Tag Archives: Music

[The Audiofiles] DoLaB Does It Big With One-Two Punch of Coachella Lineups

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Curating their Coachella stage for the 13th year running, Southern California’s perennial party planners – the Do LaB – have announced an epic one-two punch with their lineup at this year’s Coachella Valley Music and Arts Festival. As the main festival has gained exponential popularity over the last decade, the Do LaB stage has evolved from a fixture in the middle of the music and mayhem into a festival all of it’s own, tucked into a corner while it turns up the vibes. Proving once and again that no one can put Do LaB in a corner.

This year, the creators of Lighting in a Bottle and Woogie Weekend give you a birds eye view into the best and brightest upcoming artists, as well as internationally acclaimed talent that’s set to wow the crowds. The only stage of Coachella with unique lineups for each weekend, this year they’re sure to bring the bass vibes of the Thunder stage, the House we know and love from the Woogie – and of course, the technicolor stage production that we’ve all grown to love. On a personal level, I’m super excited for this year’s Coachella because Do LaB will be unveiling a brand new stage design that’s sure to be an architectural delight.

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Weekend One boasts artists ranging from Los Angeles’ own Low End Legend Gaslamp Killer, the delicious beats of FKJ, and sets from Tara Brooks, Shiba San, Hayryre and Mr. Carmack. On the flip side, Weekend 2 features Claude VonStroke’s alter ego – or first ego for that matter – Barclay Crenshaw, Jan Blomqvist, a little SoCal spotlight with the Focus OC Squad – NonFiction and Josh Billings – and a Desert Hearts takeover with Marbs, Mikey Lion and Lee Reynolds, Drum and Bass a la Liquid Stranger and Netsky, and additional support by K-NG $PRINGS, Justin Martin, Jan Blomqvist and much, much more!

 

Can’t make it to Coachella this year? Never fear – there will be plenty of ways to prepare for Lightning in a Bottle, Do LaB’s fabled Spring festival, including parties all along the California Coast! For more on the Do LaB and Coachella, head to their websites or social media channels –

Coachella // Website | Facebook | Twitter | Instagram

Do LaB // Website | Facebook | Twitter | Instagram

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[The Audiofiles] The Bird Is The Word: Dirtybird Campout Returns Oct 6-8

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Spring has sprung throughout California, and now that CRSSD has kicked off Festival Season you best believe we’ll start swimming in salacious lineups any second now. The West Coast’s mecca for all things music, California has become a welcome breeding ground for newfangled festivals and novel, boutique festival events. Between tried and true favorites like Lightning in a Bottle and Desert Hearts to more intimate events like Lucidity Festival, Boogaloo, Woogie Weekend – festivals have popped up in every corner of Southern California, but none with the notoriety that Dirtybird Campout has to offer.

Nestled in the Live Oak Campgrounds where Lightning in a Bottle was once held, DBC combines festival, fun and friends for a hat trick weekend of musical bliss. This Fall, Dirtybird Campout returns for their third year running from October 6th through the 8th and they couldn’t be more excited. Earlybird Flash Sale happens June 17th at 10am PST.

This past year, the ringleader Claude VonStroke brought the homies Green Velvet, Marc Houle, Paranoid London, Machinedrum, Mr. Carmack, Catz ‘N Dogz, Tourist, Reggie Watts and of course the rest of the DIRTYBIRD family. Who will they bring this year? We’ll keep you posted!

Having festival FOMO from the last round? Reminisce and revel in the memories as you gear up for this year’s event!

<For more on the Dirtybird Campout, head to their socials –

Facebook | Twitter | Instagram

[The Audiofiles] The BPM Festival Goes Global With Expansion Events in Portugal and Brazil

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For a select group of audiophiles, the New Years celebrations have continued far into 2017 as they dance with delectable House and techno rhythms in Playa del Carmen at The BPM Festival, deep into the heart of the night. But for others – including the team behind the BPM Festival – this has been a time of change, growth, and transformation. With this year’s event in full swing, The BPM brand is excited to announce their plans to expand the franchise internationally with two new festivals in Brazil and Portugal in 2017.

From April 28th through May 1st, frolic in the gorgeous beach resort towns of Praia Brava, Itajai and Balneário Camboriú with Brazilian partner Gustavo Conti, owner of the esteemed Warung Beach Club. Known for their fabled sunrises over the open air venue, Warung Beach Club finds itself in the top quartile of The DJ Mag’s Top 100 Club polls. Meanwhile, across the pond in Europe, The BPM Festival’s Portugal iteration will descend on an untapped beach region in September and will be partnering with none other than Will Gregory of Goldfrapp fame.

Curated in almost a decade ago in 2008, the evolution of The BPM Festival has been a testament to the creative ethos cultivated by friends, Co-Founders and Directors Craig Pettigrew and Phillip Pulitano.

“…after 10 years of honing our craft, we’re ready to take our grand show on the road. We hope to continue our commitment to diverse and forward-thinking lineups and expand to new territories and show the beauty of the different countries to our international fans who are the true techno tourists.”Phillip Pulitano, Co-Founder + Director

For more on The BPM Festival, head to their socials:

Website | Facebook | Twitter

[The Audiofiles] Early Birds Get the Bounce: LIB PreSale Tickets Go On Sale Today!

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Every once in a blue moon, a festival evolves into more than just a weekend romp with newfangled friends and unlimited hours of music – it becomes a community that cultivates it’s own ethos, a family reunion drenched in techno and technicolor, a place that we call home for one weekend every year. That unicorn of a festival is different for each and every one of us, but for me – it’s Lightning in a Bottle. Now nestled into the campgrounds of San Antonio Recreation Area in Bradley, California – the Do LaB’s fabled Lightning in a Bottle Music and Arts Festival is set to return this Memorial Day Weekend.

Over the last decade, LIB has blossomed into a hub for West Coast Bass, House music that makes you Woogie and a vast array of both internationally acclaimed talent and up and coming, locally loved musicians, painters, and artistic visionaries – and this year, the festival will even have a few extra surprises.

Today, at 10 AM PST, the first round of tickets will hit the interwebs and with a stellar, sold out event last year you can bet your bottom dollar that these highly coveted Early Bird tickets will sell out quick like a bunny, while general admission tickets go on sale January 24th. Unlike previous years, there will be no one day or two day passes available for the event, every ticket will span the four days of the event.

Purchase Tickets Here!Relive the magic, music, and merrymaking of last year’s Lightning in a Bottle with this decadadently delightful video Directed by Ari Fararooy and Produced by Media Stranger.

For more on Lightning in a Bottle and the Do LaB, Head to their socials –

Website | Facebook | Twitter | Instagram | Soundcloud

[The Audiofiles] My Heart Is With Oakland

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Artwork from Elizabeth Reyes

Dance Music evolves at a lightning fast pace, and as we rush into the next moment, next song, next event and next festival at an exponential speed it somehow feels easier to forget the humble beginnings of the scene.  Now in 2016, EDM has bulldozed its way into the mainstream while the population has evolved into all inclusive hodgepodge of every type of soul the world has created.  But, a decade ago – two decades ago?

Dance Music was for the freaks and the weirdos, minorities and queers, artists and poets, lovers and friends, people questioning their social identity, people questioning their gender identity and people questioning life.

The dancefloors are full of personalities that felt they couldn’t fit in anywhere else, so instead of retreating into our loneliness, we used that feeling to bring us together, curating a safe space for us to coexist; it just so happened that we coexisted in the modern trenches, in warehouses, in pseudoaffordable units that more resembled a bohemian commune of like-minded individuals rather than the imposed housing infrastructure of common society. Because let’s face it, most forms of societal infrastructure seem null and void to many of us.  For a group of individuals that have stopped finding value in the monetization of life, the community gave something of actual value to us.

Our community was born in the dark recesses of abandoned spaces, decorating them with their technicolor energy and otherworldly grooves.    And the more underground the event? The better the crowd, and the beautiful ethos the events created felt palpable – like a silent passion by which each of us lived.  It’s easy to forget where you ended and the rest of the dancefloor began, as hot, sweaty bodies boldly paraded every which way around the dance floor as we slowly became one breathing, loving, living, dancing, conscious organism.

On Friday, December 2nd – the Dance Community was shaken by tragic news out of Oakland. An artistic collective known to some as Ghost Ship, others as Satya Yuga, caught on fire around 11:30 with dozens of people inside, with stairwells made of pallets, wooden decoration haphazardly strewn throughout the venue and exposed electrical cords.

 Image From Ghost Ship’s Website

From New York City to Los Angeles, Oakland, San Francisco and more high-density metropolitan areas – the popularity of Warehouse Parties has never dwindled, and the power of the internet has propelled their popularity while keeping some of their elusive secrets. Like many of my friends, when I first caught the news out of the Bay Area, my first thought was it that could have been any of us.  I was at a warehouse party just two weeks ago, I’m going to another on Saturday, and I’ll probably go to a handful every year, for the next decade. If you don’t go to warehouse parties, chances are you have a friend that goes, or will go – a best friend that delights on the dance floor, a lover that lives for the nightlife, a brother, a sister, maybe even a parent – because that’s the thing, unlike the way the real world feels every now and again, these events actually are all inclusive, they let you breathe, they let you be free and live precisely within the moment.  They’re a wonderful, whimsical ride – and to think that lives were taken away in the middle of one of those moments is enough to bring a grown person to tears.

The fire also highlights something that artists have felt in large urban areas forever – the financial pinch for housing.  Prices are astronomical and starving artists who live, breathe and eat their work will do anything, live anywhere, to fuel their creative fire.  Live with 10 strangers in a makeshift home? Sure.  Build a personal space in a loft with a dozen other creatives? Of course! Because artist housing isn’t afforable.

The unfortunate circumstances of the fire evoke a menagerie of feelings, from sorrow for my Bay Area dance community, to the empathic horror of the victims and victims families, to understanding the true nature of both the events we go to and the community we choose to thrive in.  From all accounts, Ghost Ship was as beautiful as it was a safety hazard – with exits boarded up, flammable decorations and a staircase made of pallets.  Things that from now on it’s up to the rest of us to call out, because again – from all accounts – this could have also been avoided if we chose to truly hold each other accountable.

As it stands, this is one of the deadliest structure fires in recent United States history. To assist victims of the Oakland Warehouse Fire, San Francisco’s Grey Area Art + Technology Group have put together a Donation Page while Professional Sports teams from the Oakland Warriors, who play at Oracle just a few miles from the venue, as well as the Oakland A’s and Raiders have a donation page as well. As of today, they have combined to raise over 600,000 for victims and victims families.

Grey Area Donation Page

A’s + Warriors + Raiders Donation Page

The nature of the fire has pushed Dance Music and Warehouse culture into the mainstream, and in an unfortunately negative light.  Event production companies will have to think twice, maybe even three times about the safety of their patrons and the venue, and the crackdown on both the artist collective lifestyle and warehouse parties themselves is almost inevitable… but please – don’t stop dancing.

For your own copy of the Oakland print, please head to our talented DJ List photographer Elizabeth Reyes’ ETSY. – all proceeds go towards the relief fund for the victims of the Ghost Ship fire

[The Audiofiles] Feel The Riddim This Thursday with Flex Up LA

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Los Angeles, kick December off right! On Thursday, December 1st, the International music collective – The Flex Up Crew is partnering up with Showcase Monday’s for an unforgettable night at Union Nightclub for the latest installation of LA’s Future Dancehall Night. Featuring the delectable sounds from Bad Royale, the locally loved Two Seven Clash, Ackee Juice Rockers and the evening’s special guests – Big Fish, you’ll be moving and grooving to the funky riddims all night long.

Tickets Available for $10 from TicketflyPushing the boundaries of bass, dubstep and moombahton – Southern California based Bad Royale has blossomed within the Dance circuit and honed in on their own unique brand of sound – Kingstep, while the Italian duo the Ackee Juice Rockers deliver a dancehall fusion of hip hop, electronic and ethnic rhythms within their DJ sets. Hometown heroes Two Seven Clash come Diplo approved and prepared to move, with one foot firmly based in the belief of Rastafari and the other planted on the streets of Los Angeles. Last but certainly not least, the night boasts beats from none other than Bid Fish – indisputably one of the most influential producers and DJs in Italy’s Urban and Hip Hop music scene, with various tracks and remixes released on Mad Decent.

Event Details
19+ to Dance, 21+ to Drink
Union Nightclub – Jewel’s Room
4067 West Pico Boulevard
Los Angeles, CA

Feast your ears on a taste of the weekend and get your dancing shoes ready – this is one event you won’t want to miss.

For more on Flex Up, head to their socials –

Website | Facebook | Twitter | Instagram

[The Audiofiles] Get a Dose of ‘Honesty’ With The Russ Liquid Test

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All Photos from Daniel Leist Photography

Back in 2015 when Russ Liquid brought Andrew Block onto the stage at the Gem and Jam Festival to debut his side-project ‘Stupid Americans’, it was evident that their musical bond extended far past what had manifested in front of us on stage. Between our elated eardrums and happy, dancing feet – we were fully immersed in musical bliss, swimming sweetly through sonic waves.  In a musical culture that more often than not rewards pre-programmed sound and demands levels of perfection that only pre-planned sets can deliver, it’s refreshing to experience the ever-evolving complexity of intelligent music that stems from live instrumentation and musical improvisation; the Russ Liquid continually dishes out just that.  As we walked away from Gem and Jam, we couldn’t stop gushing about how their sound, and their inspired, live collaborative process could blossom into something bigger than either performer could have imagined.  Fast forward into 2016 and a year and a half later, The Russ Liquid Test quartet is actively shaping the sound of the future.

The collaborative brainchild of Andrew Block, AJ Hall, Alvin Ford and none other than Russ Liquid himself – The Russ Liquid Test is in a genre all of its own: an avant-garde mix of Future Jazz and Livetronica, seamlessly pulling elements from Big Band, Funk and Soul.  They made their festival debut at this past Lightning in a Bottle, winning over the dancefloor with a Special Sunday set.  The Russ Liquid Test’s debut EP 1984 is set to drop on November 11th on Griz’s imprint All Good Records. Until then – we have a few salacious new singles to chew on and digitally digest.

Their debut track is the soulful, gritty ‘Honesty’, a single that both pays musical homage to the greats of the New Orleans Music Scene while manifesting their ethos for a new era of music. Moody and atmospheric, the vocals pull at the listener’s heartstrings with a slow, seductive quality that’s echoed by the Big Band sound of vibrant brass.  Joining The Russ Liquid Test on the track are Alvin Ford Jr of Dumpstaphunk and Pretty Lights notoriety on drums, and a horn section fully equipped with New Orleans players like Eric Bloom of Lettuce and the Aaron Neville Band. “Honesty” is available for streaming and download.

We wanted to create something that embodies both the modern sound of electronic music with the rich heritage of New Orleans music. so we mashed up electronic production with the sounds of New Orleans second line in a very unique way that is both future and vintage.” – Russ Liquid

The second single off of 1984 is the Hip Hop heavy ‘Land of the Free‘ with none other than Mr. Lif.  Pairing poignant lyrics on our current social and economic climate against the wailing, rally cries of the guitar – ‘Land of the Free‘ capitalizes on a cross-pollination of genres, expertly fusing Rap, Jazz and Live Electronica into a musical masterpiece.

For more on Russ Liquid and All Good Records, head to their social media channels –

Russ Liquid:  WebsiteFacebook | Twitter | Soundcloud | Bandcamp

All Good Records: Website | Facebook | Twitter | Instagram | Soundcloud