[The Audiofiles] Desert Hearts: There’s a Message in the Music

Photography by Daniel Leist

Last Thursday night, we congregated in hushed tones – packing, plotting, scheming over what the weekend would bring. Not to say that my friends and I are novices to music festivals – quite the opposite in fact –  but it’d been a good minute since we’d all had a ‘first’ in the music scene.  Friday morning we woke up to delicious threats of coffee and impending adventure just around the corner.  After loading up our cars to the brim with the bare necessities, we were off down the rabbit hole on an adventure for the books; reverse skydiving into a whimsical, wonderful world where the unexpected was probable and the possible was unlike anything you’d ever experienced. Scrolling through the lineup for Desert Hearts, we collectively knew about a third of the musical acts…between the seven of us.  This was our inaugural Desert Hearts experience and we all knew we’d be in for a special treat. What started two and a half years ago as an intimate renegade gathering in the Mojave Desert has transformed into band of brothers and sisters over 2000 strong.  For the 6th installment of Desert Hearts, we traversed inland to ten acres of sacred space belonging to the Los Coyotes Band of Indians; it’s the largest reservation in San Diego County, boasting a healing, vibrant landscape.

By all standards, this isn’t your normal 3 Day Music Festival – featuring not just one love and one vibe, but one stage for a wild romp through nuanced variations of House, Disco and Techno all weekend long.  Hosted by an equally eclectic, talented and mindful group, it shouldn’t come as any surprise that they’ve spurred a community based artistic platform appropriately called Desert Arts while simply giving away all their music – singles, albums and sets – for free on Soundcloud just for the sake of sharing their passions with the world. They’re a philanthropic, warm heart-ed, collaborative, conscious and creative entourage and it’s reflected within the community that they’ve cultivated.

After two hours in the car, laughing, musing, and daydreaming about our first Desert Hearts experience we valiantly arrived at the check-in point, blaring the last heavy bass drop we thought we’d hear for the next three days. Greeted by the Green Team, we were welcomed with warm smiles and a set of trash bags so we could keep the grounds as wonderful as we’d found them, Within minutes, we’d conquered the campground and picked the perfect camping spot – surrounded by equal sun showers and shade during the day, and ample starlight melded mystery at night.  Gallivanting towards the stage, we noticed ‘Desert Hearts’ necklaces glistening in the sunlight and immediately mused that we all wanted one; within seconds of stepping foot onto the dance floor, a beautiful soul named Purps pranced our way with a sparkle in her eye and giving in her heart. ‘Welcome to Desert Hearts!’ she smiled, ‘This is for you!’ What a wonderful, gesture – as if we’d manifested this ourselves. Immediately, we found our groove and held it for a transformative, magical, inventive, musical 72 hours while playing, prancing, hugging, dancing, giggling and shining in the Spring air.

Sultry sets, plush with body bumping, soul thumping Tech House from Jamie Schwabl and Tara Brooks of LA’s own Wülfpack kicked the night off right while hoopers, poi perfectionists, fire dancers and creative artists of all types scattered throughout the forest.  Up next was hands down, one of the most phenomenal  back to back sets I’ve borne witness to.  Philipp Jung of M.A.N.D.Y. and Audiofly expertly crafted a phenomenal Tech House set as the rare and highly acclaimed supergroup ‘M.A.N.F.L.Y.’  You could watch them put their minds together, determining the collective fate of the dance floor with excitement and glee. Evening manifested into morning, and a beautiful Blond:ish sunrise set. Though the temperatures got down to as low as 40 a night – we found that if you stayed on the dance floor and shook your groove thing, you could stay warm all night by heating up the dance floor with your stellar moves.

Waking up Saturday morning surrounded by a lush landscape, the cacophony of nature purring over a four to the floor bassline, completely disconnected from all forms of technology was the epitome of bliss.  Looking around, I was proud to be a member of this new tribe – a warm welcoming group of idiosyncratic individuals, donning duds from eons past into the further future; cummerbunds, galactic glitter shorts, top hats, bunny suits, glowing cat tails, bubble guns, flow toys and more shimmed around me – and that’s just from our campsite.  All it took was a day, and our ethos felt preserved, like a time capsule or a pressed flower. Adjusting to our beautiful new reality, we bounded down the trails in search of friends and mimosas, melody and merrymaking and found ourselves in the art tent, enraptured by the work of Jef Logan.

As we collapsed over each other while giggling in time with the music, Marbs casually strolled through the room with a hop in his step, a glimmer in his eye and his parents by his side. Sauntering to a sitting position, we gleefully exclaimed to his mother how amazing the festival was and that the beauty, art, creativity and kinship they were witnessing were possible because of their influence before resuming our cuddle puddle, once again lost in the shadow play and sunlight.  Starting our walk back to the campsite to prepare for the evenings festivities, Danny and I were stopped in my tracks by someone asking for a favor; we weren’t sure what we could offer, but decided to play along anyways. After handing over a copy of Shel Silverstein’s ‘Where the Sidewalk Ends‘ we were immediately whisked ten feet away to a stage where we were the main attraction for dozens of eager beavers, ready to lap up our linguistic talents.  “We’ve picked a poem for you! Would you mind reading? We’re ready!” Before my brain had a second to flirt with declining, I’d started in, with Danny chiming in on the next line.  Back and forth, we wove through the stanza in an impromptu slam poetry performance that reinvigorated my soul and humored my funny bone.

Reassembling back at the campsite, we kicked off Saturday evening with a hike into a gorgeous, open field.  For a few moments, we forgot there was even a festival in the background – less the dull roar of music in the distance. Quietly, we marinated in the beauty of the moment, our minds wandering outward to the cotton candy sunset cascading through the sky and inward, firmly grasping the concepts of community, friendship and love on a new, unified wavelength.  Shaking our way back to the stage, freak flags flew vivaciously from each and every direction as the freedom of individual self expression sprang to new heights, where inner children, superheroes, gods and goddesses emanated from each and every one of us. With one stage, one vibe and one rhythm – we’d metamorphosed into one giant, living, breathing, heartfelt, creative, magical, giving, dancing organism with the stage as our collective heartbeat.

The tunes Saturday night were a Desert Heart’s family affair, eloquently flowing between Deep Jesus, Marbs, Porkchop, Mikey Lion and Lee Reynolds from 6 at night til 4 in the morning. One of the many beautiful things about Desert Hearts is there’s no distinction made between performers, artists, musicians, production, staff, crew, festies and fanatics – there aren’t VIP passes or VIP booths, because w’re all DHP – Desert Hearts People. What that meant, was anyone and everyone was allowed to roam as they pleased across, around and through the campground; leading the most cavalier of folk to snag their five minutes of fame behind the DJ booth with their crew. Lost in a groove to a gorgeous rendition of Fleetwood Mac’s ‘Dreams’, we danced the way we felt while bubbles and glitter cascaded around us. I didn’t make it to Atish, but my friends that did let me know how much I missed out.

By Sunday, we’d perfected the Desert Heart Bob – or the DHB for short – while salaciously serendipitous meetings of friends and strangers alike pulled on our heartstrings. Hilarious, funny and pun riddled totems floated throughout the festival with as much character as the individuals porting them.  There were festival go-ers from all walks of life, with one foot firmly planted in the convoluted reality of a 9 to 5 working job, while the other tapped in time to it’s unique, effervescent rhythm.  Desert Hearts is proof that if you build it, they will come; and if you play it, they’ll dance. The music on Sunday was on point, and heavier on the bass.  The night before, we discovered a full banana costume next to us on the floor – it wasn’t til Sunday’s shenanigans with Monkey Safari and the crowd going completely bananas that it all made sense.  Going into the evening, I’d reiterated over and over that we couldn’t miss Wobs; and did he ever hold up his end of that bargain. From the giant zebra flying through the crowd, to hilarious cardboard cameras with his name on them – his stage presence spoke volumes and the crowd celebrated in kind.

As we packed up our campsite Monday morning, we couldn’t help but reminisce on a beautiful weekend past and a bold new future to take the reigns on.  With the mentality of radical self reliance, we collectively decided that since we hadn’t exactly paid attention to which was the trash and which was the recycling – we’d lend some hands to the Green Team to sort through them; after all, it wasn’t on them that we didn’t remember, but I guarantee we all will next time!  To reward ourselves, we took one last stroll onto the dance floor and closed out the festival the only way one should – with the Desert Hearts DJs taking the reigns as a family, in an epic back to back set that I’m thrilled I got to witness. Hands down, one of the most beautiful Monday afternoons I’ve ever had.

Rousing ourselves away from the dance floor, we became lost once again in the moment – a 72 hour moment that seemed to linger like a perfume, tangled in the wind.  For 3 days, 72 hours, 4320 minutes, 359,200 seconds – glitter was a color, hugs were currency, laughter was lyrical, smiles became medicine and we truly were one. We came to Desert Hearts with beautiful intentions and without expectation and we left with our heads in the clouds and our feet still on the dance floor.  We laughed, danced and cried tears of joy; we were shaken to our core by how awe inspiring this world is and shown time and time again that it’s up to us to not only leave it better, but leave it beautiful.

We are all Desert Hearts, and there’s a message in our music. 

A HUGE thank you to the Green Team for promoting sustainability and ensuring we left the venue better than we found it; the Los Coyotes Tribe and Tribal Police for allowing us to gather and celebrate on their land; the Dance Safe Team for promoting intelligent partying; Symbiotic Creations and Alternative Lighting Solutions for a stunning stage presentation; Shangri-Lawless and Pile Palace for the great conversation and overflowing cuddle puddles; Harmonic Light for the unreal, unedited, mind blowing long exposure pictures; the Fire Performers and Dancers for a stunning display of grace and beauty;  the Desert Arts Foundation for the  enchanting and talented artists and art scattered throughout the festival; The DJ List for entrusting us to tell the world about our astounding experiences and Daniel Leist for being the best photographer, best friend, partner in crime and love a girl could ask for; the beautiful community that gathered together for four days and three nights under the stars with one heartbeat under one sound and last but certainly not least: Mikey Lion, Lee Reynolds, Marbs, Porkchop, Deep Jesus and the rest of the wonderful Desert Hearts family for an astounding event that inspires creativity and consciousness, individual evolution and communal revolution.

Make sure you stay in touch with Desert Hearts for the dirt on their next festival:

WebsiteFacebook | Soundcloud | Twitter | Instagram

For the rest of the Album – Head to our Facebook Page and Daniel Leist Photography

“I’m not strange, weird, off, nor crazy, my reality is just different from yours.”

[The Audiofiles] Funky Beats for a Funky Mood

   

 Originally, when I was getting ready for today’s post I had nothing but House, Techno, Love and Desert Hearts on the mind; if you’re not familiar with the group, trust me when I say over the next few years you’ll be hearing this name more and more frequently.  A band of merry music makers and rump shakers from in and around San Diego, the Desert Hearts tribe is more than just a community of conscious music lovers – they embrace the yearning, creative fire that burns inside all of us and manifest it into a whirlwind of a weekend.  From Friday morning through Monday morning, I’ll be grooving and moving to 72 straight hours of House Music.  If you think of EDC like a race, and Lightning in a Bottle was a marathon – ths might just take the title of Hippie Olympics in my book (sorry, LIB – it was good while it lasted!).  Plus, don’t get me started on the time, energy, love and passion it takes to last a week in the Desert for Burning Man – especially since I’ve yet to experience my own Playa Magic!

But, apparently – life had other plans for me. In the last 24 hours, I’ve dealt with and processed more emotions than I care to know about or share.  It should’t seem so convoluted that the world can turn on top of itself in the same amount of time it takes to breathe, blink and iterate a heartbeat – but at the end of the day, it still is.  I’m aware that we can only conquer or emotions if we make a conscious choice to control them, and doubly so that the people in our lives can give us expectation hangovers.   On a personal level, I absolutely am enthralled by people who are passionately, unequivocally, unapologetically themselves – almost to a fault.  I love the humanity it in, however flawed it potentially could be.  But somehow, all of a sudden – because I’ve never installed rules, guidelines or boundaries – it all backfires. You know, those fast friends where you invariably said some familial form of ‘I Love You’ much too soon without getting to actually know them; the people that you accept at 110%, but then refuse to give more than 25%.You don’t adopt a dog expecting it to meow, and you certainly don’t acquire friendships for the flippant sake of social guise.  The friends that I keep close to my soul are the ones that love me for the person I’ve become and constantly challenge me to be the best version of myself.  At moments of stagnation, of static movement – we’re not just standing still but we’re moving backwards; especially in a world where we have to run so fast just to stay in place.

‘When words fail, music speaks’ so I’m going to shut up and let these songs take it from here.  My heart hangs heavy, but my eyes are hopefully and my mind is open.

[The Audiofiles] Rain Man Sets Solo Career Ablaze with Debut Track ‘Visionary’ Featuring Sirah

rainman

After setting the internet ablaze last year after leaving the talented dupstep triumvirate of Krewella, we’ve all been (im)patiently for Rain Man to come through with a solo career. The brains behind the bass and the passionate producer of the bunch, Rain Man more than made a name for himself behind the decks of Krewella and now he’s stepping out into his own spotlight. On March 29th, he’ll be kicking off a series of solo shows in Miami and now he’s rousing interest and ruffling feathers with his first single – ‘Visionary’, featuring Sirah of Skrillex and Alvin Risk fame.

Out today on Buygore Records, “Visionary” is the track we’ve wanted for the last year and simply haven’t gotten. Between the booming bass and seductive vocals, it’s easy to forget you’re not listening to a Krewella track; flip your script and remember who crafted those crushing beats and you’ll be singing a different tune. The track comes to life with the rumble of a Reggae infused Dubstep track, with delicately layered lyrics over crushing basslines – perfect for all hours at your favorite dance hall.

“The lyrics for visionary are super dark. Basically I’m talking about the decision every artist needs to make, where you either stay true to what you believe in or you bend your art to fit in a lane. I make my own lane,” – Sirah

Rain Man kicks off his solo tour in Miami at the Buygore Pool Party on 3/29, with stops in Chicago, New York’s Webster Hall and Avalon in Los Angeles on 4/17.

Purchase “Visionary” on Beatport

For more information on Rain Man, head to his socials –

Website | Twitter | Instagram | Soundcloud| Facebookrain

Article Cross Posted in The DJ List

[Tech Talk] The IFPI Shifts Global Record Release Day From Tuesday to Friday

With the growth of the Internet, streaming media and haphazard album releases stemming from illegal downloads and pirating – it makes all too much sense that the industry standard for music would eventually shift, and artists across the genres are both actively pushing back. Within EDM, take into account Spor’s latest album ‘Caligo’, released weeks early because it was leaked in it’s entirety, Knife Party’s willingness to give up ‘Abandon Ship’ to eager fans, and of course – there was the media aftershock of Queen B’s self titled album release on a haphazard Friday in 2013. The simple fact of the matter, is that musicians far and wide have effectively been forced into forking over their music before it’s official release date.

In the wake of almost six months of discussions with record companies, musicians, music executives, music unions and retailers – the International Federation of the Phonetic Industry, commonly abbreviated by IFPI, has announced a pivotal shift in album release dates – moving it from the traditional Tuesday that we’ve all grown up with and flipping it to Friday. There’s been push back from indie labels and merchants, who are against implementing a change – but all things considered, they might not have much say.

From Frances Moore of the IFPI:

“…Moving a whole industry to a global release day involves big challenges. Inevitably a global project involving more than 50 countries is not going to make every stakeholder in every country happy. There will be upheaval for some, no doubt. However, the truth is that there has been no credible alternative to a Friday proposed that would work at the global level.”Considering labels such as Spinnin’ Records, Tool Room and Revealed aren’t part of the current IFPI – as a whole, EDM might not necessarily abide by the new regulations for music. However, considering the high rate of cross-collaboration and crossover between Pop Music and EDM, the question remains – how will the Dance Music Industry be affected? And for now, we don’t have the answers.

[The Audiofiles] Prowl for the Perfect Beat with LA’s Low End Theory

Delve into the unique underground music scene in city of angels, as music aficionados at the Low End Theory Club passionately pursue the creme of the crop in the industry as they go ‘Looking for the Perfect Beat.’ Fall down the rabbit hole as you’re fully immersed in the hip happenings of the Summer of 2013 – an epic Summer of music in LA, indeed. Featuring the likes of auditory tastemakers like Thundercat, the Gaslamp Killer, TOKiMONSTA, Jonwayne, Baths, Daedelus, Ras G, Teebs, D-Styles, edIT of the Glitch Mob, Astronautica, Free the Robots, and Matthewdavid – this is a no holds barred look into creative process of these internationally acclaimed musicians. Stock up on some snacks and get cozy on your couch as the didactic soundtrack for the film virtually creates itself to the pulsing beat of LA nightlife.


Looking for the Perfect Beat – Trailer
from Alpha Pup on Vimeo.

Told in time as a 24 hour narrative, the viewer is firmly implanted in the heat of the moment and the heart of the dancefloor while given a creative fly on the wall perspective. ‘Looking for the Perfect Beat’ beautifully delves into the humanity of the artists, expunging their craft while learning about them on a more personal level. Directed by seasoned music documentarian Matthew F. Smith, and produced by Low End Theory club founder Daddy Kev, ‘Looking for the Perfect Beat’ provides a holistic view of L.A.’s key players in this generation’s electronic music landscape while instilling hope for the future of cross-cultural creative unions. Purchase the full movie on Vimeo here

You can catch Low End Theory every Wednesday Night in Los Angeles: 18+ at Airliner – 2419 N Broadway 90031, Quarterly in Japan: Tokyo – Osaka – Sapporo – Himeji, and sometimes in Europe, NYC and San Francisco.

For more on Low End Theory, head to their socials –

Website | Facebook | Twitter

[The Audiofiles] Enrapture Yourself in the Feminine Mystique with Alia’s Female Medicine Project

Even though we’ve made ample progress for women within dance music, EDM could almost be a coined term for Electronic-Dance-Misogyny. Somewhere, within this male dominated industry and between the scantily clad go-go dancers at nightclubs and PTot’s proudly displaying nothing but pasties and Little Black Diamond shorts, there’s been an emblematic shift in the treatment of woman; the great news, is there’s a new generation of woman out there who are confident trailblazers, well dressed disco sirens and engaged members of the music scene and it’s about time you’ve heard their roar.

With the support of transformational artists like Kayla Scintilla and Eve Olution, West Coast Bass Music recording artist Alia has made it her goal to build up the female bravado within the industry. It’s not about diminishing the talented men out there, or waging a gender battle – but about establishing an empowered female entourage, willing to creatively curate their unabashed talents and make themselves vulnerable enough to share their craft with the world.

“I have a theory: I’ve worked with women very closely for over a decade as a facilitator and coach and I have noticed that women are struggling with personal confidence. They often don’t feel safe to be fully expressed which can hamper their creative expression. This is often why we don’t see them stepping on to the stage as much as the men. I have become passionate about supporting women to move through their inner experience of their limitations so that they can feel safe to step out and let this project be an inspiration and a model for how women can come together to support each other to create great art and grow our careers.”
-AliaAnd as Kayla Scintilla says on his Facebook: ” Great to see the rise of the feminine in the scene… not as a take over of the masculine but as a much needed balancing of the scales. The only way we can truly dance is together!”

Bringing together an all star cast talented artists across the board, like vocalists, musicians and producers like Aleksandra Dubov, Amae Love, Amma Lightweaver , Ali Kane, Amadora, DJ Dakini, Eleanor Tara, exceptional violinist HANNAH, Heather Christie, DJ Dakini Wahkeena Sitka, Prrisma Liquid Love Drops, Kaia Ra, Kristyn Pixton and Choreographers KC Baker, Tenley Wallace, Sonya Stewart – Alia is empowering the feminine mystique through collaborative, creative endeavors while inspiring passionate, positive women to put themselves out there for the world to see. The final album will be mixed by the masterful masculine energy of Chris James, Geometrae and Theo Brahma of Entheo with the final mastering by Dubvirus.

Meeting their goal on Kickstarter means they’ll be able to produce a unique 13 track album on a smaller imprint, market the album and cover the costs of the campaign.

“We will share the Feminine Medicine original music as it is ready bringing along some the vocalists on the album to perform live with me and a number of high-caliber dancers and choreographers to create a full infusion of the Divine Feminine. This will also include costumed performances choreographed to the music. In addition, we plan to mount the full stage show choreographed to the full album of music at a Bay Area location in the Fall. To produce this I already have 5 talented choreographers on board and at least 10 dancers.Let’s build a world where women feel free to express themselves creatively; head to the Kickstarter here, and join the cause. For more on Alia, check out her socials –

Website | Facebook | Twitter | Soundcloud

[The Audiofiles] Bass Physics Revamp Echosmith’s “Cool Kids”

With a tinge of Electro Soul and a whole lot of bass expertly layered over glitch infused Dubstep – Colorado duo Bass Physics has been cementing a name for themselves in the festival circuit. In the past few years, they’ve graced the stages at Global Dance Festival, Decadence NYE, and South Park Music Festival – just to name an elite few. When these gentlemen take the stage, a sonically soothing vibe resonates over the crowd while smiles abound on dancing faces.

While on tour the past year, their releases were kept to a minimum – good thing that’s all about to change. For their first release of the year, Bass Physics laid their eyes on Echosmith’s indie pop hit “Cool Kids” and never once looked back. The groovy new single is currently available for Free Download, so dance your way to their Soundcloud and have yourself a little mini tribal while you’re waiting for the weekend to set in.

From our own experience of growing up in a public school system, there is enormous amounts of pressure on kids to conform to social norms, good and bad. Preventing natural development of character, our society emphasizes being normal or “cool,” rather than being independent and unique. This track inspires us to ignore the norm and live the life that we want to live; we aim to inspire others to do the same.

UPCOMING SHOWS:04/10-12 – Euphoria Music Festival – Austin, TX
04/25 – Red Rocks Amphitheater w/ Savoy – Morrison, CO
04/30 – Waverly Hotel – Cumberland, BC, CanadaFor more details on Bass Physics, head to their socials –

Website | Facebook | Twitter | Soundcloud