Tag Archives: Bass

[The Audiofiles] Coachella 2k17: Choose Your Own Auditory Adventure

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Photo:// Daniel Zetterstrom for Do LaB

Over the last two decades, Coachella has transformed from a simple music festival to a cultural time capsule.  Between the LA Weekly ranked munchies to the immersive artistic experiences, and of course the exceptional musical talent – the Coachella Music and Arts Festival provides an adult playground while tickling the senses in all the right places.

In event, and in ethos, Coachella is an elite gathering of international tastemakers and up and coming West Coast talent, ranging from musicians and artists, to stage designers, lighting and sound techs, production managers and more.  The festival curates from the creme of the crop, and the energy surrounding the event is palpable as everyone is operating at their highest frequency. And when I say everyone, I mean everyone. For two consecutive weekends, Coachella plays host to 125,000 domestic and international audiophiles, ten stages of music and around 200 musical acts spanning literally every genre, and then creating some live, over a 72 hour span. That’s just on site – so, if you found those numbers overwhelming, now – imagine being there.

That said, one of the many beautiful facets about Coachella is that it’s truly a choose your own adventure type festival, making the weekend anything you want to be. You can go to a punk show at the Sonora Stage one moment, then indulge your inner lyricist with Hip Hop artists from Travis Scott, Denzel Curry, Kendrick Lamar, and Schoolboy Q. Between the Heinekin Stage, Do LaB stage, Sahara Tent, Gobi and Yuma you can spend the weekend at a dance festival – wholeheartedly embracing the PLUR vibes that the event was made for. Or, you can only go to two days of the three day festival and spend the third having an actual vacation in Palm Springs, attend Desert X and come home revived for once instead of coming home burnt out. It can be a fashion show, a foodie’s wet dream or a family reunion, a chance for musical discovery and treasure trove of timeless favorites.  Sometimes it seems like the adventure chooses you, and not the other way around, but either way we all go in with one set of expectations and habitually have them slapped in the face, swirling at 180’s by the time we’re leaving.

The XX, Bon Iver and Bonobo were both gorgeous touches on the main stage, providing an oasis of calm in a colorful, and at times overwhelmingly overstimulating, storm; while in beautiful contrast, Kendrick Lamar closed the stage down on Sunday night, leaving the crowd with something to really think about. Per usual, the Sahara tent opened the doors to significantly more Rap and Hip Hop acts this year, once again providing a proper dance party with artists ranging from SNBRN, Galantis, DJ Khaled, Anna Lunoe, Gucci Mane, Autograf, GRYFFIN and more throwing down while keeping the energy up.

As with previous years, dance music has matriculated through the lineups on other stages beyond the Sahara. The Yuma provided a delightful disco den of deep, tech and progressive house with an internationally acclaimed roster of talent like Nora en Pure, Sasha, Tale of Us, Allison Swing, Dixon, Loco Dice, Hot Since 82, Four Tet-Daphni-Floating Points, and Maya Jane Coles.   Artists from Madeon x Porter Robinson, Justice, Tycho, Nicolas Jaar, What so Not, Jai Wolf, and Tourist were scattered from the Mainstage to the Gobi, and the Mojave to the Outdoor Theater. While the Heineken House and KROQ House both provided refreshing reposes from the rest of the grounds, with ample amounts of shade and air conditioning – two creature comforts that you have a hell of a lot more respect for after several days sweating to the beat in the desert. Last, but certainly not least, my home base and the place that always feels like a family reunion – the Do LaB stage.

As should be expected from Southern California’s premiere party planners, Do LaB’s stage designers outdid themselves with the construction of The Beacon, a bright and bold structure that will be coming with the crew to Lightning in a Bottle. Boasting a unique and expertly curated lineup for each weekend of Coachella, Do LaB’s stage is a wet, wild and whimsical artistic experience, fully equipped with dancing DJs, supersoakers, and high flying acrobatics; a festival within a festival, and a stage that’s a party within a party, quintessentially becoming a gateway drug to the beauty and beats of Lightning in a Bottle.

I think I’ve said this every year of Coachella, but kudos to the Do LaB for their impeccable bookings – perpetually and passionately giving us a birds eye view of the top acts in dance music.  If you’re in the mood for raw, upcoming talent – look no further than the first act each day: KNGSPRNGS, divaDanielle, Jonnie King, Oscure, Gone Gone Beyond and BOGL. Want a proper Sunday Funday dance party? Try the Desert Hearts squad on for size. And when it comes to big name artists, Do LaB provides an arena for artists to return to their roots – or just forge new ones, allowing for musical exploration and artistic experimentation.  For the first time since Chase & Status brought down the Sahara tent nearly a decade ago, Coachella had a true taste of Drum and Bass from Netsky and Liquid Stranger, oh – and then some guy named Skrillex showed up for a secret set and shut the place down, touching nearly every genre of music ever created and even creating a few new ones on the spot.  Other secret sets at Do LaB over the two weekends included Classixx, Richie Hawtin, Louis The Child, Rufus du Sol, Tycho and Autograf.

Two years ago, there was a giant caterpillar that roamed the festival grounds, metamorphosing into a lovely, large butterfly.  That was amazing.  Last year, there were corporate hippos, which were not nearly as cool as the butterfly but art being art, whatever – I liked them a lot more than the giant chairs and lamps which made me feel like my name was Alice, I ate something and now I’m in Wonderland…but Wonderland is just an Outdoor Ikea; anyways.  This year…well, this year someone let Dr. Seuss’s dildo collection loose among the main stages and though it provided some laughable moments, I just wanted that damn beautiful butterfly back.

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Coachella and the Goldenvoice name have grown exponentially over the last decade: adding more days, stages and weekends. But this year, for the first time in a long time – the festival increased in capacity as well, adding 25% in ticketed attendance and finally feeling the growing pains.  As festival population increased, the local Coachella Valley population also exponentially increases – and at a faster rate, to boot: consider the percentage of friends who would come and not even attend the festival, additional amount of event workers to handle the new stages, paired with a gross increase in the amount of events that occur in tandem with the festival – Goldenvoice’s LED Pool Party, Desert X and the menagerie of private parties for and by the musicians.

To combat the population  growth, the grounds were expanded and pushed back – but I actually had no idea where three stages were the first day, because fuck a map apparently. Yes, there’s a lot of room for activities but Coachella might finally be at the point of too much room for activities, when you actually get FOMO mid-festival because you simply can’t experience everything.   Handling the growth of the festival from inside it became relatively manageable by the end, but what wasn’t manageable was the parking situation which became exponentially worse as attendees trickled in through Sunday: causing up to a 3 hour backup as reported by the Press-Enterprise.  And if you wanted to forgo day parking and try using Uber, who has been touted as a partner with the festival itself, users were charged a disgusting minimnum of $175 – sometimes upwards of $250 – due to surge pricing as reported by the LA Weekly.  These two factors alone were enough to drive a variety of non-camping festival attendants to either exit stage left early Sunday and forgo favorite acts from Kendrick Lamar to Galantis, or take to social media to rant and rave about their first world travesties.

The adventures we choose at Coachella forge the musically monumental paths of the weekend, but I think the real testament to Coachella are the adventures we choose after we leave – did we find ourselves wanting more of a specific artist or genre?  Have we been rock fans our whole lives and suddenly find our niche with Dubstep and Trap?  Do we enjoy witty lyricisms in music and have a new appreciation for the incredible hip hop artists that were featured at this years event?  Do we snag our ticket to Lightning in a Bottle immediately upon returning home to decompress because we feel like we’ve finally discovered a hub of technicolor creation that mirrors the kaleidoscopic nature of our soul?

Despite the gradients of heat waves we endured for over 72 hours, each and every festival attendant left Coachella left feeling emotionally recharged, refreshed and revived – even if our sore muscles felt anything but.  We laughed, danced and discovered – not just music, but the true nature of ourselves: that child who had been forced to grow up that we’ve been shoveling under 40 hour a week jobs, forgetting that there’s another part to our soul that has needs and wants to – and fun in the sun with like minded souls to amazing music that touches every subject and genre is a large part of that. The idea of festival is necessary, when the only difference a stranger and I might disagree on is what our favorite act was – not which way they voted.

Keep your eyes on The DJ List as we dish on our top acts, best musical discoveries from the weekend and so much more.  To keep up on all things Coachella and their content curators, follow the links below – and be sure to keep your eyes and ears open because tickets for next year’s gala featuring Beyonce will probably go on sale any moment now.

Coachella // Website | Facebook | Twitter | Instagram

Goldenvoice //  Website | Facebook | Twitter | Instagram | Soundcloud

Do LaB // Website | Facebook | Twitter | Instagram

KROQ // Website | Facebook | Twitter

Photo:// Watchara for Do LaB

[The Audiofiles] DoLaB Does It Big With One-Two Punch of Coachella Lineups

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Curating their Coachella stage for the 13th year running, Southern California’s perennial party planners – the Do LaB – have announced an epic one-two punch with their lineup at this year’s Coachella Valley Music and Arts Festival. As the main festival has gained exponential popularity over the last decade, the Do LaB stage has evolved from a fixture in the middle of the music and mayhem into a festival all of it’s own, tucked into a corner while it turns up the vibes. Proving once and again that no one can put Do LaB in a corner.

This year, the creators of Lighting in a Bottle and Woogie Weekend give you a birds eye view into the best and brightest upcoming artists, as well as internationally acclaimed talent that’s set to wow the crowds. The only stage of Coachella with unique lineups for each weekend, this year they’re sure to bring the bass vibes of the Thunder stage, the House we know and love from the Woogie – and of course, the technicolor stage production that we’ve all grown to love. On a personal level, I’m super excited for this year’s Coachella because Do LaB will be unveiling a brand new stage design that’s sure to be an architectural delight.

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Weekend One boasts artists ranging from Los Angeles’ own Low End Legend Gaslamp Killer, the delicious beats of FKJ, and sets from Tara Brooks, Shiba San, Hayryre and Mr. Carmack. On the flip side, Weekend 2 features Claude VonStroke’s alter ego – or first ego for that matter – Barclay Crenshaw, Jan Blomqvist, a little SoCal spotlight with the Focus OC Squad – NonFiction and Josh Billings – and a Desert Hearts takeover with Marbs, Mikey Lion and Lee Reynolds, Drum and Bass a la Liquid Stranger and Netsky, and additional support by K-NG $PRINGS, Justin Martin, Jan Blomqvist and much, much more!

 

Can’t make it to Coachella this year? Never fear – there will be plenty of ways to prepare for Lightning in a Bottle, Do LaB’s fabled Spring festival, including parties all along the California Coast! For more on the Do LaB and Coachella, head to their websites or social media channels –

Coachella // Website | Facebook | Twitter | Instagram

Do LaB // Website | Facebook | Twitter | Instagram

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[The Audiofiles] Early Birds Get the Bounce: LIB PreSale Tickets Go On Sale Today!

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Every once in a blue moon, a festival evolves into more than just a weekend romp with newfangled friends and unlimited hours of music – it becomes a community that cultivates it’s own ethos, a family reunion drenched in techno and technicolor, a place that we call home for one weekend every year. That unicorn of a festival is different for each and every one of us, but for me – it’s Lightning in a Bottle. Now nestled into the campgrounds of San Antonio Recreation Area in Bradley, California – the Do LaB’s fabled Lightning in a Bottle Music and Arts Festival is set to return this Memorial Day Weekend.

Over the last decade, LIB has blossomed into a hub for West Coast Bass, House music that makes you Woogie and a vast array of both internationally acclaimed talent and up and coming, locally loved musicians, painters, and artistic visionaries – and this year, the festival will even have a few extra surprises.

Today, at 10 AM PST, the first round of tickets will hit the interwebs and with a stellar, sold out event last year you can bet your bottom dollar that these highly coveted Early Bird tickets will sell out quick like a bunny, while general admission tickets go on sale January 24th. Unlike previous years, there will be no one day or two day passes available for the event, every ticket will span the four days of the event.

Purchase Tickets Here!Relive the magic, music, and merrymaking of last year’s Lightning in a Bottle with this decadadently delightful video Directed by Ari Fararooy and Produced by Media Stranger.

For more on Lightning in a Bottle and the Do LaB, Head to their socials –

Website | Facebook | Twitter | Instagram | Soundcloud

[The Audiofiles] Lightning in a Bottle: A Journey to the Space Between the Sound

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A creatively curated three day adventure into a playground of house, bass and underground music equipped with immersive, thought provoking art – Lightning in a Bottle has had a special place in my heart for almost as long as I can remember.  When I went to school in Santa Barbara, I heard fantastical fables of a land so close, yet worlds away.  For my first few years in Los Angeles, I chased the dragon of a dream, coming in a day late and a wonderful weekend short. When Lightning hit Temecula’s Lake Skinner Recreational Area I finally dove in and experienced firsthand what was so highly revered about the event. Breathing in feelings like fresh air, I floated through the festival on Cloud 9 – forging bonds and breaking barriers, I reveled in my newfangled oneness with the world as I fell in love, over and over again on the grassy nooks and crannies of the grounds.  Watching as beautiful souls ordained in otherworldly outfits lost themselves to dance, I fell back in love with the moment.  Joining in, I could feel a shift in the senses, an emotional evolution mirrored with a social revolution, inspiring me to fall back in love with myself. As the festival  evolved,  I grew in tandem – learning to find my place within this novel conscious community as Lightning in a Bottle manifested from a boutique music festival to a staple of the West Coast’s festival scene.   Even with a migration to Bradley’s San Antonio Recreation Area, the magic was never lost – it was only magnified as serendipity met synchronicity.  Masquerading under moonlight, long lost and new found friends became family as we were initiated with glitter blessings and hugs, laughter and jubilation.

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Since its inception, Lightning in a Bottle has been an artistic catalyst where personal growth and spiritual renewal unfold infinitely into themselves.  Senses stream towards overload as colors dance in time with elaborate harmonies emanating from every corner of the fields.  The weekend celebrates much more than musical talent and artistic prowess; it’s the reunion and synergy of souls energized by the sunshine and their dancing feet; it’s the church where we revere our minuscule yet infinite place on this rock that’s spinning through space while we’re born again through the bass; it’s the home away from home where we feel so very safe, and so very loved.  Over the last three years, for one spectacularly extra-special weekend – I felt the pull, heard the call and knew where I belonged so it should be no surprise that I found myself back there this past Memorial Day Weekend, for another journey down the rabbit hole.

But unlike previous years, it didn’t feel like I was supposed to be there – my energy wasn’t focused on a festival, it was focused on my family; my mind wasn’t lingering on lineups or salivating over set times.  For the last decade, I’ve found sanctity and solace in festivals and on the dancefloor – my sweat, my hips, my feet, my heart and soul, and sometimes even tears were taken by the beat, and eventually I had to wonder: with all that we give to these events, our emotions, our headspace, our physical body, our money, our sobriety – what exactly are we getting in return? In a 31 going on 13 moment, I called the only person who could make heads or tails of a spinning situation – my dad; and I caught myself…because who in their right mind would deprive themselves of beautiful experiences, wonderful vibes, fantastic people, ethereal music and an otherworldly weekend? Most certainly not I – so last minute packing became a thing once again while I mused about the upcoming adventure ahead.

Since leaving Temecula, Lightning has been on the Central California Coast in Bradley and now that the event has found a more permanent home, it’s grown roots – both with the outlying community over it’s Permaculture Awareness Day with The Polish Ambassador, as well as implementing permanent infrastructure within the park. Between the water stations and the bridges between areas, seasoned festies were overheard in galvanized conversation about what the very first year at the campgrounds was really like.  For the first time, the grounds opened on Wednesday for select ticketholders and offered an extra day to set up, get comfortable and explore many of the non-musically inclined opportunities that the festival has to offer participants.  Yes, the world that the Do LaB has created there has massive amounts of music for those that want it – but for others, the festival also has beautiful spaces between the notes and serene silence between the music; the moments and love experienced outside of the stages were tantamount to the lucid dreams and delectable drops created on the dancefloor. There’s something to be said for the experience when the music is turned off, and the community vibes are turned all the way on – each and every one of us was operating at the highest possible frequency, making connections, forging bonds and cataloging moments that last a lifetime.

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Rousing ourselves for an early rise on Friday morning, we left right on time – which for us is exactly an hour after we promised we’d have the car packed and be on the road.  Perfect. After meeting up with some friends along the way to trade stories and party favors, Danny and I were off, off and away – celebrating our fourth Lightning together and our three year anniversary of saying ‘I Love You’. After a quick entrance, which I can only assume is one of the few benefits of arriving almost a day after most participants, we were onto the next challenge – finding a camping spot.  With how much fun we had as just the two of us without a squad at Shambhala, we were excited to set up shop and create ‘Camp New Friends.‘  Claiming a site near the corner of Monkey Business and Croatia, we felt like it was left there just for us; as we began to set up our shade structure and tent – Danny took one look around and exclaimed to our neighbors, “Hey, you – yeah, we’re gonna become really good friends this weekend.”  And let me tell you, I love it when he’s right. Cody and Dane from the camp behind us had our backs with the tent, and while we were setting up our shade structure – it felt like parallel worlds collided:  slowly and sweetly, a couple waltzed up into our peripheral view.  Under his breath, Danny started stammering ‘That guy looks like Mickey….I can’t wait to tell Mickey that I met his doppelganger….’ until….we realized that the doppelganger was Mickey!  A well kept secret and wonderful trickery only became more meaningful when we realized how organically we had all just found each other.

As Danny gathered his camera gear to head out to a quick shoot for the LIB Promo Squad, my cell phone vibrated with a silent intensity. My step mom had been back on the East Coast for the last week helping with a family emergency, and I’d gotten to the point that seeing her on the caller ID was equally warming and disheartening.  A short breath and two words into the conversation, and I already knew the direction things were headed.  With a late stage cancer diagnosis, we knew my aunt’s prognosis was bleak – none the less we’d been hopeful; after all – she’d been stable, she’d been laughing, she’d been being; but now we knew, that whether it was an hour, day, or a week – that was unequivocally all she had.  Forgetting where I was for a second, I sank into my skin and the feelings I had before we left, quietly begging me to stay, latched back into me. How would you live your life if you knew your own expiration date? You would push, dare and defy your ego to grow instead of denying yourself of the will to live.

Settling into our surroundings and cracking a cold beer as the sun descended from the sky, we were finally ready to head into the grounds. After wandering through Camp Altered States and catching up with friends over Mija’s basslines, we were off to catch  Big Gigantic on the Lightning Stage then slowly sauntered our way around towards the Woogie – I thought. The Favela Bar, which was once a smaller side stage had blossomed into a full on party brigade, fully equipped with all of the bass and all the vibes.  The music in there was so good that I could have easily forgotten about the Woogie itself.  Taking a break from the massive crowds, we found ourselves on a seemingly spiritual pathway to the Do Art’s artistic arena.

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After spending a solemn moment reflecting on what turned out to be my favorite piece of art at the festival -the powerful and poignant depth of this cascading collection of twisted wood and tangled emotions, we stumbled right into the delicate and deliberate strokes of Negne Mwuara‘s mural from this last Coachella. One of the pinnacles of the event for me has been the live art on the grounds, in between the trees and near the stages but this year it felt more scarce and hard to come by. Taking a lengthy lap between the easels, we literally walked right into our camp neighbors as we were exiting towards the Woogie’s booming techno vibes.

Delectable cucumber jalapeno margarita in hand, we wound our way around the Woogie’s dancefloor – trying to come to a conclusion on how we actually felt about the new stage design.  The treehouse DJ booth and whimsical color creations that oscillated like sound waves towards the sky, two facets of the festival that I thought were an iconic staple, were missing and replaced by industrial, neon piping which made me feel more like I was at a warehouse party in a technicolor boiler room than prancing in a magical forest among the faeries.  In the mood for the less traveled path, we headed around the back of the stage, down the abyss into the Grand Artique, cartwheeling into the emotive, instrumentation of LAPA.  Truth be told, for the first few minutes we weren’t sure who we were seeing – but we knew it made us feel a lot better after collectively missing Emancipator Ensemble; and then after a few minutes, we realized it kind of was Emancipator – it was Ilya Goldberg, Emancipator’s violinist, giving the most intimate of performances in a magical location. Heading back across the expansive grounds to our tent, pockets of after parties popped into existence – but none with the eclectic talent, lasting power or super awesome disco ball of Camp Altered States.

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The next morning, thousands of house heads and festival lovers flocked to The Woogie for a beautiful tribute to the musical legend of Pumpkin.  The hearts in our community have weighed heavy since his passing, and for really the first time since – the entire LIB community was together to celebrate the life he led, and the life he had inspired within all of us. Per usual, the heat beat its way into every daytime activity, making it necessary to have a water bottle in hand, a bandanna around your neck and a mister or fan in the friend group.  Taking our leisurely time, we meandered across the grounds to the food court near the Pagoda Bar to level up on some food.  Unlike previous years of LIB, the vendors this week had more to offer than just vegan and vegetarian offerings and we were  excited taking full advantage of the situation and then head back to the sanctity of the campsite.    Two days into LIB, and we’d already overused our joke about “Camping in a Bottle 2016” – there were literally some moments that it just seemed too hot to do stuff; blame it on our age, blame it on our psyches or willingness, but mostly blame it on the heat – all we could seem to do was sit around camp and share stories in the shade, which is an honest highlight of my weekend.

Saturday night we were on a mission, and found a perfect place to plant ourselves for the Lucent Dossier Experience.  Transfixed in the moment, the crowd almost ceased to dance, move or breathe until the tantalizing performance came to an emotive close – only to erupt in jubilant cheer.  As we sat on the ground, patently waiting for the Jamie XX to take the stage we found ourselves involved with what I still consider one of the most impressive glow stick ropes of all time.

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It started small, with our neighbors sitting in front of us gleefully funneling the pieces down a supply chain of silliness and we couldn’t help but join in once the chain reached us.  Once the people around us realized what was happening, it felt like all hands on deck as the glowing snake wrapped itself from the lighting booth and up to the front row – and back again before the start of the set.  I wasn’t familiar with Jamie XX before his set but I’ve easily been converted into a believer after watching him effortlessly move between three different equipment set ups and what sounded like all of genres: disco, house, funk, industrial, and some groovy warehouse tracks with heavy bass that were unlike anything I’ve ever experienced.  We felt the pull of the mindwarping, brain melting bass coming from Minnesota and G Jones B2B set at the Thunder Stage but after a few tracks, found ourselves back at the Lightning for the genius that is Jamie XX to finish our night.

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Both a festival and a nature adventure, Lightning in a Bottle was rich with reasons to ditch the cell phone and live in the moment, harmonize on your serendipity when you find long lost squad members and create new bonds when you can’t. And for the most part, I’d left my phone on airplane mode all weekend less talking to my parents when we set up shop on Friday, but Sunday I had a gut feeling that never left, and a last text to reaffirm my unfortunate suspicions – it was Sandy’s final night, and full of light and love, her life’s candle was snuffed out as her soul dissolved back into the collective unconscious.  

With little sleep in our veins, the whole camp was up and at’em early on Sunday morning, and with good cause – with all of our powers combined, we pulled off some epic bacon bagel sandwiches and finally had a family meal in the shade as we geared up for our last hurrah. Gathering our bearings, we were excited for a day outing with just a little less heat.  Making last minute wardrobe changes in the middle of a champagne campaign, I mused about the circumstances that brought us together and the friendships that we’d curated. And for the first time all weekend, all the camps that we’d bonded with were making it out to the dancefloor together; five camps that had fused into one – ten life trajectories that were tangled in all the right places for one a beautiful weekend.

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Dancing our way over to the Russ Liquid Test, the beat controlled my body as I giggled and grooved to this modern day jazz experiment, a funky side project that was perfect for my Sunday Funday get down. We ebbed over to the ethereal temple built from cans and upcycled materials and took in the final sunset while Desert Dwellers effused a tantalizing, tribal set that sent waves of euphoria through my veins.  Drinking in the moment, and a tasty margarita, our inner spirit animals came loose one last time, howling in delight as the sun made it’s last LIB descent, pulling a curtain of galaxies closely behind her.

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After a quick rendez-vous at the camp site, we gathered our squad for one final hurrah as we tromped through the festival grounds.  We drank from a giant spoon as we gleefully gallivanted  over to cacophony of carins in the shadow of the Ferris Wheel. Heading to the Favela Bar, B.R.E.E.D.’s tantalizing brand hip shaking, booty popping, soul writhing bass music was calling us and made it was easy to forget that anyone else was playing, let alone Mr. Carmack and Moderat.

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One of the only sets that caught my squads’ attention for it’s entire duration, B.R.E.E.D. had the entire side stage engulfed in the masterful, musical moment.  A perfect segue to closing the festival out with pantyraid on the Thunder Stage.

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Over the last decade, Lightning in a Bottle has evolved from a benevolent birthday celebration to a 20,000 person festival and growing. As long as the Do LaB has operated their stage at Coachella, there has been a technicolor wormhole that sieves rave babies and bros towards LIB.  In turn, the festival as no choice but to grow at an exponential level – and with those growth spurts come growing pains.  Now featuring a sold out crowd, almost every space feels cramped for the night time sets as stages filled with neon totems that in mass essentially block the stage. Within the five or six weeks between the two festivals, it feels near impossible to inform thousands of fist pumping, neon Sparkle Ponies on the ethos of LIB’s ‘Pack in – pack out’ and ‘Leave it better, leave it beautiful’ mentalities though they’re certainly hit over the head with reminders to buy their ticket and take the ride.  Beach cleanups pair up nicely with events they’ve paired up with like Subtract On The Pier while block parties and BBQs with street cleanups, and I believe there are ways to implement their green mentalities year round and in their home communities of Los Angeles, San Diego and the San Francisco Bay Area. But a place to buy extra trash bags, or a location to collect recycling and donate funds to the community or back into the event are also viable options albeit outside of the original ethos of the event.

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The magic and music of Lightning in a Bottle will always pull an esteemed crowd of audiophiles and art fanatics, merry makers and music lovers, festival families, LIB virgins and seasoned veterans – all coming together to celebrate this thing called life.  Put together with love and passion by the team at the Do LaB, this year’s festival boasted an immaculate range of talent and a community thirsty for Lightning’s transformative power. If you couldn’t get enough of the Do LaB crew at LIB, try out their Summer sister festival – Woogie Weekend just a few days away!  Soak in the sunshine while you bounce around to International House legends and locally loved Techno talent.

Tickets for Woogie Weekend are still available here.

For more on Lightning in a Bottle and the Do LaB, connect with them on their socials:

Lightning in a Bottle: Website | Facebook | Twitter | Instagram | Tumblr

The Do Lab: Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

All photography courtesy of Daniel Leist Photography

Website | Facebook | Twitter | Instagram

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[The Audiofiles] Dive Down the Rabbit Hole at Beyond Wonderland

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One day in 2006, a wide eyed, wanderlust fueled, dream weaving music maven was thrust into the world of electric skies and daisies, unabashed personalities paired with unapologetic beauty, a mixture of hefty bass and ethereal trance with what felt like an unlimited supply of good vibes and good times.  Now, a decade later – the young woman that evolved from the chaos of the last few years will be entering a new adventure: diving down Insomniac’s fabled rabbit hole and into my first Beyond Wonderland.

Returning for it’s 6th year,  Beyond Wonderland and it’s headliners return to the San Manuel Amphitheater and Grounds in San Bernadino, California for an epic adventure into the heart of dance music. Between the interactive art installations, costumed creatives roaming the grounds, free hydration stations and an incredible array of performers on four stages spread out among the grounds – Beyond Wonderland has something special up it’s sleeve for all in attendance.I can tell you right now that my Trance Arms are ready and roaring to go for the Outer Realm hosted by Dreamstate where FERRY CORSTEN will finally debut his live GOURYELLA set on Friday, and then I’ll be right back again the next night for some Bass and booty shaking with DOCTOR P and DELTA HEAVY. Check the set times (and potential conflicts!) below.

Even though Insomniac’s events were where I evolved into the audiophile I am today, I actually haven’t been back to San Bernadino since How Sweet It Is 2009 – when HSII still existed; and I haven’t been to an Insomniac festival since their first EDC in Las Vegas back in 2011. I can’t wait to be back, back with my neon brothers and sisters in a vibrant setting surrounded by fantastic music.

In the past few years, Insomniac has paved the way for some festivals to transform into camping utopia’s for festival squadrons from near and far – this year at Beyond Wonderland is no different! Dare to dream and wish upon a star in the decorated nooks and crannies of the campground, including access to morning yoga and a Silent Disco.

To enter the camping areas, you must have a valid festival ticket and be over 18. The tent areas measure 10′ by 10′ and there is a maximum of 5 party people per tent. Though you can park remotely and walk in, note that there’s a free lot specifically for tent camping purposes and the lot is limited to 1 car per tent spot.

“These Wonderland events were born and raised in Southern California, and so much of their unique style is inspired by the Headliners who attend them…the magical spirit of our Headliners continues to make Beyond Wonderland a special experience.”Pasquale Rotella, Founder and CEO of Insomniac.

Feeling the festival FOMO yet? Don’t fret, there’s still time to join in the fun!

Purchase Tickets Here | RSVP on Facebook and bring the squad!

For more details, follow Beyond Wonderland and Insomniac Events on their socials –

Beyond Wonderland: Website | Facebook | Twitter | Instagram

Insomniac Events: Website | Facebook Twitter | Instagram

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Article cross published on The DJ List – and stay tuned for a full recap and a plethora of pictures from my fantastic fiance 🙂

[Tech Talk] Feel The Bass With SubPac’s M2

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An electric rumble that started in the base of my skull is propelled forward, pulsing into my veins as frequencies are projected throughout my entire body.  Goosebumps overwhelm every inch of my skin as an amused grin creeps across my face.  Every nuanced note and each rhythmic rumble, from the smallest synths to blossoming batches of booming bass, encased the world around me.

With my eyes closed, I become the pulse of the dance floor.  It’s only when they open again that I’m rudely reminded that I’m not marinating in the music and mayhem of Coachella’s Sahara tent, bouncing around a world class nightclub like Avalon in Hollywood or entrenched in Drum and Bass at Shambhala‘s Village; instead, I’m dancing by myself with my headphones on in the middle of my living room, gleefully rocking a high-tech vest that feels like it came right out of Tron, only it’s the the latest and greatest in high tech, wearable tactile bass systems.

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Launching just this past October, the patent pending SubPac M2 is the latest and greatest in wearable tactile bass systems, gifting users a fully immersive, auditory experience that parallels the live experience on a grand scale while silencing the world around you. Featuring plug and play controls, a Bluetooth receiver, a high capacity rechargeable battery and a slimmer control box, the M2 is made for movement, allowing the wearer to dance the way they feel – and let me tell you, you’re about to feel some kind of way.

Currently used by industry leaders and international taste makers within the music industry, SubPac has more application than music creation, audio testing and pure enjoyment.  SubPac’s technology was integrated in the Virtual Reality enhanced premiere of Jurassic World as well as the “Fractal” concept car designed by Amon Tobin.  The brand also offers a 21st century approach to hearing lost, tinnitus and deafness, finding use at this year’s Rock in Rio festival in Brazil where the SubPac’s campaign granted the hearing impaired a boost of bass. While the human ear can only hear to down to a minimum of 20hz, the body can receive the rest as vibrations through your bones, and the SubPac can make you feel frequencies as low as 5hz – dishing out layers in favorite songs that you might not have known existed otherwise.

 “We are on a mission to introduce the physical dimension of music and sound to the world.   With the SubPac M2, we have created the most immersive wearable audio experience to date. Anyone can now experience audio the way the creator intended – full immersion, anywhere, anytime.”

–  John Alexiou, SubPac CEO and co-founder

SUBPAC M2 TECH SPECS                      

  • Frequency Response: 5hz-130hz
  • Wired Input: 3.5mm stereo
  • Headphone Out: 3.5mm stereo
  • Wireless Input: Bluetooth 4.0 with A2DP Streaming
  • Charger: 15V 1.6A 24W
  • Charging cable: Intl IEC-c7
  • Rechargeable Battery: 10.8V, 2300mAh Li-ion battery // 6+ hours a charge
  • Dimensions: 17” x 12” x 1.5” // 43cm x 30cm x 4cm)
  • Weight (including battery): 4.8lbs // 2.2kg

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The Wearable M2 and Seatback S2 are available for order now from SubPac’s website here.

With their patent-pending new wave audio technology, the Los Angeles based SubPac by StudioFeed is changing the game – one low frequency at a time.

For the latest and greatest in all things SubPac, head to their site and socials –

Website | Facebook | Twitter  | YouTube

[The Audiofiles] Shpongle and Alex Grey Grace the Stage for California’s Gem and Jam PreParties

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This year, as the 10th Annual Gem and Jam Festival prepares to touchdown in Arizona – two extra special evenings of creativity and consciousness will be ushered in around California in celebration. On Thursday, January 14th and Friday, January 15th, the foremost artistic creators and psychedelic thinkers will join forces under one roof for two nights of epic proportion; first at San Francisco’s 1015 Folsom and then at the Belasco, located in the heart of Los Angeles.

From the moment the doors open, dancers, prancers and merrymakers alike will dive in feet first to the true ethos of the Gem and Jam Festival. A bohemian bazaar of vendors adorn the walls with finest wares, including some of the magnificent specimens you’ll find at the Gem show in Arizona, handmade festival wear and illuminated flow toys that they’ll be happy to show you the ropes on.

Prepare your dancing feet and head for a delightful treat as Simon Posford delivers a body moving, soul grooving DJ set as Shpongle, accompanied by Ott.Russ LiquidAndreilien and Soulular. If one stage of music was phenomenal for the last Gem and Jam PreParty, then three are even better for this year! Los Angeles booty shakers and tastemakers the The A BUN DANCE stage features bass for your face from an-ten-naeMimosaHuglife MusicStylust Beats while The Cruz Coalition has curated a dance floor that focuses more on those four to the floor beats featuring WorthySacha Robotti, IAMNOBODIdivaDanielleDJ Loomer and RYBO

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The multitude of music textures and performances are mirrored perfectly with live painting from the genius of visionary artists Alex Grey + Allyson Grey, among other local and festival circuit favorites like Sam Flores of Upper Playground, Amanda Sage, Gabriel Welch, Benedigital, Anthony Sirios West and Jef Logan.  Visuals for the event will be done by none other than the esteemed Johnathan Singer of Tipper and Greatful Dead 50 fame.

Calling All DJs and ProducersThe team at RE:CREATION LA has an amazing opportunity for those that fancy themselves musical inclined. For your first chance at fifteen minutes of fame, Gem and Jam style playing alongside some of the most sought after names in the festival circuit.

To Enter: Submit a Short Bio, Photo and Link to your best work to eventagency.redefine@gmail.com by Friday, January 8th at 12:00 PM PST.

The team at RE:CREATION LA will select their top 5 submissions to share for voting this weekend; the voting process begins Saturday, 1/9 at 12PM PST and will end Sunday at 12AM Midnight with the winner announced Monday Morning, 1/11.

 

For more information on the Gem and Jam Pre-Party in LA, visit the Facebook page here.

 

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Not in California? No problem! Colorado will be hosting it’s own Gem and Jam PreParty at the end of January with Exmag, Defunk, and Mikey Thunder on Thursday, 1/28 at Cervantes’ Masterpiece Ballroom with headlinres Jason Burruss and Sassfactory in Denver and 1/29 at Hodi’s Half Note in Fort Collins with headliners iLL Banks and Jason Burruss.

More Details HereFor more on the Gem and Jam Festival itself, head to their official website and social media channels:

Website | Facebook | Twitter | Instagram