[Self Discovery] The Sanctuary of Sound

 “The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself.”

Friedrich Nietzsche

Back and forth, I paced through the living room, burrowing a path in my wake while my thoughts and anxieties replicate the pattern in my head. Wrapped up in some proverbial search for enlightenment, I’ve become consumed with undulating emotion that I’ve yet to find a way to express. Walking a thin line between loneliness and simply being alone, I try and covet each second like a blanket fresh out of the dryer yet I’m still beside myself, slightly disillusioned and mostly out of touch with my core.  It feels like emotional betrayal wrapped inside internal disintegration; the champagne supernova in my veins spilling over unwittingly, spiraling into a black hole.  I swear, I used to be at peace with myself.

Through empirical and existential experimentation, I’ve discovered that the self is a fragile entity, bound tightly by rhetoric and coddled by the ego.  Let love, kindness, happiness, curiosity and wonder in and the self opens like a blossoming flower; restrict any of these, replace them with dishonesty, jealousy, envy, belittlement or callousness and the self shrivels up and dries out, only to delicately crumble under its own weight.  Every once in a while, we need an outstretched hand and warm smile, a delightful emotional sprinkling of honest goodness; as people we need to be wanted – as blooming entities, we need to be watered.  Yet, we often forget that in order to maintain fulfilling external relationships, we have to be in tune with ourselves, we have to tune and play to our own resonant frequency without being drowned out by the chorus of noise around us.

We come into this life alone and leave it in a similar fashion, yet somehow along the way we become convinced that we as we are aren’t enough.  We’ve become subjugated by the notion that in our present state we aren’t enough, we give into the idea that we have to become more than we are. Get good grades to get into a good school, so you can have a good job – and your life will be good; so we give in, ascribe to a system that we inherently know we don’t want to be part of in order to appease everyone, except maybe ourselves. Thrust onto the world, we’re perpetually in search of the niche that we fit and the keys to the locks that release our chains and set us free; often forgetting that buried inside ourselves is the skeleton key, under layers of thick skin we’ve built to wall ourselves off and protect what we feel most delicately and deeply about.

For every reaction, there’s an equal and opposite reaction – this is as true for physics as in life, but it can be difficult to understand where, in this chicken and the egg spectrum, your pushing on the world ends and it’s pulling at your heartstrings begins.  For the past few months, I’ve felt separated from myself, setting forth an internal domino effect that’s forayed into my external life.  In becoming emotionally withdrawn, I became physically withdrawn, lethargic, apathetic and distrusting; opposed to work and even play, my smiles were fleeting and slightly contrived. I was lonely even though I wasn’t alone, an island that wished it was landlocked, forgetting it’s part of a bigger landscape. Finally, I broke out of my shell, shucked my thick skin in favor of a light soul; I resolved to rediscover myself, to unfold inwards and expand outwards, to fluidly move forward instead of passively pausing.

Somewhere in the two steps forward, one step back waltz of life, we forget that we need to be the leader and the follower.  That to be at ease with the world around us, we have to calm the calamity within. Whether it’s the schoolyard gossip spiked by adult behavior or feeling over-inundated with world tragedies, the world has weighed heavy on my shoulders lately and I haven’t been able to shake it off and set it straight.  Writing is my refuge, my safety net, my confidant and my therapy yet lately when thoughts bubble to my surface I play emotional whack-a-mole to drive them further inside, down to my core.

When words fail, music speaks – the sheer emotional power of a song can be unfounded, but in one way or another we all believe.  Music calls to me, like the howling wind on a desert night or a brightly lit path on a lonely night and on Saturday  it felt like the music was beckoning me, flirting with my faculties and seducing my sense as I entered the Shrine.  The four to the floor rhythm catalyzed my energy while a glow of sheer ecstasy emanated from the crowd; leave it to the dance floor to set me free. Embarking on the evenings auditory adventure, the trials and tribulations of my external world fell to the wayside while the music consumed me. Each and every person there has a world inside them that’s twisting, contorting and spiraling; but for one night, we were able to put our worries aside and plunge into life.

Losing ourselves to rhythm, our limbs eagerly erupted into harmonic movement. In discovering the we between you and I, we pass each other in elegant dance instead of silent ships in the night, as if saying ‘the chaos in me acknowledges the chaos in you.‘ Though we might have arrived alone, we come together in symphony while marinating in the miracle of each moment, undulating as one giant organism.  The dance floor is our savior, the music is our sanctuary and the DJ is our saint. Those who fancy themselves religious have their church on Sunday, but my church congregates in the depths of the night to create new bonds and forge deeper relationships, with the world and most importantly – within ourselves.

And those who were seen dancing were thought to be insane by those who could not hear the music.”
Friedrich Nietzsche

[The Audiofiles] Ipman Releases Delightfully Dark Debut LP ‘Depatterning’ on The Glitch Mob’s Glass Air Imprint

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Prepare yourself for an auditory adventure into the throws of industrial synths, brooding tech house basslines and ominous undertones as Ipman presents his debut album ‘Depatterning‘. Releasing via The Glitch Mob’s Glass Air Records imprint and Tectonic Recordings, Depatterning‘ is the fantastic culmination of two dedicated years in the studio honing his unique and experimental sound that sits delightfully between UK Garage and Future Bass.

Originally hailing from a small rural English town, Ipman – better known as Jack Gibbons – has passionately curated an album that draws equal inspiration from rave culture as it does his personal technological advancements in instrumentation. The album was hand crafted by tech savvy Gibbons, down to the very instruments used: experimenting with both modular and granular synths and rewiring the drum machine.

“I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results.”
Ipman Through discordant bass and dissonant tones, Ipman’s record is a delightful deviation from predictable, four to the floor club bangers. One listen to ‘Depatterning‘ and you’ll be craving a 3am moment at a Warehouse party.

‘Depatterning’ Tracklisting
1. Regicide
2. Technicolour
3. Gravity
4. IPA
5. Last One In The In The
6. Y
7. O
8. U
9. Strong Ones

Depatterning is available for purchase or for listen via streaming in a menagerie of different mediums from Ipman’s website here; choose your auditory adventure whichever way you best see fit – iTunes, Amazon, Spotify, Google Play and more!

For more on Glass Air Records, head to their website here

Get to know Ipman through his socials –
Website | Facebook | Soundcloud | Twitter

Originally Featured on The DJ List

[The Audiofiles] Celebrate 3 Years of House, Techno and Love as the Dirtybird Crew Heads to Desert Hearts

In the past year, the Desert Hearts team has taken the dance music world by storm. Between a record label that’s more interested in creating a melodic mood than making money, an iconic club event that catalyzed into this year’s “Summer of Love Tour” and appearances at major festivals across the West Coast from Lightning in a Bottle to Symbiosis, the Dirtybird Campout to Transmit Festival, there’s simply no stopping this rag-tag team of musical merrymakers. This November, they’ll be returning to their stomping grounds in Southern California for the Desert Hearts 3 Year Anniversary Festival from November 5th through the 9th. and everyone wants to get in on the fun.

In addition to Desert Hearts residents Mikey Lion, Lee Reynolds, Marbs, Porkchop and Deep Jesus – joining in on the Fall fun are international stars and homegrown favorites including Dirtybird Record’s Claude VonStroke and J.Phlip, the legendary Doc Martin, Andreas Henneberg, Kate Simko, jozif, David Scuba, Dance Spirit, Tara Brooks and more.

Desert Hearts is truly one stage, one vibe and one sound – but beyond that, Desert Hearts is one dancing, breathing, living and loving organism that feels like home the second you enter. This November, come marinate in the music with over 100 hours of House, Techno and Love and revel in a weekend off the grid with other sonic souls and kindred spirits.

Purchase Tickets Here | More Info Here

For more on Desert Hearts, head to their socials:
Website | Facebook | |Soundcloud

Miss the Spring Festival? Catch up with my Desert Hearts Recap Here!

[The Audiofiles] Another Night Out, Another Dance Floor with Late Night Alumni and DJ Firefly

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Last Friday night, hundreds of eager, friendly faces crowded into Orange County’s Yost Theater for a musical treat.  For the first time almost a year, down tempo house sensation Late Night Alumni was slotted for a headlining set with support from local talent DJ Firefly and A Baum.  In the last decade, Late Night Alumni have championed their own unique style of downtempo, ambient electronic music that incorporates equal parts electronic production and organic instrumentation. Originally a quartet with Ryan Raddon of Kaskade fame, Late Night Alumni currently tours as a duo – angelic vocalist Becky Jean Williams with John Hancock, a prolific producer, with Finn Bjarnson occasionally making it a trio.

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DJ Firefly kick-started the evening with a proper punch and pizazz.  A California transplant originally from Michigan, Firefly lit up the night with an eclectic mix of deep, tech and progressive house you couldn’t help but bounce around to.  From 10pm to close, the mood was set at a magnificent high as the vibrations from the speakers matched the energy on the dance floor.

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Up next, DJ ABaum took the decks, ebbing and flowing through bass heavy EDM bangers – leaving the crowd wistfully wondering how the night would segue into Late Night Alumni.

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As Becky Jean Williams‘ ethereal vocals dazzled the audience, I found myself equally entranced by John Hancock’s expert skill with the multitudes of instruments on stage, including an electric piano, violin and a Thermin.  After seeing Oliver Huntemann live on a ReacTable a few years back  in Los Angeles, I’ve been prepared for almost any instrument to be brought out on stage, but the Thermin was novel – and I was impressed.

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Live performances are the blue moons of EDM shows, with a set magnificently strung together with purpose, pride and passion.  Throughout the night, Late Night Alumni found a way through their entire anthology of hits, mixing newer tunes from their 5th and latest studio album, Eclipse – released on Kaskade’s Arkade imprint, and of course some oldies but goodies like Empty Streets and 4AM.  

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Photography by Daniel Leist / Daniel Leist Photography

For the full album, head to Facebook

For more on Late Night Alumni, DJ ABaum or Firefly, head to their socials –

Late Night Alumni: Website | Facebook | Twitter | Soundcloud

DJ A-BAUM: Website | Facebook | Twitter | Soundcloud

DJ Firefly: Website | Facebook | Twitter | Soundcloud

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[The Audiofiles] Make Wednesdays Wobble at LA’s Low End Theory

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Basking in the success of their second annual Low End Theory Festival, Los Angeles’ Low End Theory stands as the wobbliest weekly Wednesday night adventure in town. Reveling in rambunctious lineups, stacked to the brim for your listening pleasure, their calendar perpetually showcases blossoming local talent alongside international stars and talented residents Daddy Kev, Nobody, Nocando and The Gaslamp Killer. Beyond their weekly gigs in the City of Angels, Low End Theory heads to Japan on a quarterly basis and bounces off to San Francisco, New York City and even off to Europe every once in a blue moon. With Echo Park’s The Airliner as their home base, the Low End Theory Squad has cemented more than just a name for themselves on the West Coast, they’ve started a movement, paying homage the fusion of Hip Hop within Dance Music with Glitch Hop, Future Bass and Experimental Dub.

With almost nine years under their belt, their underground following has catapulted them to international acclaim while refusing to go mainstream – letting the artists and their work marinate within the counter-culture and breed creativity within the dance music community. Artists like The Glitch Mob, Flying Lotus, Nosaj Thing, Baths, Thom Yorke, Erykah Badu, Earl Sweatshirt, Mr. Carmack, Daedelus and TOKiMONSTA have all graced the decks at Low End Theory, leaving a strong legacy of auditory taste-makers behind. For a closer look at the ethos of Low End Theory, go ‘Looking for the Perfect Beat’ in a documentary produced by founder Daddy Kev and Music Documentarian Matthew F. Smith.

Low End Theory is gearing up for their 9 year anniversary, coming in hot on October 14. Don’t sleep on this wonderful occasion, snag your tickets now and get wobbly with your Wednesday.

RSVP HereTonight, join in on the fun with Daddy Kev, The Gaslamp Killer, Nocando and Nobody as they’re joined by TEEBS, DAYE JACK, OICHO and B.R.E.E.D! The Airliner is 18+ to Dance, and 21 to drink with a $10 cover at the door. Featuring house regulars TeachingMachine on visual duties and Pure Filth with sound reinforcement, it promises to be one wonky evening!

For more on the Low End Theory – head to their socials:

Low End Theory: Website | Facebook | Twitter

[The Audiofiles] “Rise” and Shine with Lane 8’s Debut Album, Out 7/17!

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Hot off the Festival Circuit with an amazing set at The Do LaB’s stage at Coachella, the ever fantastic Lane 8 is at it again – this time presenting his debut album “Rise”. Releasing on the Anjunadeep imprint of Anjunabeats, “Rise” will fall into our little paws on July 17th. The 10 track musical adventure fuses ethereal melodies with deep seeded emotions and effervescently lifting moments. From the Hypem #1 charts to expertly crafted remixes from EDM giants like Above & Beyond and Eric Prydz, all true music lovers should stop, drop and snag this beautiful album. From impeccable instrumentation, down to the vocal prowess of Solomon Grey, Matthew Dear and Patrick Barker, “Rise” celebrates the entire breadth of dance music in it’s most beautiful form.

Track Listing

1. Loving You
2. Diamonds feat. Solomon Grey
3. Klara
4. Ghost feat. Patrick Baker
5. Cosi
6. Hot As You Want feat. Solomon Grey
7. Undercover feat. Matthew Dear
8. Sunlight
9. The Great Divide feat. Ara Scott
10. Rise
11. Diamonds feat. Solomon Grey (Live Version)

The first single, “Ghost (feat. Patrick Baker),” is another classic Lane 8 vocal moment in the vein of past hits “The One” and “Nothing You Can Say.” “Ghost” will be available as an instant download alongside the Rise pre-order via iTunes. Starting next month, Lane 8 will be out and about touring the world, with festival season stops at Spring Awakening, Bestival, What The Festival, Global Dance Festival, Northern Nights Music Festival, Ilesoniq and more. A forthcoming world headline tour will be announced in the coming weeks.

Tour Dates
Sat. May 16 – Helsinki, FI @ LE BONK
Fri. June 12-Sat. June 13 – Toronto, ON @ Bestival
Fri. June 12-Sun. June 14 – Chicago, IL @ Spring Awakening 2015
Fri. June 19-Sun. June 21 – Dufur, OR @ What The Festival
Sun. June 28 – Novalja, HR @ Hideout Festival 2015
Fri. July 17-Sun. July 19 – Morrison, CO @ Global Dance Festival
Fri. July 17-Sun. July 19 – Piercy, CA @ Northern Nights Music Festival
Fri. Aug. 14-Sat. Aug. 15 – Montreal, QC @ Ilesoniq FestivalStay in touch with Lane 8 through his socials:

Website | Facebook | Twitter | Soundcloud

Cross Published on The DJ List

 

[The Audiofiles] Blast off on an Interstellar Adventure with Michal Menert’s “Space Jazz”

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After witnessing the Michal Menert Trio Live this past February at Arizona’s fabled Gem and Jam Festival, I’ve been eagerly awaiting “Space Jazz” so I’m personally pleased to announce that Menert’s latest album is finally here! With a background firmly rooted in both hip-hop and soul, Michal Menert continually pushes the boundaries of modern artistry to create conscious music that you can groove to. Released on 4/21, the 15 track LP fuses the passionate pursuit of musical creation with cross genre collaboration with a menagerie of talented artists like Marcelo Moxy, JK Soul, C1 and Paul Basic – the other half of the duo Half Color with Menert.

“I wanted to make an album that you can lose yourself in, with subtle details throughout and a narrative dictated by feelings so that the listener is taken on a journey guided by the vibes from one track to the next. The end result is one of my proudest offerings, and the most cohesive work I’ve every released.” – Michal Menert

You can stream the whole album now on Soundcloud, or head to the following sources to purchase the album:

Bandcamp | iTunes photo f1c0704d-53dd-4b2e-b7b0-17c6fccf3c5b_zpsggxyblzp.jpg

Stay up to date with Michal Menert through his socials –

Website | Facebook | Soundcloud | Twitter

Cross Published on The DJ List