors, a solo experience

Dance Music has been fueling my life for the last decade, starting with my first EDC while I was still in college…

“I remember walking in, arms firmly linked through a best friend on each side. I was trying to figure out which side of the rabbit hole I wanted to wake up on; I was trying to come to terms with my world spinning  inside out and upside down. Girls in neon tutus blocked every other turn but we were always greeted with friendly smiles, open arms and PLUR handshakes.

About ten minutes into the festival, my friends nodded in symmetry and announced they wanted to sit down and chat. I nodded in turn, but in silent agreement that I wasn’t in the mood for those kind of shenanigans.  I did a quick gut check and dove right in; or at least – tried to.  I must have looked as out of place as I felt, because immediately a charming sprite of a girl grabbed my arms and insisted I follow her to the dance floor. “Is this your first EDC?” she mused, but didn’t wait for a reply because she already knew the answer.  “You need to let it go…” she continued, her eyes dilating with excitement “…let it all fall down; shake it off and breathe it in.” She was speaking in tongues but I understood every word.  One by one, my hands wound up entwined between her delicate fingers and then, with glee, she announced my next move: “Spin! Faster! And now, just let it go…”  For the next five minutes,  I twirled with the delight of a toddler and every preconception I had about that night washed over and off of my like Spring rain.  She smiled whimsically, like whatever magicians trick she pulled actually produced a rabbit out of a hat.  She smiled with satisfaction; I smiled back in wonderment.  We hugged and danced off in different directions – but the lesson remains:  I haven’t been the same since.”

I walked away from that event completely transformed, set off on a bold, new tangent; entering a new phase of life; evolving into the individual that I want to become. There was something so special about the outlying community, a group of strangers waiting to become your friends, equally enamored by the music and the sense of personal expression.  But, after your ump-teenth rave with your friends, you find that instead of PLURing together – they start to blur together; basslines, sets, stages, days, events. Is there something more? And the answer is yes. My parents always quipped that doing the same thing over and over while expecting different results is a form of insanity; after a certain amount of raving,  I think the same can be said for the mainstream quotient of our current festival scene.

In the last five years, EDM has catapulted into the spotlight; but for those of us that have been there for years, and even before my time, EDM symbolized an underground movement where the freaks, the misfits, the lone wolves and wistful wallflowers could come together and become something greater, together. Now that it’s gone ‘mainstream‘, so have many of the concerts – held in large metropolitan areas with crowds in cookie cutter outfits, bobbing on queue to the same beat and ample amounts of vendors (whose money more often than not doesn’t go back into the community) and leaving the venue in a general state of disarray. IMG_2272.JPG

Here’s the thing, musicians – and the unique world they curate – are by proxy, always evolving, ever-changing, catalyzed by passion and moved by the moment.  And with the community surrounding Dance Music, one thing has become crystal clear: there’s a want for something more meaningful than just partying all night; something deeper than tossing back bottles and breathing in cigarette ash; something that resonates with you for longer than one night and inspires you, as an individual, to become a better version of yourself while engaging in your community.

Though I’d had my sights set on Lightning in a Bottle for a few years prior,  Coachella was my gateway drug to Transformational Festivals; it was the first time I’d had my 360 view of the world turned upside down by my surroundings, and for multiple days at that.  The costumes, the stages, the stage makeup, the bass frequencies, the art installations – the art !!, the theatrics of The Do LaB’s stage at centerfield, submerging myself in my first of many Lucent Dossier Experiences and an extreme sense of community and belonging.  After two years of watching the Polo Fields turn from green to a muddy brown, strewn with garbage and leftover fabric from meticulously planned outfits meticulously while seven stages bled together, I knew that it was time to move on. With each and every one of their events, from large scale multi-day festivals to low-key concerts, The Do Lab unabashedly embodies the essence of Transformative Festivals all along the California Coast.  From local level to large scale, their shows constantly offer up novel musical pairings in conjunction with a live painting, immersive entertainment and an enigmatic community of modern day Renaissance personalities.

After years of pining, months of planning and weeks of anticipation – I  to LIB in the Summer of 2013; no expectations, just wild eyed in wanderlust, anxiously awaiting the next music laced adventure.  Waltzing through sculptures that were thrice the size of my body, the live art humbled me – and was unfolding in front of me; I was amazed by the live acrobatics, performance art and creative prowess of not just the artists – but the community at large.  Music takes the backseat to personal growth as bodies gracefully collapse underneath themselves during mid-morning Yoga sessions. Minds expanded and consciousness, both personal and communal, during group workshops and seminars featuring discussions on Sustainable Living, Music as Therapy, Meditation Techniques,  The Art of Tantra, Self Actualization and so, so much more.

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From that weekend on, my three day tango with Lightning in a Bottle manifested into a deep rooted curiosity with Transformative Festivals, Counter Culture and Permaculture, Burning Man ideology, flow performance art and the rich history of West Coast Bass Music.  Plush with the fusion of art, music and culture, living in Los Angeles is the perfect catalyst to cultivate those feelings.  Between Do LaB events, the Melrose Trading Post, the Downtown Art Walk, Venice Beach, Hollywood, the U R Art Festival, or a Sunday at Grand Park – this town is always painted some sort of neon, with shimmer, glitter and technicolor combined. Take one step outside of the city, and California – and the West Coast are essentially the Meccas of Transformative culture, and have been for some time. Burning Man, making Nevada weird for 26 years, started in San Francisco in ’86; the event is almost as old as I am and founder Larry Harvey is my mom’s age.  When I gushed earlier about the commonality with my friendships being that we were instilled with similar values, I can easily parallel that to why we’re equally attracted to Larry Harvey’s brainchild; it’s roughly the same age as we are and the 10 Principles are incredibly reminiscent of   the value system that my parents had in place, where individuality is coveted, creativity is rewarded, art is meant to be climbed on, hugs have more klout than handshakes and the weirder – the better. You call it new-agey hippie shit; we call it a lifestyle choice that we make on the daily.

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At this point – I owe you a definition- Transformative Festivals are an ecologically friendly, multi-day counter culture events with equal focus on mind, heart, body and soul.  They’re set in a lush, natural location so participants can return to their roots – not just as individuals, but as a community with workshops ranging from sustainability to personal growth and artistic expression paired with rich musical entertainment and a ‘Pack in, Pack Out’, or ‘Leave No Trance’ mantra. Over the last two decades, multitudes of these have sprouted all along the Pacific Coast – but most notably in California. Southern California’s Lightning in a Bottle has been going strong for 20 years, Shambhala Music Festival in Salmo, BC has been around for 17 and now that it’s 2014, you can take your pick from a slew of newer ones like Symbiosis, Lucidity, Youtopia, Sea of Dreams, Colorado’s Bloom Festival, Desert Hearts, Forever Never Land and Costa Rica’s Envision Festival – not to mention, the theatrics of live concerts from Emancipator, Beats Antique, Shpongle, and the Lucent Dossier Experience

The more I understand about the culture, the more I want to know – so I invite you to journey with me through my series on Transformative Festivals! I’ll be focusing on their rich history on the West Coast, the infusion of their principles into daily life and the unabashed creativity, energy, effort and curation of an ecologically friendly, socially innovative musical affair. I’ll be interviewing key players, dream weavers, festival organizers and musical tastemakers within the Transformative Community – all in an effort to help you, your friends and the music community both understand the necessity of these events and learn how to incorporate them into our daily lives.

Ps.  This is one of my favorite TED talks – it’s by Jeet-Kei Leung, who’s since gone on to create the Bloom Series – which I’ll touch on in a future post. Enjoy!

[Oh, Snap!] Slow Magic at The Roxy

Last night, Danny and I headed out to the infamous WeHo establishment ‘The Roxy’ to capture the beautiful beats and live antics of Slow Magic. Even though he performed at this year’s Lightning in a Bottle – with so much going on musically, I simply didn’t find the time to catch him so thank goodness I finally could cash in on this one. I’ve only heard a few singles from him so I wasn’t sure what to expect – between the live looping, energetic drumming and electrified mask – I was hooked. My only qualm about The Roxy is the all age mentality – nothing wrong with it at all, but when you’re nearing your thirties the last thing you want to do is hang out with high school students on a Friday night. But hey, at least the music was rad.

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[The Audiofiles] LIB ’14: Let The Beauty We Love Be What We Do

“Let the beauty you love be what you do;
There are a thousand ways to kneel and kiss the Earth”
Rumi

DJ Tennis at the Woogie

Dirt Devil Sized Woogies

Between the epic amounts of live music and menagerie of performers – from stilt walkers to fire dancers and back to the artists live painting  as part of The Do Art Foundation’s ‘Lightning in a Paintcan‘, the Lightning in a Bottle music festival has consistently and gracefully walked a thin line between Burning Man, where the festival draws it’s transformative inspiration, and the Coachella Valley Music and Arts Festival, where The Do Lab’s been curating their own bass heavy, freak friendly stage for the past decade.  Originally held in the sprawling Live Oak Campground in Santa Barbara where Lucidity Festival has been located for the last several years, Lightning in a Bottle’s been jumping around Southern California from Oak Canyon Ranch in Silverado in ’10 to Lake Skinner in Winchester for last year’s festival – all in search of a location they can continue to call home; and with the new location situated halfway plush in the hills of Monterey County between their devoted underground music communities of the Bay Area and Los Angeles  – it feels like they’ve finally found it on the North Shore of Lake San Antonio.

This guy was doing it right.

As with any year, this location wasn’t without it’s challenges – this wasn’t a festival that happened to have a camping option, this was a pretty rough and rugged camping trip that seemed to organically create a music festival inside of itself; and unlike previous years, the camping was intertwined with the festival grounds.  So, whether this was your first LIB or your third – everyone was met with new environmental challenges. Some people came prepared to let loose at a festival for five days, and just happened set up some tents while they did it – others came prepared to really rough it and set up camp for the weekend and happened to enjoy a festival while doing so.

As we waited in line for the mass exodus on Monday afternoon, dirt stained smiles and glistening eyes gave away the Thursday crowd that’d planned for Lightning in a Bottle for months – alternatively, complaints of heat exhaustion, distances to the stages paired with an overall lack of filth emanated from attendants that showed up with a last minute ticket Saturday morning unprepared for the mayhem and the magic. From Thursday when the majority of campers arrived through Monday afternoon when the majority left, we dealt with a high of 100°, a low of 49° (thats more than a 50° shift) and winds of up to 34 mph. If you were there, take a moment and brush that dirt off your shoulders – because there’s an actual chance with all those dust storms and dirt devils that there’s just a little bit still left over somewhere from the weekend, no matter how many times you shower or do laundry.  For those of you that have attended Burning Man, you’re well aware that the weather conditions at Lightning in a Bottle are nothing to joke at – and are at par, if not slightly more intense than last year’s Playa conditions.

Though held at Lake San Antonio, the lake was dry and the lake beds were converted into expansive camping space as well as two renegade stages – The Ditch, and The Drift; the former of which was hosted by Distrikt and now has it’s own Facebook page and the later was basically in my front yard and hosted surprise sunrise sets from the Desert Dwellers and Random Rab.  And for those that are still feeling the hills in their legs and thighs – there’s another reason to pat yourself on the backs, earlier this month on the South Side of Lake San Antonio, the Wildflower Triathlon was held for it’s 32nd year in a row.
Formerly a Chumash Reservation, Lake San Antonio is currently 30 miles from both a Recruiting station as well as an Army Base. Unbeknownst to festival attendants, residents of Bradley were given free entrance to the festival so they could experience the event firsthand and jump to their own conclusions about our intentions.  The second night of the festival, a rugged older gentlemen with an adorably welcoming olive green yoda beanie stumbled into my campsite and sat down with my friends and I.  After a small and socially awkward conversation, we realized that not only was he a resident of Bradley – but a US Army Vet with a conservative viewpoint and at that very moment time – a staunch representation of the reason transformational festivals are so important:

Well, I showed up in my camouflage hunting cap but that felt so out of place, so after looking around at the vendors I found something I was excited to wear – I lean to the right, but I have some real right wing friends and I can’t wait to show it off around them.

I didn’t know people could be so wonderful.  Originally, I didn’t want the festival here because I thought it would be a group of ignorant kids trashing the environment.  ” He admitted, “But now that I’m here, I see people throwing away their trash and looking after one another. This is a special group of individuals. There’s amazing live music, and the art! There’s so much art being created and being explored; I hope they have LIB here again next year, but if they don’t – I still want to go, and I’ll even pay for it.”

The Courtyard / Giggle Juice Cafe

The three main stages of the weekend – The Lightning Stage, The Bamboo Stage and The Woogie – each had such a unique feel and draw, which brought about three different types of musical crowds. Back at the road, back where the festival land starts is the Bamboo Stage – let’s think of this as your ‘One Night Stand’ or ‘Spring Fling’. You go there for a reason: you want to get your head warped and you feel an overwhelming urge to get hit with an epic bass drop; it hits hard, it’s sexy, it wobbles, shakes, can get sweet for a second but overall – the Bamboo stage is pure debauchery.

What So Not

 

 

Baauer

 

From the time Filabusta opened the stage at noon on Friday until the final set on Sunday, when The Gaslamp Killer gave everyone a lesson in Low End Theory as he hit them with the sound of an Earthquake – what happened at the Bamboo Stage was unprecedented, revolutionary and magical. Sunday afternoon was the hottest day of the festival both temperature wise (99) and musically.  From start to finish, the stage was stacked and hosted the surprise set of the whole weekendstarting with  Late Night Radio opening to a rapidly growing crowd.  There might be a limited dancing, but believe me, each and every last inch of shade was taken up by an eager crowd that didn’t care about a dancefloor.  Plantrae followed the only way he knew how, a melodic dubstep set layered with a live electric violin – the skills!   Other notable sets of the weekend came from What So Not, Cashmere Cat, who turned up the sexy on Saturday night, and Baauer who payed proper tribute to the Rap and Hip-Hop influences so readily heard in EDM.

 

Beats Antique Closing the Lightning Stage

The Lightning Stage is the ‘Long term, Serious Relationship’ stage: It’s moving, emotional, light hearted, romantic – but serious, committed (And if it’s Amon Tobin, it can be straight aggressive).  And just as anything emotionally important, the stage was tucked deep into the heart of the festival and was chalk full of emotionally moving music all weekend long.  Between amazing live experiences from Norwegian trio Kraak & Smaak, The Do Lab’s own Lucent Dossier Experience, Chet Faker and Phantogram as well as headlining sets from Gramatik and Gold Panda; each and every artist told a story, strung together beautifully and deliberately.

On Friday night, Moby threw a party straight out of a rave 5 years ago – as we shimmied up to the stage,  Infinity 2008 (Klauss Remix): Guru Josh Project: was blaring from the speakers – a bouncy, fun moment – but not what I had in mind when I chose LIB.  On Saturday, Amon Tobin threw an exceptionally well DJed party for himself and didn’t seem to mind that literally no one in the crowd was moving a muscle to the heavy, aggressive and industrial Drum & Bass tracks.  In contrast, The Polish Ambassador’s Sunset set on Friday night had everybody movin’ and groovin’ to his fresh beats, including the jumpsuited passe he habitually brings on stage with him and Beats Antique closed the festival with a visually stunning performance, getting the entire crowd – including local police officers – to get weird with friends and neighbors alike as they danced their cares away for one last night.

The Polish Ambassador at Sunset

Last but definitely not least, just a hop, skip and a jump across “The Ditch” – there’s that Woogie – your little sultry, sexy, little thing on the side where you go when you want to dance your cares away. From noon til midnight, Friday through Sunday, the Woogie was movin’ and groovin’ to deliciously deep house thanks to a brand new sound system from Pure Groove Audio.

Simian Mobile Disco holding down the Woogie

As the torch was passed from Los Angeles resident Tara Brooks to Maxxi Soundsystem and the bassline for ‘Regrets We Have No Use More’ came on, the dance floor exploded in energy; only to be topped by DJ Tennis, Damian Lazarus and the Dirtybird legend himself, Sir Claude VonStroke.  The jams continued into Sunday night where Lee Burridge played an All Day I Dream Set during the final sunrise and Simian Mobile Disco whipped up a seductive, old school set and reminded the crowd why they’re one of the best DJ duos in the business; simply put – if we ‘Eat, Sleep, Rave, Repeat’, they ‘Wake Up, Make Dope Music, Go To Sleep’

 

One thing I found – even though my days and nights were packed with activity, I felt like I both saw it all and saw absolutely nothing of the camp grounds.  On the first night during Ryan Hemsworth’s set at the Bamboo Stage, we jumped on the shuttle to Camp 13 (The RV Camp), because….well….just because – and it let us see just how expansive the festival grounds really were; absolutely astounding.If you had time between sets, you could wander into the vendor area to ease your hunger pains or get your fix of adorable festival worthy gear including Spirit Hoods, Jammy Packs, Electro Fur and amazing jewelry from the team at Third Eye Pinecones. As far as food was concerned, it’s a camping trip – so it’s always recommended to bring your own.  That said, the event offered some amazing food options ranging from Vegan to Vegetarian, and even Pescetarian if you were lucky enough to find the mouth watering sushi.  Between the breakfast burritos, seaweed salad, pizza fresh from the Do Lab’s Dough Lab that I’d gladly purchase any day of the week and smoothies – you could have your cake and eat it, too.  I’m all for conscious eating, so this was a great time to actively engage in the practice – but at the end of the trip, all I could think about was bacon.  Next year, if my camp plans a little better – we’ll just bring our own bacon, cook it – and add it to the breakfast burrito; hunger problem, solved.

Though it wasn’t as heavily advertised as the main lineup, other stages boasted smaller, but equally talented musical acts. San Francisco’s Silent Frisco hosted an after hours silent disco for the event once the main stage music had ended. San Diego’s Vokab Company and The Herbert Bail Orchestra wowed The Grand Artique – another alternative source of music for the weekend.  One wandering through the area was enough to delight and amuse the festival at large – with a mock election for Mayor, and a hidden speakeasy with some deliciously free pickle bottoms if you happened to know the password, or Joaquin Murrietta.

During the day, The Temple hosted talks from Bashar and Lucent Dossier Experience creator and Lightning in a Bottle co-founder Dream Rockwell.  Author Daniel Pinchbeck spoke on his book ‘Breaking Open The Head’ – a personal favorite’, Moby gave his thoughts on art as therapy and Youtube creator Chad Hurley divulged his secret recipe for following your dreams. Each night after the speeches were over, the venue hosted music – Wildlight – the emotive sideproject from The Polish Ambassador and Ayla Nereo – wowed the crowd early Saturday morning.  Sunday evening the was curated by up and coming Los Angeles locals, The Luminaries who brought in The Human Experience to close with a moving set on Sunday morning.

Wildlight at The Temple

 

Beyond the large, ornate and often fire engulfed art sculptures – thanks to The Do Art Foundation, easels scattered throughout Lake San Antonio filled with color as the festival grounds filled with happy campers.  A menagerie of local artists, including Vyal, Andrew Knights, Anthony West and Max Neutra, used inspiration from the festival to create paintings displayed at a showcase Sunday night of the festival, fully equipped with a silent auction. All proceeds go directly to the artists and a small percentage will go to supporting the public arts through the foundation, run by The Do Lab.

“This was my second year live painting at LIB and once again I was blown away by the amount of love and dedication that goes into LIB. Painting at LIB allows me to paint in a wonderful setting, converse with strangers about a variety of subjects and consequently feel true connectedness, spirituality and healing. When I paint I try to put the feeling of the music or talk into my work! Last year my painting evolved with the music I heard from the two stages I was I between. This year I positioned myself by the temple of consciousness and my painting slowly evolved into a psychedelic mandala! My surroundings inspire the direction of my work! I love how LIB allows me to push my work into new frontiers. The energy at the festival is my souls food!” – Andrew Knights

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Andrew Knghts with wife Amanda by his finished masterpiece

On Monday afternoon, as the temperature crawled past 100 – and everyone, for lack of a better term, was miserable.  As I looked around, I thought of everything  could do – I asked the Do Lab to turn the hoses back on, but they were busy – and rightfully so – trying to delicately tear down the Woogie. So I did the only thing that came to mind – grabbed a friend, unloaded squirt guns from our luggage, reloaded them with water and aimed them at the three hour line waiting for a shuttle that felt like it would never come.  Slowly, a collection of unspoken frustrated faces instantly lit up with excitement as they were drenched with some of the free water that was provided to the camps all weekend. A two person team became an eight person army, filling misters and hoses – bringing about smiles and laughs, camaraderie and community.

For five days – we camped under stars and a clear sky, told our darkest secrets to strangers and our deepest dreams to friends, laughed at the sight of bubbles and cried when we ran into an unexpected friend. We’ll always light up when ever we hear the words ‘Woogie’, ‘Drift Party’ or ‘Picklebacks’ and howling as the sun goes down might become second nature.  We weathered dust storms and heat waves with smiles on our faces and a bounce in our step.  Whether we met or not, if you were at Lightning in a Bottle – we’re forever bonded by this event.

As we left our beautiful, blissful weekend to returned to reality Monday evening, we were all confronted with current, tragic events in Santa Barbara.  For those of you that are new to the LIB Family, the festival community and the and Santa Barbara are incredibly close knit –  the Live Oak Campground where Lucidity Festival was held this past year played host to Lightning in a Bottle back from ’06 to ’08.  This past weekend was a beautiful, necessary and touching reminder that humanity at its core is wonderful, creative, giving and ever evolving. We build communities and families together, we help our weak and empower our strong. we dance with friends and laugh with strangers, we battle the elements and wish on stars.

We aren’t trying to say that it was the perfect conditions for the festival, but I’d like to argue that it was the perfect storm. The dry lake beds were more than we bargained for, but where some people lamented the exercise – others gleefully ran across, some holding hands, others  balancing ornate sculptures on their chins or giving their friends a piggy back ride – and some of us, including myself, had dance parties in the middle of the ditch and made new friends.  We’re a problem solving community that works together, in the moment, to find the best solution.  We’re strong, charismatic, energetic and whimsical with a lead by example attitude where no stranger is left behind.  Strangers instantly evolve into a camp, a tribe – a family.  People watch out for each other with flashlights, buy two drinks instead of one because they know if they’re thirsty – someone else has to be, too.

Every single person at Lightning in a Bottle – from your best friend to your camp neighbors, stilt walkers to the burlesque show at Amori’s Casino, the painters from ‘Lightning in a Pantcan’, costumed actors who stayed in character all weekend and the musicians themselves – each and every individual has a unique gift to share with the world. And we’ve proudly staked our claim as an empathetic band of weird and wacky humans just itching for our chance to give back.

As with any collective, as humans – we’re only as strong as our weaknesses; the time is now to explore your gifts and give back to the community that’s provided your personal inspiration.  It’s not the ‘Maybe Lab’ – it’s the Do Lab; do it with love, and do it now – there’s a whole family of people that can’t wait to see what happens next.

“Never doubt that a small group of thoughtful, committed, citizens can change the world.
Indeed, it is the only thing that ever has.”
― Margaret Mead

 

Sunrise Set: Desert Dwellers with some Ditch Dwellers

Speakeasy!

My Loves

 

Hosed Down during Plantrae

A huge thank you to The Do Lab, The Confluence, the Do Art Foundation and the extended Lightning in a Bottle family for such a  beautiful weekend. For every dollar donated to the proposed Chumash Heritage National Marine Sanctuary, The Do Lab will match the donation.  Please visit The Chumash Sanctuary Website for more information.

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

Photography Credit: Daniel Leist

[The Audiofiles] Set Times for Lightning in a Bottle Are Here!

There might still be four days left in the “real world”, but it already feels like I can already taste the salt air, feel the unabashed sun on my skin and feel the deep vibrations from Lightning in a Bottle.  There’s simply something so magical about the community, collaboration, conversation and creativity oozing out of every pore, person and performance.  Whether it’s live areal art, stilt walking, live painting, juggling, hooping, or  spinning fire – over the course of the weekend, it becomes hard to discern between the festival go-ers and the festival workers.  There’s a beautiful blur that leaves us wrapped up in the emotions of the weekend together, and we leave with an unbreakable bond that feels more like a heartwarming inside joke that we get to hold onto for the rest of our lives – or, until next year when we do it all over again.

The weekend features music on the more underground, underplayed spectrum of EDM – which is a wonderful change from the typical, redundant, fist-pumping festivals that I’ve gone to in the past.  Everyone from Moby to Kraak & Smaak, Simian Mobile Disco to Baauer, Wildlight to Late Night Radio, Tourist to Gramatik, and Amon Tobin to Little Dragon will be gracing the stages for epic performances all weekend long.   As with any festival, the conflicts will definitely be making my decisions a little more difficult.  Thankfully, I put out a recent guide to the Must See acts of LIB 

Set times for all things LIB were released this week so be sure to do your homework before you head to Bradley – you don’t want to miss out on the amazing opportunities of the weekend! Between yoga skill classes, culinary workshops, talks on sustainability, unified field theory, our unconscious mind and self-empowerment – during the day, there’s a little bit of something for everyone who’s looking to evolve themselves on a personal, or community level.  As the day carries on, classes turn into DJ sets and live ensembles – a mindful, intent community rises to their feet only to get down again with their bad selves on the dance floor.

 

I’ve created a few playlists for the weekend – but thankfully, if you don’t want to go through those motions – The Do LaB has just revamped their “In The LaB” series on Soundcloud with a slew of high-profile performances from last year’s epic LIB experience.

The Woogie Stage (pictured at the top) – feeds  on groovy, Deep House tracks and funky tech house beats and just released their 2014 teaser playlist with music from Dirty Bird master Claude VonStroke, Blond:ish, Max Cooper and more – and that’s just the tip of the iceberg. Peep the tracklist below for a proper introduction to this year’s stage.

 

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

[The Audiofiles] Silent Frisco Set to Takeover the Nighttime Airwaves at Lightning in a Bottle

SF---LIB-FB-IMAGE

From the US inception of the Silent Disco in 2007 at the Bonnaroo Music Festival, there was no doubt in anyone’s mind that this novel idea would become a bonafide hit at festivals and parties nationwide. This goes doubly so for Robbie ‘Motion Potion’ Kowel, founder of San Francisco’s famed Silent Frisco and Co-Founder of SunsetSF – not to mention the premiere Silent Disco DJ in the United States. Until 2011, Kowel spun the Silent Disco alongside DJs LOGIC, QUICKIE MART, and MEDI4 using one channel headphones manufactured by KOSS; now in 2014, you’ll find the Silent Frisco footprint at over 100 different events year round.

In the last two years alone, they’ve hosted monthly residencies in Los Angeles and San Francisco, had their hands on events from clients like Dos Equis, MacWorld, Yahoo and the L.A. County Museum of Art – not to mention the eye-opening experiences at music festivals nationwide like Electric Forest, Treasure Island Music Fest, Gathering of the Vibes, Camp Bisco, Ghost Ship Halloween, High Sierra Music Festival, Hornings Hideout, Sonic Bloom, Another Planet Entertainment, Insomniac Events, Madison House Presents, NoisePop and so much more.

Now, they’re pairing up with longtime friends and fun makers The Do Lab to bring their amazing energy, positive vibes and Silent Frisco-ing down to the hills of Monterey County for this year’s Lightning in a Bottle festival, held over Memorial Day Weekend. The Silent Frisco will broadcast for four nights over two channels with an exceptional roster of talent from all over the nation for four nights. On Thursday night, you’ll hear the tunes of Talking Heads vs LCD Soundsystem and the next night it’ll be Radiohead vs Daft Punk. This hefty portion of eclectic music has been meticulously schemed to ensure a sublime morning for all.

“After years of welcoming The Do Lab to produce stages at our greatest annual creation, Sea of Dreams, it’s only fitting that we should do the same for them at their incredible festival,” said Silent Frisco/SunsetSF director Robbie Kowal. “The Do Lab are among the finest of event producers and giving us “the keys to their sunrise” is an honor we do not take lightly.”

SF---LIB-POSTER

Silent Frisco will broadcast in our upgraded and expanded HushZone late night on Thursday, Friday, Saturday (that’s Friday, Saturday and Sunday mornings) from 12:30am until 7am. The eclectic lineup will feature nufunk legends FORT KNOX 5 and drum & bass innovator Thunderball, (both from D.C.) as well as LA/NYC Moombahton trailblazer Sabo. SoCal will be well represented with electro-swing producers THE GENTLEMEN CALLERS of Los Angeles, eclectic electronic stalwarts ROMY ACONA and PATRICIO, and two sets from AARON CASTLE, including his patented LCD Soundsystem set. NorCal will represent as well with remix aficionado Zack Darling, mid-tempo hero Malarkey, and downtempo producer INI. Silent Frisco’s residents will keep the trains on the tracks with sets by including resident DJs MANCUB, MATT HAZE and SHOUTS and Motion Potion’s patented Radiohead and Talking Heads sets.

Adds Kowal, “Silent Frisco creates a direct connection between the listener and the artist, which enables more creative, explorational sets. We pride ourselves on curating experiences that allow DJ’s to truly stretch and take the listeners on a journey.”

For additional Silent Frisco events in the San Francisco and Los Angeles area, head over to their website, Facebook or Twitter pages.

Keep up to date with all things Lightning in a Bottle and Do Lab with their socials –

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

For festival coverage, keep your eyes on The DJ List

[The Audiofiles] Lightning In A Bottle Is Cruising to Central Cali

Of all the magical experiences that 2013 had to offer, hands down – my weekend away at Lightning in a Bottle was hands down the best five days of the year.  From the creatively costumed concert go-ers to dance and yoga workshops, right on down to the live musical acts, live art and live entertainment – Lightning in a Bottle expertly tantalizes each and every one of the senses and left me both searching and yearning for more out of myself, my life and the community I surround myself with.

Between last year’s fiasco with the outlying community of Riverside County and a desire to please their loyal fans up and down the coast of California, The Do Lab knew that they had to switch something up about the location.  When the festival was still in it’s early years, it was held in the Santa Barbara mountains and over the last four years has been bouncing between locations around Southern California.  The weekend deserved a location as unique as the culture it emanates, and with it’s new location in the Central Coast – that’s exactly what it’s getting.  This year, Lightning in a Bottle is migrating up to the San Antonio Recreation Area in Monterey County and I couldn’t be more excited.  Not only is it equidistant from the amazing music communities in San Francisco and Los Angeles, but the new venue boasts more space than at the Live Oak Campground in Santa Barbara and the Lake Skinner Recreation Area in Temecula.  To boot, rain permitting we’ll be able to frolic in the lakes of the recreation area in the sweet heat of Memorial Day weekend; a stark contrast from last year when my friends and I got to tell folks to ‘Nama-stay off the lake!’ while trying to stay out of the immense Summer sun.

During the day, your mind is opened in so many directions with the plethora of enigmatic speakers and workshops.  They’re on everything from urban foraging, sustainability, sexuality, your infinite potential, inter-species communication and much, much more.  last year, speakers for the weekend included visionaries like Alex and Allison Grey, John Perkins and the author of one of my favorite books ‘Breaking Open The Head’ Daniel Pinchbeck;  workshops ranged from ritual movement, hooping, sacred dance and slacklining.  Scattered throughout the festival grounds are amazing, living works of art that evolve with the weekend with phenomenal artists from across the country and some of the most fun I had was routinely stopping by my favorites to see how they’re coming along.

As the sun starts going down, the beats begin to pick up and the community truly comes alive – spinning fire, gathering to admire live art and dancing to the infectious, underground sounds that are throbbing through the epic sound systems of the three main stages (the Woogie, Bamboo and Lightning) or one of two smaller stages at the Lumi Lounge and the Temple.  Each stage boasted a different assortment of acts, community and culture – at the Bamboo stage, you could get your grime on with gLAdiator, Griz, Kastle, Andreniline and the mud people (like, really though), the Lightning stage held the more theatrical productions like Emancipator and Nicolas Jaar and last but certainly not least, the Woogie got you to boogie with deep house DJs like Lee Burridge, Pumpkin and Marques Wyatt.

I went to Lightning in a Bottle with an open mind and no expectations; what I left with was an enhanced world view, self confidence and an amazing support system of friends new and old.

With a little something for everyone, this is an experience that I truly want all of my friends to be part of.  Tickets for this amazing five day experience go on 24 hour discounted sale on 2/18, and on 2/19 they’ll go on sale for full value.  Make sure to get yours quickly, this is one weekend not to be missed!

[The Audiofiles / Music Monday ] Keepin’ It Moving

In standard, normal, everyday time it’s really only been a week since I’ve been home from Lightning in a Bottle but truth be told it feels like another century ago; another me ago, even.  If you want to get down to brass tax – yes, in all honesty the weekend was absolutely transformational, mercurial and magical all at the same time.  I’ve spent the past week in a solid state of reflection about life, the universe…and literally anything and everything under the sun.

My love; my life.

Part of the reason Lightning in a Bottle was such a big deal for me emotionally was that it represented multiple turning points in my life.  First and foremost, back in 2010 I actually had a ticket for LiB – but because I was just diagnosed with Vasovagal Syncope  I sold my ticket to get my health back on track.  The year after, in 2011, was my best friend’s bachelorette party in Vegas and there was no way in hell I was missing that – so this year, my adventures to and at LiB seemed more than necessary and slightly overdue.  Then mix in equal parts falling in love with my boyfriend while two of my best girl friends leave LA for Montreal and Boston respectively, and I had a whole mess of a machine to figure out for myself. Phaedra and Jessica represent two different worlds of friendships to me, but are equally loyal and loving friends; it was a blessing to have them get to know each other last summer and as people have always said – how lovely it is that I’ve met two souls who make saying goodbye so difficult.

It’s not that I define myself by the friendships I keep, but I place a lot of value on their opinions and moral codes; then again, shouldn’t we all?  In the absence of both of them I’ve been doing some soul searching and emotional wandering with this mantra in mind: we’re all cups, full to the brim of emotion and with each interaction with others we’re constantly tipping out our emotions and being refilled by the thoughts and feelings of others; I’ve come out of my shell within the last two years and maybe the shape of my cup has shifted, or I’ve switched from still to bubbling water.  Either way, I’ve watched myself grow – mature – evolve – and I simply don’t have the same needs, nor the same amounts of patience, that I used to have.  Meaning a lot of introspection into what it means for me to both have a friend and be one.

Besides taking time to detox and emotionally decompress, this past week has been about intertwining friend groups and developing the framework for future plans and ideas.  Simply put, every since LiB there’s been a sense of passion, dedication, creativity and urgency from my group of friends – business plans, life goals, trajectory altering decisions – they’re being made en masse and I couldn’t be more impressed.  As my boyfriend put it – they didn’t call it the ‘Maybe Lab’ and they don’t call it the ‘Do Lab’ for nothing; we can’t wait to see what’s possible when we put our minds together for something positive!

Besides the introspection, we did manage to have a bit of fun over the past week:  last Thursday I discovered that one our of favorite DJs and Producers – Pretty Lights – was playing a free show at the Amoeba records in Hollywood so I went with a few of my guy friends and had an absolute blast! He even freestyled for us – so legit.

Pretty Lights gettin’ funky

And now, for the next two weeks, I’ll be doing absolutely as little as possible as I get ready for the ruckus and shenanigans of Hard Summer!  Just because I’m not out and about prancing to the beat doesn’t mean I feel like sitting still – so here are some jams to help you get through your Monday – your week – your whatthehellever – just dance!

Tracklist:

  1. TJR – Whats Up Suckaz
  2. Disclosure – F For You (Totally Enormous Extinct Dinosaurs Remix)
  3. Skrillex & Damian Marley – Make It Bun Dem (Dead Battery Remix)
  4. Major Lazer – Get Free (Ft. Amber Coffman) (Andy C Remix)
  5. Fatboy Slim & Riva Starr – Eat, Sleep, Rave, Repeat
  6. Sound Remedy – Chiaroscuro (Original Mix)
  7. Boys Noize – Starwin
  8. Diplo ft. Mike Posner, Boax van de Beatz, RiFF RAFF – CROWN
  9. Mounties – Headphones (Sleepy Tom Remix)
  10. Neon Jungle – Trouble (Monsieur Adi Remix)
  11. Foreigner – Cold as Ice (A.Skillz & Nick Thayer Bootleg Remix)
  12. Major Lazer – Bubble Butt (It’s The Kue Remix!)
  13. Gareth Emery & Krewella – Lights and Thunder
  14. Thrift Shop – Macklemore & Ryan Lewis (Kinetik Groove Remix)
  15. HeRobust x gLAdiator – We Are
  16. Rusko – Lift Me up
  17. Deadmau5 – Suckfest 9001
  18. Knife Party – LRAD (Erotic Cafe Remix)
  19. Calvin Harris feat. Ayah Marar – Thinking About You (Laidback Luke Remix)
  20. Krewella – Live for the Night
  21. Sleepy Tom – Let It Go
  22. Tommy Trash vs A Trak – Tuna Truffle (Tommy Trash Coachella Snack)
  23. Matthew Koma – One Night (Vicetone Remix)
  24. Smallpools – Dreaming (The Chainsmokers Remix)
  25. Capital Cities – Safe & Sound (Panic City Remix)